Simoné Benjamin is a stage, screen and radio actress and the Corporate Affairs Specialist at Distell. With an Instagram handle aptly named Corporate Actress SA, her work with Distell sees her merging the corporate and arts sectors as she initiates, manages and supports various arts projects including the Distell National Playwright Competition, the Technical Training Programme at Artscape, the Amazink Live programme as part of Woordfees and the Fleur du Cap Theatre Awards, to name a few. As a performer, she has featured as the titular character in the radio drama Die Verdwyning van Mina Afrika as well as it’s sequel Die Tuiskoms van Mina Afrika. Simoné was most recently seen on screen in the short film Janneman, which debuted at this year’s Silwerskermfees. Continue reading
Primrose Mrwebi is a writer, poet and performer. She has written and edited for titles such as Cosmopolitan, Fairlady, Bona, Abafazi, Student Life and many others. She has directed and performed in a number of poetry productions and has facilitated writing workshops at several festivals. She is a frequent contributor to Book Week for Young Readers at Franschhoek Literary Festival as well as a facilitator at the Northern Cape Writers Festival. Primrose is a contributor to Black Tax, edited by Niq Mhlongo. She is the director of the PrimPoetry Foundation and a participating author in this year’s Open Book Festival. Continue reading
In 2018 during our interview with theatre-maker Dara Beth, we spoke about the return engagement of her play, Nasty Womxn. Now, 18 months later, Nasty Womxn is back for its third return engagement, this time featuring a new cast, a reworked script and coinciding with Dara’s latest theatrical offering, The Chronicles of Athena, Babes. Tasked with staging two independently produced works which almost run concurrently, we ask Dara to share her thoughts around this creative process. Continue reading
Siphokazi Jonas is a writer, performer, and poet. She has written, produced, and performed in four one-woman poetry shows. She wrote, produced and performed in a multi-genre theatre production, Around the Fire, which was staged at the 2016 Artscape Spiritual Festival and the 2018 Women’s Humanity Festival. Her stage work includes Natalia da Rocha’s Adam Small Festival and Mandla Mbothwe’s Oratorio of a Forgotten Youth. In 2018, she presented her directorial debut, The Widow, as part of Artscape’s New Voices programme. The production returns to the Artscape Arena at the beginning of August 2019. Jonas has been a featured act at numerous poetry sessions in Cape Town and Johannesburg. Her experience with spoken word has led to multiple invitations to judge poetry slam competitions in Cape Town and Johannesburg. She has also performed with renowned musicians including, Sipho “Hotstix” Mabuse, Freshlyground, Pops Mohamed, Dizu Plaatjies and Dave Reynolds. Jonas made history in 2016 as the first African poet to perform at Rhetoric in California. In February 2019 she was also a headline act on the first ever South African national poetry tour, the Fresh Poetry Tour. She was crowned as the first Cape Town Ultimate Slam Champion in 2015 and was the runner-up in the prestigious 2016 Sol Plaatje European Union Poetry Award, coming second out of 600 poems submitted nationally. Her work was longlisted again in 2017.
Kyra Loubser is a Cape Town-based hair and makeup artist, stylist and beauty editor for Kuier Magazine. Initially entering the industry as a hairdresser, Kyra was introduced to the world of television with M-Net working as part of the styling team for the Miss Soweto Pageant. She then went on to be a part of the styling team for the Miss South Africa Pageant, which she considers to be a career-defining moment. Kyra was then approached by Idols winner, Karin Kortje to do her styling, hair and makeup which jumpstarted her career as a stylist, hair and makeup artist and saw her work expanding into theatre. This led to introductions to names such as Alistair Izobell and Kim Engelbrecht. About a year later, she was offered the position as Tracey Lange’s stylist for Bravo! on Kyknet. Kyra also spends her time mentoring and upskilling four ‘Kyra Fairies’ who have shown an interest and passion for the industry. Her work has spanned TV, film and theatre but it’s her latest project, which sees her designing and creating the makeup looks featured in Kinky Boots at the Fugard Theatre, that has everyone buzzing. Continue reading
Olivia Fischer is an award-winning playwright, director and producer. After graduating with her degree in theatre and performance, specialising in theatre-making from the University of Cape Town, Olivia premiered Still at the Hollywood Fringe Festival in Los Angeles, CA. Still was awarded five Hollywood Fringe awards including Tvolution’s Best International Show and the Conversation Creation award. In 2018, Olivia opened a production company called LIV Studios, a company that aims to develop female-identifying playwrights and theatre-makers. Olivia is a published writer: her autobiographical monologue Coming For You was recently published in the Market Laboratory’s anthology Between the Pillar and the Post: an anthology of South African monologues and scenes. Her other theatre credits include writing and directing an adaptation of Sindiwe Magona’s The Cruel King Lives! called Thandiwe: The Loved One and directed Duncan MacMillan’s Lungs. Her main focus as she continues to grow as a theatre-maker is telling stories of womxn: their resilience, their strength but above all, their undeniable capacity to love.
