Kanya Viljoen is a theatre-maker, performer and designer. Recently, Kanya wrote and directed RAAK, which debuted at the Vrystaat Kunstefees and was nominated as Best Production of the festival. Furthermore, it has been nominated for two Kyknet Fiësta Awards and is heading to US Woordfees 2019 for a limited run. Earlier this year, Kanya was awarded South African Theatre Magazine’s Best Emerging Director Award. In 2018, Kanya directed Like Hamlet, which was performed at the Theatre Arts Admin Collective as part of the Annex Theatre Bursary. Her script, mank, was selected for further development by Kunste Onbeperk’s Teksmark and she was awarded a writer’s bursary for this script. Currently, Kanya is an Andrew W Mellon scholar, completing her MA in theatre-making at the University of Cape Town.
Thembela Madliki is a theatre-maker and director. Her credits include Galela, My Boetie is ‘n Danser, Bayephi and Nyanga. She has showcased work at The National Arts Festival, The Cape Town Fringe Festival and The KKNK. Earlier this year, she was named as one of the recipients of Theatre Arts Admin Collective’s Emerging Theatre Director’s Bursary. Her bursary piece, Where She Walked will debut at Theatre Arts Admin from October 28th until November 3rd.
Kate Pinchuck is an actor, writer and stand-up comedian. Her credits include Athol Fugard’s My Children! My Africa! at Artscape, the critically acclaimed all-female Taming of the Shrew at Maynardville directed by Tara Notcutt and the Ovation Award winning Gaslight at the National Arts Festival Fringe directed by Laine Butler. Kate has been rising up in the comedy scene in Cape Town and Joburg. She was featured in the 2017 Next Generation Showcase at Grand West, was a semi-finalist in the 2017 Savanna Show Us Your Apples competition and performed in the televised 2018 Comics Choice Awards Newcomer Showcase at the Soweto Theatre. She has performed numerous times at the National Arts Festival Fringe in productions such as With/Hold, Jack & Jill which she wrote and Lexi Meier’s Standard Bank Ovation Award-winning immersive installation, Down to a sunless sea. Following its award-winning run at the National Arts Festival, her one-woman show, Medusa Incarnate will make its Cape Town debut at the Alexander Bar in September. Continue reading
Dorothy Ann Gould is one of South Africa’s most celebrated and respected actresses. She has worked professionally for the past 50 years and has gone on to star in over 180 productions which have awarded her several of South Africa’s top accolades. She is also the founder of Johannesburg Awakening Minds, a theatre troupe comprised of 13 homeless gentlemen. Recently, Dorothy was honoured with a 2018 Naledi Award for Innovation in Theatre. She is currently starring in Joan Didion’s The Year Of Magical Thinking, based on her memoir, which has transferred to the Baxter Theatre following its successful run at the Market Theatre earlier this year. Continue reading
Chuma Sopotela is a multi-award-winning actor, director, choreographer and performance artist. She has recently been named as the 2018 Standard Bank Young Artist for Performance Art. Her stage credits include Karoo Moose for which she received the 2007 Fleur du Cap Theatre Award for Best Actress, Waiting for the Barbarians, U nyamo alunampumlo and Mamela Nyamza’s Rock to the Core. We sat down with her to discuss her career, being named the Standard Bank Young Artist for Performance Art and her upcoming production for the National Arts Festival, Indlulamthi.
Lynita Crofford is an actress, theatre-maker and lecturer who has starred in more than 50 Film and TV projects. With an equally impressive theatre resume to boot, she received a 2013 Fleur du Cap nomination for her role as Emily Hobhouse in An Audience with Miss Hobhouse. Earlier this year Lynita charmed Cape Town audiences by starring in Tara Notcutt’s all-female production of The Taming of the Shrew. She is about to begin performances as Alice B. Toklas in Gertrude Stein and a Companion which will have a limited run at the Alexander Bar later this month.
Qondiswa James is an actress, director, theatre-maker and the latest recipient of Theatre Arts Admin Collective’s Emerging Theatre Directors Bursary. Her production, A Faint Patch of Light, which an interpretation of Athol Fugard’s Statements After An Arrest Under The Immorality Act, will be staged at Theatre Arts Admin from May 27th until June 2nd. As an actress she has starred in internationally acclaimed film productions including Into Us and Ours, High Fantasy and The Foxy Five.
Theatre-maker and performer Dara Beth describes herself as “first and foremost an angry, Jewish feminist”. She is one half of the cabaret duo Plumsong, which she has been performing as since 2011 with her mom and fellow performer, Sharyn Seidel. A recent UCT graduate, Dara has written and performed in Just a Song and a Dance with co-performer Sharyn at the Alexander Bar and the National Arts Festival. Dara has also worked as a stage manager on Wessel Pretorius’ Klara Maas se Hart is Gebreek and Die Ontelbare 48, Ameera Conrad’s Reparation and Jon Keevy’s The Underground Library. Dara also makes up one third of The Furies, a womxn-centric artistic co-op, who are responsible for presenting her latest original piece, Nasty Womxn, which makes its return to the Alexander Bar for a limited engagement following its triumphant success at the end of last year. Continue reading
Leanetse Seekoe is a performer and theatre-maker. Upon graduating from UCT’s Drama department in 2014, Leanetse was nominated for a Fleur du Cap award in the Most Promising Student category. Recently, Leanetse wrote 4 cups 1 tbsp while she pursued her Masters of Arts in English and Comparative Literature. In 2017, she performed her debut one woman play, 4 cups 1 tbsp at The Market Theatre Laboratory and The Plat4orm in Johannesburg, and Theatre Arts Admin Collective in Cape Town. Continue reading
Rehane Abrahams is an award-winning performer and theatre-maker. She is currently performing in Amee Lekas’ debut production, Die Dans van die Watermeid, at the Baxter Theatre. As a performer, her work has successfully spanned a multitude of genres and mediums. She is also the co-founder of The MotherTongue Project which is a collective of women artists, activists, academics and practitioners committed to personal and social transformation through participatory theatre and integrated arts methodologies. Continue reading