Puleng Lange-Stewart is a writer, playwright, filmmaker, director, designer and illustrator. In 2016, she was one of three shortlisted writers in the national PEN student writing competition. Her writing has appeared in the 2017 African Literature curriculum at UCT. Her first independent short film, written and directed with Jannous Aukema, Until the Silence Comes, was selected for the 2017 Cape Town International Film Festival and was nominated for an audience award at the Shnit International Short Film Festival. Her primary focus is in interdisciplinary performance and multimedia integration. As a queer, feminist, artist and mother of colour, she hopes to find ways to explore and question the practices and hierarchies that continue to erode human dignity and self-determinacy for so many within the context of South Africa and Africa as a whole. Her work is deeply embedded in a decolonial framework which hopes to elevate and recentre African bodies and voices as a response to its violent historical negation. During the 2018 Open Book Festival, Puleng will appear on a panel entitled Moving Pictures and Borders. Continue reading
Faniswa Yisa is an actress, theatre-maker and director who has performed in 19 countries and whose work has spanned almost two decades. She is currently starring in the TV drama series Ingoma and was recently awarded a 2018 Best Actress Fleur du Cap Theatre Award for her performance in Nadia Davids’ critically acclaimed play, What Remains. We sat down to chat about her career, her Fleur du Cap win and staying true to herself. Continue reading
Sara Matchett is a director, theatre-maker and lecturer. She holds a PhD in Theatre and Performance from the University of Cape Town where she currently resides as a senior lecturer in the Department of Drama. As co-founder and Artistic Director of The MotherTongue Project, a women’s arts collective, Sara has experience in the field of theatre in South Africa, Singapore, India, Kenya and Indonesia as a theatre-maker, performer, director and facilitator. Her latest directorial endeavor, Womb of Fire, which reunites her with her “soul collaborator” and fellow MotherTongue Project co-founder, Rehane Abrahams, is now playing at the Baxter Theatre. Continue reading
Theatre-maker and performer Dara Beth describes herself as “first and foremost an angry, Jewish feminist”. She is one half of the cabaret duo Plumsong, which she has been performing as since 2011 with her mom and fellow performer, Sharyn Seidel. A recent UCT graduate, Dara has written and performed in Just a Song and a Dance with co-performer Sharyn at the Alexander Bar and the National Arts Festival. Dara has also worked as a stage manager on Wessel Pretorius’ Klara Maas se Hart is Gebreek and Die Ontelbare 48, Ameera Conrad’s Reparation and Jon Keevy’s The Underground Library. Dara also makes up one third of The Furies, a womxn-centric artistic co-op, who are responsible for presenting her latest original piece, Nasty Womxn, which makes its return to the Alexander Bar for a limited engagement following its triumphant success at the end of last year. Continue reading
Nicole Fortuin is the true definition of an artist. As an accomplished actress, dancer, photographer and director, Nicole has managed to take the film, theatre and television industry by storm since graduating from UCT only three years ago. Impressive credits aside, Nicole has made it a priority to use her platform as a young creative to bring awareness to the causes that she believes in. We sat down to talk about her success, staying grounded and navigating the world of social media.
Thando Mangcu is an actress, director and theatre-maker. She burst onto the theatre scene in 2016 co-creating, co-directing and performing in The Fall, which went on to win the Encore Award at this year’s Fleur du Cap Theatre Awards. She has also just been named as the newest recipient of the highly coveted Theatre Arts Admin Collective’s Emerging Director’s Bursary. The Fall is currently making it’s return to the Baxter before jetting off to the Edinburgh Fringe Festival.
Jennie Reznek is multihyphenate. She is a performer, theatremaker, director, choreographer, lecturer, co-founder, trustee and director of Magnet Theatre. She has also worked as an aerialist and clown in the circus. We sat down with her at the Magnet Theatre offices to discuss her career, the challenges of founding a theatre company and the moments that have inspired her. Continue reading
Donna Cormack-Thomson may be the new kid on the block but she has already taken the Cape Town theatre scene by storm. In her one short year since graduating from the UCT School of Drama, she has performed in Monster at The Cape Town Fringe Festival, The White Whore and The Bit Player at the Alexander Bar and now she is putting her spin on ‘Melody’ in The Fugard Theatre’s smash-hit return production of Bad Jews. Continue reading
Professor Elizabeth Triegaardt has made a career out of her love and passion for dance. A former ballerina, Ms. Triegaardt currently holds the position of Honorary Executive Director of the Cape Town City Ballet, a company she has remained with and stayed fiercely loyal to since graduating from UCT. Her full bio and more information about upcoming Cape Town City Ballet productions will be linked below. Continue reading