A Conversation with Amra-Faye Wright

Amra-Faye Wright is an award-winning actress best known for portraying Velma Kelly in Chicago the Musical, both on Broadway, London’s West End and in international tours. She trained extensively as a classical and jazz dancer and began her career performing in the Spectacular Musical Revues at Sun City. She spent the following years developing her skills in many musical genres and obtained a diploma in Contemporary Music at Allenby College in Johannesburg, which has resulted in a versatile and eclectic performance style. After starring in Viva Sun City at Sun City Theatre, Amra-Faye left for Monte Carlo where she performed as lead artist in the world famous Cabaret du Casino for two years. Her gift for story-telling led her to write, and perform her first one-woman revue, Rouge Pulp, which enjoyed a sellout season and prompted her to write Drinks on Me and It’s Not Where I Start. In 2005, she was awarded the Naledi Theatre Award and the Fleur du Cap Theatre Award for her performance in the South African production of ChicagoContinue reading

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A Conversation with Shelley Lothian

Shelley Lothian is an award-winning choreographer, director, singer, actress and dancer. Her performance credits include The Sound of Music, My Fair Lady, Thoroughly Modern Millie, The Boys in the Photograph, Mamma Mia, We Will Rock You, Show Boat and Cabaret. She directed Chef, Rattle and Roll; The Purr Factory and Maybe Baby It’s You. She served as Resident Director on Janice Honeyman’s Show Boat, Matthew Wild’s Cabaret and West Side Story; David Kramer’s Orpheus in Africa and District Six- Kanala, and most recently King Kong with Jonathan Munby at the Fugard Theatre. She was also Associate Director on the international musical Tiger Bay. She has choreographed various productions including The King and I, A Funny Thing Happened On The Way To The Forum, District Six- Kanala and Sneeuwitjie. Shelley’s other choreographic credits include My Fair Lady; Chef, Rattle and Roll and Liefling – all of which received Naledi Theatre Award nominations, as well as Fiddler on the Roof and The Pirates of Penzance which both won the Naledi Theatre Award for Best Original Choreography. She is currently starring in the Fugard Theatre’s production of Kinky Boots where she also serves as Resident Director.  Continue reading

A Conversation with Debbie Turner

In October 2018, Debbie Turner was appointed the Chief Executive Officer of Cape Town City Ballet. She founded the Cape Academy of Performing Arts in 1985 and went on to become the founding Artistic Director of the Cape Dance Company in 1995. Recently, she sat on the prestigious panel of judges for the inaugural 2018 season of M-Net’s Dancing With The Stars SAShe has won many awards for her choreography including the FNB Vita Award, and a Standard Bank Ovation Award at the National Arts Festival for Cape Dance Company’s Blue. In addition, the school received a Standard Bank Ovation Award at the National Arts Festival for Bittersweet in 2013, which resulted in the production of Between The Lines the following year on the Arena Programme and at the inaugural Cape Town Fringe FestivalDebbie is committed to restoring, revitalising and aligning South African dance with the 21st Century global trends of performance through sustainable, multi-pronged approach to performance excellence, diverse repertory relevant to current times, dance education, and professional development of dancers while preserving the traditions of classical ballet and academic dance in general.

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A Conversation with Lindy Abromowitz Sachs

Lindy Abromowitz Sachs is a performer and doctor. Having started her tertiary studies at UCT’s Opera School, she then changed tack completely and entered the medical world, graduating as a doctor six short years later. Whilst pursuing her medical career, she still managed to keep her love for theatre and performing alive by appearing in several films, commercials, as well as numerous musicals including Grease, The Sound of Music, Cats, Annie, District Six and the runaway hit Offbeat Broadway, which returns to Theatre on the Bay for its much anticipated fifth incarnation. 

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A Conversation with Ilse Klink

Ilse Klink is an award-winning actor, singer and television personality. She is best known for the role of Vanessa Booysens on the daily soap, Isidingo. Her stage credits include Mamma Mia!, Rent, Chicago, Show Boat, Menopause -The Musical, Kristalvlakte, Scorched and Caeser, to name a few. She has graced South African television screens by appearing in Roer Jou Voete, iNkaba, 7de Laan and Broken Vows. Her movie credits include Ellen: The Ellen Pakkies Story, Cold Harbour, Dis ek, Anna and Stroomop for which she was recently awarded a 2019 SAFTA Golden Horn for Best Supporting Actress. Ilse is currently treading the boards as Mama Morton in Chicago, a role she has returned to for the third time, a decade after she played it last.  Continue reading

