Alexis Petersen is a UCT Performance Diploma Graduate who majored in Western Classical Voice. She has performed on various stages both nationally and internationally. Alexis has performed in several musical theatre productions including Calling Us Home, The Little Mermaid and David Kramer’s Langarm. Her opera credits include FOUR:30, Le nozze di Figaro and La traviata. With a strong passion for dance, she has also competed as a ballroom dancer, dancing under the Federation of Dance Sport South Africa. She also features as a vocalist in a unique contemporary trio called Inside Voice. Alexis is currently starring at the Baxter Theatre as Pamela in Danger in the Dark, David Kramer’s re-imagining of the Kramer/Petersen ’90s hit, Poison. Continue reading
Antoinette Louw is a multiple award-winning stage and screen actress and writer. She has appeared in leading roles on South Africa’s most popular TV series including 7de Laan and Binnelanders. Her theatre credits include Women of Troy, The Women who Cooked her Husband which she produced and directed, Rudely Stamped, Engele Soner Vlerke, Die Trommel, Die Vagina Monoloë, Afspraak, Dis ek, Anna and ‘night Mother which she also adapted into its Afrikaans translation Nag ma. In 2014 she won a SAFTA award for her role in Deon Meyer’s Die Laaste Tango as well as a nomination for Best Actress in the Afrikaans short film Totsiens, Pa. Antoinette also starred in the Afrikaans feature film ‘n Man Soos My Pa. Her recent film credits include the multi-award-winning films Axis Mundi, Sew the winter to my skin, An Act of Defiance and Nul is nie niks nie. She is currently appearing on screens as Sara in the film adaptation of the beloved Afrikaans folktale Die verhaal van Racheltjie de Beer. Continue reading
Liezl de Kock is an actor, director, theatre-maker and lecturer. She performed the lead role of Janet in the Ovation Award-winning and double Fleur du Cap Theatre Award winner Pictures of You, which was the highest-grossing theatre production on the fringe at the 2009 National Arts Festival. Liezl was also nominated for a Fleur du Cap Theatre Award for her role in Rob Murray’s Womb Tide. She performed with Andrew Buckland in Crazy in Love, which received an Ovation Award and the Amsterdam Fringe Fest award for Best International Production. Her performance in Crazy in Love received a Naledi Theatre Award nomination. Her final Master’s production, Piet se Optelgoed won a Silver Ovation Award at the National Arts Festival and was nominated for Best International Production at the Amsterdam Fringe Festival. Earlier this year, she was nominated for a Naledi Theatre Award for her role as Sussie in Reza de Wet’s African Gothic directed by Alby Michaels. She is currently reprising her role in Athol Fugard’s Statements After an Arrest Under The Immorality Act at The Fugard Theatre following its debut run earlier this year at the 2019 Klein Karoo Nasionale Kunstefees.
Simoné Benjamin is a stage, screen and radio actress and the Corporate Affairs Specialist at Distell. With an Instagram handle aptly named Corporate Actress SA, her work with Distell sees her merging the corporate and arts sectors as she initiates, manages and supports various arts projects including the Distell National Playwright Competition, the Technical Training Programme at Artscape, the Amazink Live programme as part of Woordfees and the Fleur du Cap Theatre Awards, to name a few. As a performer, she has featured as the titular character in the radio drama Die Verdwyning van Mina Afrika as well as it’s sequel Die Tuiskoms van Mina Afrika. Simoné was most recently seen on screen in the short film Janneman, which debuted at this year’s Silwerskermfees. Continue reading
Primrose Mrwebi is a writer, poet and performer. She has written and edited for titles such as Cosmopolitan, Fairlady, Bona, Abafazi, Student Life and many others. She has directed and performed in a number of poetry productions and has facilitated writing workshops at several festivals. She is a frequent contributor to Book Week for Young Readers at Franschhoek Literary Festival as well as a facilitator at the Northern Cape Writers Festival. Primrose is a contributor to Black Tax, edited by Niq Mhlongo. She is the director of the PrimPoetry Foundation and a participating author in this year’s Open Book Festival. Continue reading
In 2018 during our interview with theatre-maker Dara Beth, we spoke about the return engagement of her play, Nasty Womxn. Now, 18 months later, Nasty Womxn is back for its third return engagement, this time featuring a new cast, a reworked script and coinciding with Dara’s latest theatrical offering, The Chronicles of Athena, Babes. Tasked with staging two independently produced works which almost run concurrently, we ask Dara to share her thoughts around this creative process. Continue reading
