A Conversation with Mariëtte Opperman

Mariëtte Opperman began dancing at the age of seven. She trained under Paula Olivier and later did an intensive vocational study with Martin Schönberg. She started her professional career in 2008 at the South African Ballet Theatre. She joined Cape Town City Ballet in 2010, where she is currently a senior soloist. Mariëtte also performed professionally in Stockholm, Sweden for a year. Her most memorable roles to date include the Black Swan in Swan Lake, Diane in Diane and Acteon, Kitri in Don Quixote, Sugar Plum in The Nutcracker, Firebird in Firebird, Juliet in Romeo and Juliet and Giselle in Giselle. She is currently gearing up to take on the titular role in Veronica Paeper’s production of Cinderella for Cape Town City Ballet.

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A Conversation with Veronica Paeper

Prolific choreographer and ballet dancer, Veronica Paeper has created more than 40 ballets, among them sixteen full-length works. During her performing career Veronica rose to become a principal dancer with three South African companies; CAPAB Ballet, PACT Ballet and PACOFS Ballet. Her latest production, Carmen, is a restaging of her award-winning choreography and makes its way to Joburg Ballet for a limited engagement.  Continue reading

A Conversation with Esther Nasser

Less than a year ago, Esther Nasser was named CEO of Joburg Ballet. As a choreographer, Nasser has created an extensive repertoire of new works to both commissioned and existing music and soundtracks, winning several awards for choreography. Nasser became involved in transformation in dance and theatre before South Africa achieved democracy in 1994 and remains actively involved in the process. She has established community and outreach projects, winning the Gauteng Achievement Community/Outreach Award in 1999. Nasser has also taught and lectured at leading SA universities and technikons, and has choreographed and directed extensively for television. Continue reading

A Conversation with Burnise Silvius

Joburg Ballet’s prima ballerina Burnise Silvius has announced that she will be retiring from the stage at the end of the upcoming season of La Traviata – The Ballet at Joburg Theatre. Professionally, Burnise has been dancing for over twenty years and has performed all over the world playing some of ballet’s most iconic and challenging roles. We sat down with Burnise to chat about her retirement and reflect back on her incredible career. 

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A Conversation with Laura Bösenberg and Kim Vieira

Laura Bösenberg and Kim Vieira are senior principal dancers with The Cape Town City Ballet. Between the two of them they have over 30 years of professional ballet experience. Currently Laura and Kim are starring in Peter Pan and Tinkerbell as ‘Tinkerbell’ and ‘Wendy’ respectively. They have both spent countless hours working on their craft and have tackled some of ballet’s most challenging roles, yet despite reaching the highest position in the company, they still rehearse almost every single day. Next year they will alternate the role of Juliet in Romeo and Juliet at Maynardville. We were please to sit down and get to know the women behind these iconic roles.

 

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A Conversation with Ipeleng Merafe

I first encountered the work of Ipeleng Merafe during this year’s Cape Town Fringe Festival where she was performing in #BalletMustFall, a satirical look into the world of ballet. A self-proclaimed modern-day gypsy, Ipeleng constantly finds herself on the move all in pursuit of her passion for dance. From South Africa to Paris to New York and more, Ipeleng is a supernova in the dance world who shows no signs of slowing down anytime soon.

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A Conversation with Elizabeth Triegaardt

Professor Elizabeth Triegaardt has made a career out of her love and passion for dance. A former ballerina, Ms. Triegaardt currently holds the position of Honorary Executive Director of the Cape Town City Ballet, a company she has remained with and stayed fiercely loyal to since graduating from UCT. Her full bio and more information about upcoming Cape Town City Ballet productions will be linked below.  Continue reading