A Conversation with Lesedi Job

Lesedi Job is an actress and director. Lesedi made her directorial debut in 2017 with Mike van Graan’s When Swallows Cry at the Market Theatre and went on to win the Sophie Mgcina Emerging Voice Award. The production, which has transferred to Cape Town, is currently running at the Baxter Theatre. An accomplished performer in her own right, Lesedi received a Naledi Theatre Award nomination for her role in Lara Foot’s Fishers of Hope.  Continue reading

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A Conversation with Daneel van der Walt and Alicia McCormick

For months Cape Town has been buzzing about the upcoming historic all-women production of The Taming of the Shrew, which is set to take the Maynardville Open-Air Theatre by storm. Fierce and formidable theatre veterans, Daneel van der Walt and Alicia McCormick have been tapped to lead the company by playing sparring partners Petruchio and Kate, respectively. We sat down with them to chat about the history-making production, debuting at Maynardville and the importance of working with women.
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Through The Lens: The Taming of The Shrew

A historic production of Shakespeare’s popular comedy, The Taming of the Shrew, will be presented at the Maynardville Open-Air Theatre, directed by Tara Notcutt and featuring an all-female cast and creative team. Award-winning director Notcutt is making history with something never before seen on a South African stage: an all-female version of a Shakespeare play. She leads some of South Africa’s most celebrated actresses in a version of The Taming of the Shrew like it has never been seen before: a meeting of classic text with modern twists, including lip-synching, 90s fashion, and an all-female cast playing men and playing women, supported by an all-female creative team. This production also makes history as Notcutt becomes the 5th women in 61 years to direct a Shakespearian production at Maynardville. We were invited to attend the cast’s first day of rehearsals and get a sneak peak at this groundbreaking production.

All photos by Jesse KramerContinue reading

A Conversation with Dara Beth

Theatre-maker and performer Dara Beth describes herself as “first and foremost an angry, Jewish feminist”. She is one half of the cabaret duo Plumsong, which she has been performing as since 2011 with her mom and fellow performer, Sharyn Seidel. A recent UCT graduate, Dara has written and performed in Just a Song and a Dance with co-performer Sharyn at the Alexander Bar and the National Arts Festival. Dara has also worked as a stage manager on Wessel Pretorius’ Klara Maas se Hart is Gebreek and Die Ontelbare 48, Ameera Conrad’s Reparation and Jon Keevy’s The Underground Library. Dara also makes up one third of The Furies, a womxn-centric artistic co-op, who are responsible for presenting her latest original piece, Nasty Womxn, which makes its return to the Alexander Bar for a limited engagement following its triumphant success at the end of last year.  Continue reading