Siphokazi Jonas is a writer, performer, and poet. She has written, produced, and performed in four one-woman poetry shows. She wrote, produced and performed in a multi-genre theatre production, Around the Fire, which was staged at the 2016 Artscape Spiritual Festival and the 2018 Women’s Humanity Festival. Her stage work includes Natalia da Rocha’s Adam Small Festival and Mandla Mbothwe’s Oratorio of a Forgotten Youth. In 2018, she presented her directorial debut, The Widow, as part of Artscape’s New Voices programme. The production returns to the Artscape Arena at the beginning of August 2019. Jonas has been a featured act at numerous poetry sessions in Cape Town and Johannesburg. Her experience with spoken word has led to multiple invitations to judge poetry slam competitions in Cape Town and Johannesburg. She has also performed with renowned musicians including, Sipho “Hotstix” Mabuse, Freshlyground, Pops Mohamed, Dizu Plaatjies and Dave Reynolds. Jonas made history in 2016 as the first African poet to perform at Rhetoric in California. In February 2019 she was also a headline act on the first ever South African national poetry tour, the Fresh Poetry Tour. She was crowned as the first Cape Town Ultimate Slam Champion in 2015 and was the runner-up in the prestigious 2016 Sol Plaatje European Union Poetry Award, coming second out of 600 poems submitted nationally. Her work was longlisted again in 2017.
Kyra Loubser is a Cape Town-based hair and makeup artist, stylist and beauty editor for Kuier Magazine. Initially entering the industry as a hairdresser, Kyra was introduced to the world of television with M-Net working as part of the styling team for the Miss Soweto Pageant. She then went on to be a part of the styling team for the Miss South Africa Pageant, which she considers to be a career-defining moment. Kyra was then approached by Idols winner, Karin Kortje to do her styling, hair and makeup which jumpstarted her career as a stylist, hair and makeup artist and saw her work expanding into theatre. This led to introductions to names such as Alistair Izobell and Kim Engelbrecht. About a year later, she was offered the position as Tracey Lange’s stylist for Bravo! on Kyknet. Kyra also spends her time mentoring and upskilling four ‘Kyra Fairies’ who have shown an interest and passion for the industry. Her work has spanned TV, film and theatre but it’s her latest project, which sees her designing and creating the makeup looks featured in Kinky Boots at the Fugard Theatre, that has everyone buzzing. Continue reading
Olivia Fischer is an award-winning playwright, director and producer. After graduating with her degree in theatre and performance, specialising in theatre-making from the University of Cape Town, Olivia premiered Still at the Hollywood Fringe Festival in Los Angeles, CA. Still was awarded five Hollywood Fringe awards including Tvolution’s Best International Show and the Conversation Creation award. In 2018, Olivia opened a production company called LIV Studios, a company that aims to develop female-identifying playwrights and theatre-makers. Olivia is a published writer: her autobiographical monologue Coming For You was recently published in the Market Laboratory’s anthology Between the Pillar and the Post: an anthology of South African monologues and scenes. Her other theatre credits include writing and directing an adaptation of Sindiwe Magona’s The Cruel King Lives! called Thandiwe: The Loved One and directed Duncan MacMillan’s Lungs. Her main focus as she continues to grow as a theatre-maker is telling stories of womxn: their resilience, their strength but above all, their undeniable capacity to love.
Carin Bester is a performance artist, actress, set designer and art director who has been working in the film, television and theatre industry for the past 10 years. In 2015, Carin performed her first performance art piece Verlies. She was drawn to performance art because of its immediacy and honesty. She views it as a medium in which she can express herself freely as she interrogates issues of social importance effectively. In 2017, she did My Body My Life, a performance installation which took the statistics of gender-based violence in South Africa directly to the viewer. Since then she has done various other pieces about gender-based violence in South Africa. Currently, she is experimenting with documentation of performance elements to create print and video art. A piece called Dress of Remembrance, which was worn on August 1st 2018 as part of the #TheTotalshutdown March against gender-based violence to Parliament, has been included in an exhibition at the Iziko Slave Lodge Museum. Cape Town audiences recently saw Carin’s set design featured in Figure of 8 Dance Collective’s Wag/Waiting which debuted at the Baxter Theatre. She will be performing a new piece Till Death Do Us Part this August as part of the Vavasati International Women’s Festival at The State Theatre in Pretoria.