Carin Bester is a performance artist, actress, set designer and art director who has been working in the film, television and theatre industry for the past 10 years. In 2015, Carin performed her first performance art piece Verlies. She was drawn to performance art because of its immediacy and honesty. She views it as a medium in which she can express herself freely as she interrogates issues of social importance effectively. In 2017, she did My Body My Life, a performance installation which took the statistics of gender-based violence in South Africa directly to the viewer. Since then she has done various other pieces about gender-based violence in South Africa. Currently, she is experimenting with documentation of performance elements to create print and video art. A piece called Dress of Remembrance, which was worn on August 1st 2018 as part of the #TheTotalshutdown March against gender-based violence to Parliament, has been included in an exhibition at the Iziko Slave Lodge Museum. Cape Town audiences recently saw Carin’s set design featured in Figure of 8 Dance Collective’s Wag/Waiting which debuted at the Baxter Theatre. She will be performing a new piece Till Death Do Us Part this August as part of the Vavasati International Women’s Festival at The State Theatre in Pretoria.
Amra-Faye Wright is an award-winning actress best known for portraying Velma Kelly in Chicago the Musical, both on Broadway, London’s West End and in international tours. She trained extensively as a classical and jazz dancer and began her career performing in the Spectacular Musical Revues at Sun City. She spent the following years developing her skills in many musical genres and obtained a diploma in Contemporary Music at Allenby College in Johannesburg, which has resulted in a versatile and eclectic performance style. After starring in Viva Sun City at Sun City Theatre, Amra-Faye left for Monte Carlo where she performed as lead artist in the world famous Cabaret du Casino for two years. Her gift for story-telling led her to write, and perform her first one-woman revue, Rouge Pulp, which enjoyed a sellout season and prompted her to write Drinks on Me and It’s Not Where I Start. In 2005, she was awarded the Naledi Theatre Award and the Fleur du Cap Theatre Award for her performance in the South African production of Chicago. Continue reading
Shelley Lothian is an award-winning choreographer, director, singer, actress and dancer. Her performance credits include The Sound of Music, My Fair Lady, Thoroughly Modern Millie, The Boys in the Photograph, Mamma Mia, We Will Rock You, Show Boat and Cabaret. She directed Chef, Rattle and Roll; The Purr Factory and Maybe Baby It’s You. She served as Resident Director on Janice Honeyman’s Show Boat, Matthew Wild’s Cabaret and West Side Story; David Kramer’s Orpheus in Africa and District Six- Kanala, and most recently King Kong with Jonathan Munby at the Fugard Theatre. She was also Associate Director on the international musical Tiger Bay. She has choreographed various productions including The King and I, A Funny Thing Happened On The Way To The Forum, District Six- Kanala and Sneeuwitjie. Shelley’s other choreographic credits include My Fair Lady; Chef, Rattle and Roll and Liefling – all of which received Naledi Theatre Award nominations, as well as Fiddler on the Roof and The Pirates of Penzance which both won the Naledi Theatre Award for Best Original Choreography. She is currently starring in the Fugard Theatre’s production of Kinky Boots where she also serves as Resident Director. Continue reading
During our conversation with storyteller Buhle Ngaba in 2017, she spoke about winning the Brett Goldin Bursary and creating her show, Swan Song during her time at the Royal Shakespeare Company. Now, almost three years later and after a successful developmental and award-winning run at the Klein Karoo National Festival in 2017, Swan Song has its eyes firmly focused on Vrystaat Kunstefees. Prior to its run, Buhle has launched Going For A Song, an art auction with a difference, making a difference to make art accessible. At the auction which will take place at the Book Lounge on July 1st, bidders will raise funds to get Swan Song on stage in front of a wider audience. On the night, it’ll be chosen at random and announced to guests which items will be up for auction – sold, to the highest bidder! – and which will be raffled. This split is symbolic of what Buhle hopes to do with Swan Song, and her wider body of work: to democratise art in a way that allows accessible participation and an easy buy-in to art that maintains its value. Those purchasing ‘tickets’ will do so at a fixed cost and post them into the “bidding box” beside each artwork to stand a chance to make it their own. In celebration of the upcoming auction, Buhle writes about the evolution of Swan Song. Continue reading