Ann Juries-May is an actress, presenter and voiceover artist who is currently starring as Claudia Cupido on KykNet en KIE’s telenovela, Arendsvlei. In 2018, she starred in Tara Notcutt’s historic production of The Taming of the Shrew at Maynardville, which resulted in her Fleur du Cap Theatre Award nomination for her performance. On screen, she was recently seen in a Showmax crime series, Die Byl and stars in the highly anticipated Afrikaans Feature film ‘n Ander Mens, which will be released later this year. Her theatrical career has seen her collaborate with The Magnet Theatre Clanwilliam Arts Project, The McGregor Youth Arts Project and arepp: Theatre for Life. In 2014, Ann moved to Vietnam, where she dedicated her time to studying the martial arts form of Vovinam. She is also a founding member of the Hai Phong Youth Theatre, where she held weekly drama and movement workshops. Returning to South Africa in 2016, she is also a seasoned voiceover artist. Her work includes radio and television commercials, animation and public service announcements.
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Through The Lens: The Taming of The Shrew
A historic production of Shakespeare’s popular comedy, The Taming of the Shrew, will be presented at the Maynardville Open-Air Theatre, directed by Tara Notcutt and featuring an all-female cast and creative team. Award-winning director Notcutt is making history with something never before seen on a South African stage: an all-female version of a Shakespeare play. She leads some of South Africa’s most celebrated actresses in a version of The Taming of the Shrew like it has never been seen before: a meeting of classic text with modern twists, including lip-synching, 90s fashion, and an all-female cast playing men and playing women, supported by an all-female creative team. This production also makes history as Notcutt becomes the 5th women in 61 years to direct a Shakespearian production at Maynardville. We were invited to attend the cast’s first day of rehearsals and get a sneak peak at this groundbreaking production.
All photos by Jesse Kramer. Continue reading