A Conversation with Mariëtte Opperman

Mariëtte Opperman began dancing at the age of seven. She trained under Paula Olivier and later did an intensive vocational study with Martin Schönberg. She started her professional career in 2008 at the South African Ballet Theatre. She joined Cape Town City Ballet in 2010, where she is currently a senior soloist. Mariëtte also performed professionally in Stockholm, Sweden for a year. Her most memorable roles to date include the Black Swan in Swan Lake, Diane in Diane and Acteon, Kitri in Don Quixote, Sugar Plum in The Nutcracker, Firebird in Firebird, Juliet in Romeo and Juliet and Giselle in Giselle. She is currently gearing up to take on the titular role in Veronica Paeper’s production of Cinderella for Cape Town City Ballet.

Continue reading

Advertisements

A Conversation with Nicolette Moses

Nicolette Moses is the Associate Producer and Planning Manager for the Baxter Theatre, a position she has held since 2010. She is a trained classical ballet and contemporary dancer who graduated from the UCT School of Dance. Following a sojourn abroad, Nicolette joined the Jazzart Dance Theatre, which she managed before joining CAPAB as head of the Audience Development department. In the transition from CAPAB to Artscape, Nicolette worked as Project Manager and then Artistic Manager until 2001. During her time at Artscape, she also worked extensively with the Nederlands Dance Theater. She was appointed as Project Manager at the Baxter Theatre Centre in 2003, and shortly thereafter started heading up the annual Baxter Dance Festival. Now in its 14th year, we sat down with Nicolette to chat about this year’s festival.

Continue reading

A Conversation with Puleng Lange-Stewart

Puleng Lange-Stewart is a writer, playwright, filmmaker, director, designer and illustrator. In 2016, she was one of three shortlisted writers in the national PEN student writing competition. Her writing has appeared in the 2017 African Literature curriculum at UCT. Her first independent short film, written and directed with Jannous AukemaUntil the Silence Comes, was selected for the 2017 Cape Town International Film Festival and was nominated for an audience award at the Shnit International Short Film Festival. Her primary focus is in interdisciplinary performance and multimedia integration. As a queer, feminist, artist and mother of colour, she hopes to find ways to explore and question the practices and hierarchies that continue to erode human dignity and self-determinacy for so many within the context of South Africa and Africa as a whole. Her work is deeply embedded in a decolonial framework which hopes to elevate and recentre African bodies and voices as a response to its violent historical negation. During the 2018 Open Book Festival, Puleng will appear on a panel entitled Moving Pictures and Borders. Continue reading

A Conversation with Antoinette Kellermann

In a career spanning 40 years, Antoinette Kellermann has established herself as a doyenne of South African theatre, winning numerous awards for her work on radio, television and on stage. In 2008 she was honoured by the South African Academy for Science and Arts for her contribution to South African theatre. In 2010, she received several awards for her one-woman show As die Broek Pas, which she also performed in English as Man to Man. Select recent credits include Die Melktrein stop nie meer hier nee, Asem, Willem Anker’s Samsa-masjien and Hierdie Lewe by Karel Schoeman which awarded her a Kanna Award for Best Actress. She is currently starring as ‘Nell’ in the all-star cast of Samuel Beckett’s Endgame at the Baxter TheatreContinue reading

A Conversation with Regina Malan

Regina Malan is a performer, producer and director. After previously performing in operas such as Le Nozze di Figaro and Dido and Aeneas, last year she starred in her first three plays, namely Macbeth, Design for Living and Jane Eyre, as well as her first two musicals, The Full Monty and Shadows in Red Light. Her other credits include Public City, Because it’s okay, Not Just Musicals and Othello: A Women’s Story which she also co-directed. In 2017 she co-founded Mish Mash Media Productions, a multi-media production company giving voice to LGBTQ projects in Cape Town. Following a successful run earlier this year, Othello will be performed at the Baxter Theatre for a limited run in September. We sat down to chat about her career and Mish Mash Media’s next show, 5 Lesbians Eating A Quiche.   Continue reading

A Conversation with Dorothy Ann Gould

Dorothy Ann Gould is one of South Africa’s most celebrated and respected actresses. She has worked professionally for the past 50 years and has gone on to star in over 180 productions which have awarded her several of South Africa’s top accolades. She is also the founder of Johannesburg Awakening Minds, a theatre troupe comprised of 13 homeless gentlemen. Recently, Dorothy was honoured with a 2018 Naledi Award for Innovation in Theatre. She is currently starring in Joan Didion’s The Year Of Magical Thinking, based on her memoir, which has transferred to the Baxter Theatre following its successful run at the Market Theatre earlier this year.  Continue reading

A Conversation with Chuma Sopotela

Chuma Sopotela is a multi-award-winning actor, director, choreographer and performance artist. She has recently been named as the 2018 Standard Bank Young Artist for Performance Art. Her stage credits include Karoo Moose for which she received the 2007 Fleur du Cap Theatre Award for Best Actress, Waiting for the BarbariansU nyamo alunampumlo and Mamela Nyamza’s Rock to the CoreWe sat down with her to discuss her career, being named the Standard Bank Young Artist for Performance Art and her upcoming production for the National Arts Festival, Indlulamthi.

Continue reading

A Conversation with Faniswa Yisa

Faniswa Yisa is an actress, theatre-maker and director who has performed in 19 countries and whose work has spanned almost two decades. She is currently starring in the TV drama series Ingoma and was recently awarded a 2018 Best Actress Fleur du Cap Theatre Award for her performance in Nadia Davids’ critically acclaimed play, What Remains. We sat down to chat about her career, her Fleur du Cap win and staying true to herself.   Continue reading

A Conversation with Sara Matchett

Sara Matchett is a director, theatre-maker and lecturer. She holds a PhD in Theatre and Performance from the University of Cape Town where she currently resides as a senior lecturer in the Department of Drama. As co-founder and Artistic Director of The MotherTongue Project, a women’s arts collective, Sara has experience in the field of theatre in South Africa, Singapore, India, Kenya and Indonesia as a theatre-maker, performer, director and facilitator. Her latest directorial endeavor, Womb of Fire, which reunites her with her “soul collaborator” and fellow MotherTongue Project co-founder, Rehane Abrahams, is now playing at the Baxter TheatreContinue reading

A Conversation with Diaan Lawrenson

For 13 years, actress and producer Diaan Lawrenson charmed South African audiences by starring on 7de Laan. Since leaving the series, she has gone on to star in critically acclaimed films such as Raaiselkind, Sink and her latest film Susters which is now playing in select theatres. An accomplished theatre actress, she is also the co-founder of Jester Productions, a multimedia production company that she founded alongside her husband, and fellow actor, Jody Abrahams, which focuses on facilitating, developing and producing original South African concepts.  Continue reading