A Conversation with Adele Blank

Adele Blank is a choreographer, dance instructor and Director of Free Flight Dance Company, which she formed in 1987. She has trained, performed, choreographed and taught extensively in classical ballet and contemporary dance both locally and abroad. Since the beginning of the millennium, Adele’s artistic reach has extended far beyond the realm of dance. She has been responsible for numerous local and international TV adverts, movies, operas, fundraisers and a host of industrial theatre productions. Whilst coaching and teaching, she has created for many companies and is very involved in community and outreach programmes. Adele is a recipient of the Arts & Culture Trust Lifetime Achievement Award for Dance. We sat down to chat with her about devoting her life to dance and directing her latest project, Blue Violin, which will be performed at Artscape for a limited run.  Continue reading

A Conversation with Christelle Dreyer

Christelle Dreyer is a dancer, graphic designer and performer. At a young age, she discovered her love and passion for dance. Christelle uses her unique body movements within dance styles varying from Contemporary dance to Ballroom and Latin dancing. As a Ballroom and Latin Dancer, she won numerous competitions. In 2007 she won first place in both Ballroom and Latin at the Holland World Championships. In working for Remix Dance Company, Christelle taught children as part of the Remix Integrated Dance Project with Nicola Elliott and Malcolm Black. In 2014, she performed as part of the UNI Global Union Women’s Conference. Partaking in the Axis Dance Company Intensive, Christelle found herself dancing and performing among dancers from across the world. Most recently she was seen acting in Marat/Sade directed by Jaco Bouwer at the Baxter Theatre. In 2017, she received the Cultural Affairs Award from the Western Cape Government for Contribution By Person With Disability To The Arts. 

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A Conversation with Lukhanyiso Skosana

Lukhanyiso Skosana is an actress, performance artist, vocalist and theatre-maker. Her performing credits include Love Like Blue directed by Puleng Lange-Stewart, Khanyisile Mbongwa’s performance art piece kuDanger, Ndawo directed and written by Thapelo Tharaga and Nguvu Ya Mbegu directed by Mandla Mbothwe. To continue her collaborations with womxn of colour, she was in the dance piece Bana Ba Mobu choreographed by Tshegofatso Mabutla. She is in the continuous process of touring and reworking Womb Of Fire, a production written and performed by Rehane Abrahams and directed by Dr Sara Matchett for which she was recently awarded a Fleur du Cap Theatre Award for Best Original Music Score. She continued her longtime collaboration with The MotherTongue Project by performing in their performance piece Walk in India at the ITFOK festival, at the National Arts Festival in 2018 and at Woordfees 2019. She recently choreographed her debut dance piece entitled Zinyile i’Queers and also participated in Body Politics in a durational Butoh piece titled UMGOWO. In 2018, Lukhanyiso made her directorial as well as playwriting debut with her graduation piece Inguquko

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A Conversation with Gina Shmukler

Gina Shmukler has been in the entertainment industry since she was six years old. In her career, her theatre work as an actress, director and producer, has garnered ten theatre nominations and four awards across different genres ranging from Mamma Mia and Chess, to Master Class and Silk Ties. In 2013, after completing her Master’s Degree in Drama at the University of Witwatersrand, Gina was the proud recipient of the Dr Sibongile Khumalo Creative Research Award. Her select directorial credits include; The Line, Lost in the Stars, Songs for a New World, The Market Theatre’s Brer Rabbit, Beautiful Creatures, Love: A Musical Revue, The Last Five Years and The Whole Megillah. Having taken a performance hiatus, Gina returned to the stage in 2017 in Mike van Graan’s Helen of Troyeville. At the end of 2018, she returned to her musical theatre roots by stepping into Aunty Merle the Musical, which makes its way to Joburg Theatre following three sold-out engagements in Cape Town.

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A Conversation with Bethany Dickson

Bethany Dickson is a Naledi and Fleur du Cap Theatre Award nominated actress. For more than a decade, Bethany has been charming South African and international audiences by tackling some of musical theatres most iconic roles. After making her debut in High School Musical, she has since gone on to perform in Singin’ in the Rain, Sunset Boulevard, The Sound of Music and Grease. We sat down with her to chat about her latest role, portraying Miss Honey in the musical adaptation of Roald Dahl’s beloved classic, Matilda.
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