Leila Henriques is an actor, writer, director and teacher. As an actress, she has starred in more than 30 productions. Some of her select stage credits include: Hedda Gabler, The Something Prince, Yerma, Red Shoes and The List. She has taught acting at various academic institutions across South Africa including Wits, AFDA and The Market Theatre Lab. Together with Irene Stephanou, she wrote the book The World in an Orange –exploring the work of Barney Simon published by Jacana, which was shortlisted for the Alan Paton award. Following a successful run at Woordfees earlier this year, she is currently starring in Sam Shepard’s Curse of the Starving Class directed by Sylvaine Strike at the Baxter Theatre. Continue reading
Eva du Preez is an award-winning TV and Film producer, script supervisor and editor. In 2013, she made her producing debut with the multi-award winning short film Toevlug directed by Christiaan Olwagen. Her other editing credits include Die Seemeeu, Ander Mens, Die Boland Moorde, Die Boekklub, Fynskrif, Toevlug and Die Leeftyd van ‘n Orgidee. Her highly anticipated debut feature film, Kanarie, will arrive in theatres on October 19th following a successful premiere at this year’s Silwerskermfees, which awarded Eva an award for her edit of the film.
Mariëtte Opperman began dancing at the age of seven. She trained under Paula Olivier and later did an intensive vocational study with Martin Schönberg. She started her professional career in 2008 at the South African Ballet Theatre. She joined Cape Town City Ballet in 2010, where she is currently a senior soloist. Mariëtte also performed professionally in Stockholm, Sweden for a year. Her most memorable roles to date include the Black Swan in Swan Lake, Diane in Diane and Acteon, Kitri in Don Quixote, Sugar Plum in The Nutcracker, Firebird in Firebird, Juliet in Romeo and Juliet and Giselle in Giselle. She is currently gearing up to take on the titular role in Veronica Paeper’s production of Cinderella for Cape Town City Ballet.
Nicolette Moses is the Associate Producer and Planning Manager for the Baxter Theatre, a position she has held since 2010. She is a trained classical ballet and contemporary dancer who graduated from the UCT School of Dance. Following a sojourn abroad, Nicolette joined the Jazzart Dance Theatre, which she managed before joining CAPAB as head of the Audience Development department. In the transition from CAPAB to Artscape, Nicolette worked as Project Manager and then Artistic Manager until 2001. During her time at Artscape, she also worked extensively with the Nederlands Dance Theater. She was appointed as Project Manager at the Baxter Theatre Centre in 2003, and shortly thereafter started heading up the annual Baxter Dance Festival. Now in its 14th year, we sat down with Nicolette to chat about this year’s festival.
And just like that we’ve reached another milestone! On September 1st 2018, Sarafina Magazine officially turned two. Continue reading
Kate Pinchuck is an actor, writer and stand-up comedian. Her credits include Athol Fugard’s My Children! My Africa! at Artscape, the critically acclaimed all-female Taming of the Shrew at Maynardville directed by Tara Notcutt and the Ovation Award winning Gaslight at the National Arts Festival Fringe directed by Laine Butler. Kate has been rising up in the comedy scene in Cape Town and Joburg. She was featured in the 2017 Next Generation Showcase at Grand West, was a semi-finalist in the 2017 Savanna Show Us Your Apples competition and performed in the televised 2018 Comics Choice Awards Newcomer Showcase at the Soweto Theatre. She has performed numerous times at the National Arts Festival Fringe in productions such as With/Hold, Jack & Jill which she wrote and Lexi Meier’s Standard Bank Ovation Award-winning immersive installation, Down to a sunless sea. Following its award-winning run at the National Arts Festival, her one-woman show, Medusa Incarnate will make its Cape Town debut at the Alexander Bar in September. Continue reading
Puleng Lange-Stewart is a writer, playwright, filmmaker, director, designer and illustrator. In 2016, she was one of three shortlisted writers in the national PEN student writing competition. Her writing has appeared in the 2017 African Literature curriculum at UCT. Her first independent short film, written and directed with Jannous Aukema, Until the Silence Comes, was selected for the 2017 Cape Town International Film Festival and was nominated for an audience award at the Shnit International Short Film Festival. Her primary focus is in interdisciplinary performance and multimedia integration. As a queer, feminist, artist and mother of colour, she hopes to find ways to explore and question the practices and hierarchies that continue to erode human dignity and self-determinacy for so many within the context of South Africa and Africa as a whole. Her work is deeply embedded in a decolonial framework which hopes to elevate and recentre African bodies and voices as a response to its violent historical negation. During the 2018 Open Book Festival, Puleng will appear on a panel entitled Moving Pictures and Borders. Continue reading
In a career spanning 40 years, Antoinette Kellermann has established herself as a doyenne of South African theatre, winning numerous awards for her work on radio, television and on stage. In 2008 she was honoured by the South African Academy for Science and Arts for her contribution to South African theatre. In 2010, she received several awards for her one-woman show As die Broek Pas, which she also performed in English as Man to Man. Select recent credits include Die Melktrein stop nie meer hier nee, Asem, Willem Anker’s Samsa-masjien and Hierdie Lewe by Karel Schoeman which awarded her a Kanna Award for Best Actress. She is currently starring as ‘Nell’ in the all-star cast of Samuel Beckett’s Endgame at the Baxter Theatre. Continue reading
Regina Malan is a performer, producer and director. After previously performing in operas such as Le Nozze di Figaro and Dido and Aeneas, last year she starred in her first three plays, namely Macbeth, Design for Living and Jane Eyre, as well as her first two musicals, The Full Monty and Shadows in Red Light. Her other credits include Public City, Because it’s okay, Not Just Musicals and Othello: A Women’s Story which she also co-directed. In 2017 she co-founded Mish Mash Media Productions, a multi-media production company giving voice to LGBTQ projects in Cape Town. Following a successful run earlier this year, Othello will be performed at the Baxter Theatre for a limited run in September. We sat down to chat about her career and Mish Mash Media’s next show, 5 Lesbians Eating A Quiche. Continue reading
Dorothy Ann Gould is one of South Africa’s most celebrated and respected actresses. She has worked professionally for the past 50 years and has gone on to star in over 180 productions which have awarded her several of South Africa’s top accolades. She is also the founder of Johannesburg Awakening Minds, a theatre troupe comprised of 13 homeless gentlemen. Recently, Dorothy was honoured with a 2018 Naledi Award for Innovation in Theatre. She is currently starring in Joan Didion’s The Year Of Magical Thinking, based on her memoir, which has transferred to the Baxter Theatre following its successful run at the Market Theatre earlier this year. Continue reading