Alexis Petersen is a UCT Performance Diploma Graduate who majored in Western Classical Voice. She has performed on various stages both nationally and internationally. Alexis has performed in several musical theatre productions including Calling Us Home, The Little Mermaid and David Kramer’s Langarm. Her opera credits include FOUR:30, Le nozze di Figaro and La traviata. With a strong passion for dance, she has also competed as a ballroom dancer, dancing under the Federation of Dance Sport South Africa. She also features as a vocalist in a unique contemporary trio called Inside Voice. Alexis is currently starring at the Baxter Theatre as Pamela in Danger in the Dark, David Kramer’s re-imagining of the Kramer/Petersen ’90s hit, Poison. Continue reading
In 2018 during our interview with theatre-maker Dara Beth, we spoke about the return engagement of her play, Nasty Womxn. Now, 18 months later, Nasty Womxn is back for its third return engagement, this time featuring a new cast, a reworked script and coinciding with Dara’s latest theatrical offering, The Chronicles of Athena, Babes. Tasked with staging two independently produced works which almost run concurrently, we ask Dara to share her thoughts around this creative process. Continue reading
Olivia Fischer is an award-winning playwright, director and producer. After graduating with her degree in theatre and performance, specialising in theatre-making from the University of Cape Town, Olivia premiered Still at the Hollywood Fringe Festival in Los Angeles, CA. Still was awarded five Hollywood Fringe awards including Tvolution’s Best International Show and the Conversation Creation award. In 2018, Olivia opened a production company called LIV Studios, a company that aims to develop female-identifying playwrights and theatre-makers. Olivia is a published writer: her autobiographical monologue Coming For You was recently published in the Market Laboratory’s anthology Between the Pillar and the Post: an anthology of South African monologues and scenes. Her other theatre credits include writing and directing an adaptation of Sindiwe Magona’s The Cruel King Lives! called Thandiwe: The Loved One and directed Duncan MacMillan’s Lungs. Her main focus as she continues to grow as a theatre-maker is telling stories of womxn: their resilience, their strength but above all, their undeniable capacity to love.
Naledi Majola is an actor, performance-maker and sound designer. In 2018, she was seen on stage in Tara Notcutt’s historic all-female production of The Taming of the Shrew and in Stream, a multimedia performance work led by Jennifer Steyn at the Baxter Theatre. She makes her feature film debut later this year in The Banana Splits. Her performance work, Where is the black samurai? debuted at Arcade, a durational live art platform curated by Gavin Krastin, and was most recently performed at the 2018 ICA Live Art Festival. Naledi also designs sound for performance, having recently done so for her own work, as well as AMES, written and directed by Andi Colombo in 2018 and the upcoming production of Tales from the Garden written by Ameera Conrad, which will run at the Baxter Theatre’s Masambe Theatre followed by a run at the Edinburgh Fringe Festival later this year.
Lukhanyiso Skosana is an actress, performance artist, vocalist and theatre-maker. Her performing credits include Love Like Blue directed by Puleng Lange-Stewart, Khanyisile Mbongwa’s performance art piece kuDanger, Ndawo directed and written by Thapelo Tharaga and Nguvu Ya Mbegu directed by Mandla Mbothwe. To continue her collaborations with womxn of colour, she was in the dance piece Bana Ba Mobu choreographed by Tshegofatso Mabutla. She is in the continuous process of touring and reworking Womb Of Fire, a production written and performed by Rehane Abrahams and directed by Dr Sara Matchett for which she was recently awarded a Fleur du Cap Theatre Award for Best Original Music Score. She continued her longtime collaboration with The MotherTongue Project by performing in their performance piece Walk in India at the ITFOK festival, at the National Arts Festival in 2018 and at Woordfees 2019. She recently choreographed her debut dance piece entitled Zinyile i’Queers and also participated in Body Politics in a durational Butoh piece titled UMGOWO. In 2018, Lukhanyiso made her directorial as well as playwriting debut with her graduation piece Inguquko.
