Jill Levenberg is an award-winning Film, Television and theatre actress. At the moment, she is currently starring as Mymoena in the long-running TV series, Suidooster. She has been receiving critical acclaim for her role as Ellen Pakkies in Ellen: The Ellen Pakkies Story, which marks her first leading role in a film. Jill has worked extensively in theatre and television since graduating from the University of Cape Town with a Bachelor of Arts (Hons) in Theatre & Performance and English Literature, graduating on the Dean’s Merit List. Her theatre credits include Medea, Blood Brothers and Orpheus in Africa which awarded her a Fleur du Cap Theatre Award for Best Supporting Actress in a Musical. Select film credits include Noem My Skollie, Fluit Fluit, Abraham, While You Weren’t Looking and Uitvlugt. We sat down to chat with her about her career and her emotionally demanding and boundary-pushing role in Ellen. Continue reading
Jenny Stead is an actress currently starring as Judy Boone in the South African premiere of the West End and Broadway hit, The Curious Incident of The Dog in the Night-Time. After graduating from the University of Stellenbosch, she won the Vita award for Best New Actress for her performance in Fiona Coyne’s Glass Roots. Jenny won a Fleur du Cap for her performance in Reza de Wet’s Breathing In, followed by a tour through the USA and Europe with the New York Colonnade’s production of the politically charged, Truth In Translation. She was nominated for a Fleur du Cap for Best Actress in A Musical for her portrayal of Janet in The Fugard Theatre’s production of The Rocky Horror Show. Her fourth Fleur du Cap Nomination was for The Visit in 2018. Her film and television credits include The Poseidon Adventure, Starship Troopers 3, Restless, ICE and Blood Drive. Continue reading
Thembela Madliki is a theatre-maker and director. Her credits include Galela, My Boetie is ‘n Danser, Bayephi and Nyanga. She has showcased work at The National Arts Festival, The Cape Town Fringe Festival and The KKNK. Earlier this year, she was named as one of the recipients of Theatre Arts Admin Collective’s Emerging Theatre Director’s Bursary. Her bursary piece, Where She Walked will debut at Theatre Arts Admin from October 28th until November 3rd.
Nicolette Moses is the Associate Producer and Planning Manager for the Baxter Theatre, a position she has held since 2010. She is a trained classical ballet and contemporary dancer who graduated from the UCT School of Dance. Following a sojourn abroad, Nicolette joined the Jazzart Dance Theatre, which she managed before joining CAPAB as head of the Audience Development department. In the transition from CAPAB to Artscape, Nicolette worked as Project Manager and then Artistic Manager until 2001. During her time at Artscape, she also worked extensively with the Nederlands Dance Theater. She was appointed as Project Manager at the Baxter Theatre Centre in 2003, and shortly thereafter started heading up the annual Baxter Dance Festival. Now in its 14th year, we sat down with Nicolette to chat about this year’s festival.
Elsabé Daneel is an actress, director, producer, lecturer and TV presenter. With a career spanning across stage and screen, her select stage credits include Feeskatte, Ou Blare and Deon Opperman’s one-woman show, Bittersoet, which she toured extensively to all the major arts festivals in South Africa over the course of several years. Her TV career includes 18 SABC dramas. In 2001 she started Elsabé Daneel Productions which sees her taking on the role of producer, director and presenter of corporate videos and documentaries for private clients, kykNET and M-Net. She is currently starring as matriarch ‘Sandra Viljoen’ in Ferdinand van Zyl’s complex war drama, The Recce, which arrives in theatres on September 28th. We sat down with her to chat about her multifaceted career and why her role in The Recce is the “deepest” she’s ever gone. Continue reading
Puleng Lange-Stewart is a writer, playwright, filmmaker, director, designer and illustrator. In 2016, she was one of three shortlisted writers in the national PEN student writing competition. Her writing has appeared in the 2017 African Literature curriculum at UCT. Her first independent short film, written and directed with Jannous Aukema, Until the Silence Comes, was selected for the 2017 Cape Town International Film Festival and was nominated for an audience award at the Shnit International Short Film Festival. Her primary focus is in interdisciplinary performance and multimedia integration. As a queer, feminist, artist and mother of colour, she hopes to find ways to explore and question the practices and hierarchies that continue to erode human dignity and self-determinacy for so many within the context of South Africa and Africa as a whole. Her work is deeply embedded in a decolonial framework which hopes to elevate and recentre African bodies and voices as a response to its violent historical negation. During the 2018 Open Book Festival, Puleng will appear on a panel entitled Moving Pictures and Borders. Continue reading
In a career spanning 40 years, Antoinette Kellermann has established herself as a doyenne of South African theatre, winning numerous awards for her work on radio, television and on stage. In 2008 she was honoured by the South African Academy for Science and Arts for her contribution to South African theatre. In 2010, she received several awards for her one-woman show As die Broek Pas, which she also performed in English as Man to Man. Select recent credits include Die Melktrein stop nie meer hier nee, Asem, Willem Anker’s Samsa-masjien and Hierdie Lewe by Karel Schoeman which awarded her a Kanna Award for Best Actress. She is currently starring as ‘Nell’ in the all-star cast of Samuel Beckett’s Endgame at the Baxter Theatre. Continue reading
Kathleen Stephens is a theatre-maker and performer. In 2016 she debuted her acting career in People Beneath our Feet at the National Arts Festival. Other credits include Wessel Pretorius’ I Love You Sally Field, Dara Beth’s Nasty Womxn, and Jon Keevy’s Single Minded and The Underground Library. Most recently, Kathleen has been seen in Like Hamlet directed by Kanya Viljoen, Wessel Pretorius’ Fotostaatmasjien and in the first all-female South African production of The Taming of the Shrew directed by Tara Notcutt. She is currently gearing up to star in the Fugard Theatre’s return season of Shakespeare in Love. Continue reading
Klara van Wyk is a performer and theatre-maker. During the 2018 National Arts Festival, she’ll be pulling double duty by performing in two productions. First up, she stars alongside Buhle Ngaba in Penny Youngleson’s La Chair de ma Chair followed by her one-woman show, You Suck! (and other inescapable truths), which has been on back-to-back sell-out tours across the country and earned her a Fleur du Cap nomination. Her dedication to anti-bullying campaigns and clowning workshops with young South Africans has earned her a unique position in the local performance landscape where she occupies roles in social justice and entrepreneurship as well as artistic expression. After studying under Master Clown Philippe Gaulier in Paris, she is currently completing her PhD in Clowning at Stellenbosch University.
Chuma Sopotela is a multi-award-winning actor, director, choreographer and performance artist. She has recently been named as the 2018 Standard Bank Young Artist for Performance Art. Her stage credits include Karoo Moose for which she received the 2007 Fleur du Cap Theatre Award for Best Actress, Waiting for the Barbarians, U nyamo alunampumlo and Mamela Nyamza’s Rock to the Core. We sat down with her to discuss her career, being named the Standard Bank Young Artist for Performance Art and her upcoming production for the National Arts Festival, Indlulamthi.