Kanya Viljoen is a theatre-maker, performer and designer. Recently, Kanya wrote and directed RAAK, which debuted at the Vrystaat Kunstefees and was nominated as Best Production of the festival. Furthermore, it has been nominated for two Kyknet Fiësta Awards and is heading to US Woordfees 2019 for a limited run. Earlier this year, Kanya was awarded South African Theatre Magazine’s Best Emerging Director Award. In 2018, Kanya directed Like Hamlet, which was performed at the Theatre Arts Admin Collective as part of the Annex Theatre Bursary. Her script, mank, was selected for further development by Kunste Onbeperk’s Teksmark and she was awarded a writer’s bursary for this script. Currently, Kanya is an Andrew W Mellon scholar, completing her MA in theatre-making at the University of Cape Town.
Tiisetso Mashifane wa Noni is a South African playwright, theatre director and performer. With a Bachelor of the Arts in Political Science, Philosophy and Dramatic Arts from Rhodes University and a Bachelor of the Arts (Hons) in Directing for Stage, Writing for Film and Avant-garde Film from the University of Cape Town, she attempts to make provocative work that deals with themes of violence, sexuality, race and history within a contemporary South African setting. As a playwright and director, her debut play, Sainthood has received a Standard Bank Ovation Award and a Fleur du Cap nomination and is the subject of her TEDxYouth Cape Town Talk, ‘Another Conversation for the Dinner Table?’. Following a successful run at the National Arts Festival and at Theatre Arts Admin Collective, Sainthood makes its way to the Baxter Theatre for a limited engagement.
Jill Levenberg is an award-winning Film, Television and theatre actress. At the moment, she is currently starring as Mymoena in the long-running TV series, Suidooster. She has been receiving critical acclaim for her role as Ellen Pakkies in Ellen: The Ellen Pakkies Story, which marks her first leading role in a film. Jill has worked extensively in theatre and television since graduating from the University of Cape Town with a Bachelor of Arts (Hons) in Theatre & Performance and English Literature, graduating on the Dean’s Merit List. Her theatre credits include Medea, Blood Brothers and Orpheus in Africa which awarded her a Fleur du Cap Theatre Award for Best Supporting Actress in a Musical. Select film credits include Noem My Skollie, Fluit Fluit, Abraham, While You Weren’t Looking and Uitvlugt. We sat down to chat with her about her career and her emotionally demanding and boundary-pushing role in Ellen. Continue reading
Cintaine Schutte is an actress and producer. She has performed in more than 30 professional theatre productions and has toured to all the national art’s festivals and major theatre’s in South Africa. In 2015 she received a Kanna Award for her performances in Moeder Moed and Die Seemeeu and in 2016, she was awarded a Fleur Du Cap Theatre Award for her performance as Masha in Die Seemeeu. In 2017, she was awarded the Woordtrofees Award for her performance in Reza de Wet’s Drif. She is well-known for her Television work, including Die Kasteel, PHIL 101 and Fynskrif. She has appeared in numerous local films such as Knysna, Sonskyn Beperk and most recently, the film adaptation of Christiaan Olwagen’s Die Seemeeu which will arrive in theatres in 2019. Cape Town audiences can catch Cintaine in Half Leeg, directed by Tara Notcutt which will run at the Alexander Bar in November. Continue reading
Puleng Lange-Stewart is a writer, playwright, filmmaker, director, designer and illustrator. In 2016, she was one of three shortlisted writers in the national PEN student writing competition. Her writing has appeared in the 2017 African Literature curriculum at UCT. Her first independent short film, written and directed with Jannous Aukema, Until the Silence Comes, was selected for the 2017 Cape Town International Film Festival and was nominated for an audience award at the Shnit International Short Film Festival. Her primary focus is in interdisciplinary performance and multimedia integration. As a queer, feminist, artist and mother of colour, she hopes to find ways to explore and question the practices and hierarchies that continue to erode human dignity and self-determinacy for so many within the context of South Africa and Africa as a whole. Her work is deeply embedded in a decolonial framework which hopes to elevate and recentre African bodies and voices as a response to its violent historical negation. During the 2018 Open Book Festival, Puleng will appear on a panel entitled Moving Pictures and Borders. Continue reading