Kimmy Skota is a world-renowned opera singer, best known for her performances with acclaimed Dutch violinist Andre Rieu, which led to her touring and performing around the globe. She has won several awards, including at the SAMRO International Singing Competition in 2008. Her opera repertoire includes Gilda in Rigoletto, Tatjana in Britten’s A Midsummer Night’s Dream, Adina in L’elisir d’amore, Sophie in Der Rosenkavalier, Sophie in Werther, Kristine in Miss Julie, Despina in Cosi fan Tutte and Papagena in The Magic Flute. Her oratorio work includes The Messiah and The Creation. She also performed with Richard Cock in his Starlight Concert and Night at the Proms and has worked with internationally-renowned conductors including Kamal Khan and Sebastian Lang-Lessing. On October 22nd and 23rd, Kimmy will be performing in Cantiamo – Mzansi Opera Celebration, a performance which will reopen the Joburg Theatre, as well as being streamed online.
A Q&A with Chantal Stanfield
In December 2017, we sat down with actress, singer and playwright Chantal Stanfield to chat about her one-woman show, From Koe’siestes To Kneidlach, which was about to debut at the Baxter Theatre in Cape Town following a successful run at Theatre On The Square in Johannesburg. Fast forward to 2020 and a global pandemic that has left theatres around the world dark. In response to this, Chantal has released a pre-recorded version of the show that audience members can stream to their homes, in the hopes of raising funds for the two theatres that From Koe’siestes To Kneidlach called home.
Click here to read our conversation with Chantal from 2017.
A Conversation with Theresa Ryan – van Graan
Theresa Ryan – van Graan is a film producer. She heads up Penzance Films in conjunction with Oliver Hermanus and spent seven years as Head of Productions at Moonlighting Films. During this time, she was SA Production Executive on Season 4 of Homeland and actively involved in the servicing and pre-production of the films Invictus, Safe House, The Giver and Mad Max: Fury Road, amongst others. In addition to working with Oliver Hermanus on his previous film The Endless River, she is the co-producer of his latest film Moffie, which arrives in local cinemas on March 13th 2020.
A Conversation with Penny Simpson
Penny Simpson is a costume designer and visual artist. After completing her theatre design studies at Sadlers Wells Design School, she returned to South Africa and began her career by joining CAPAB and designing for several of their productions. She has devoted more than 40 years to the theatre industry and has designed costumes for notable productions including; Hadrian VII, Miss Julie, Mother Courage and her Children, Present Laughter, Relatively Speaking, Show Boat, The Diary of Anne Frank, Exit the King and Fiddler on the Roof, to name a few. Her most recent theatrical credits include; Blood Brothers, Sunset Boulevard, Cabaret and Rocky Horror. During the last several years, Penny has focused her attention on portrait painting. Several of her paintings can be seen displayed in the foyer of Theatre on The Bay. Currently. Penny has returned to her theatrical roots by designing the costumes featured in Mel Brooks’ The Producers, which is currently running at Theatre on The Bay followed by a run at Pieter Toerien’s Montecasino in Johannesburg.
A Conversation with Rushney Ferguson
Rushney Ferguson is a triple threat performer from Cape Town having completed her advanced I.S.T.D training in Modern, Tap, Ballet, Jazz and Musical Theatre, including Associate qualifications, at the Waterfront Theatre School. Her theatre career started with David Kramer’s District Six: Kanala, Amper Famous and Langarm for which she received a Fleur du Cap nomination. Rushney also Dance Captained and starred in the revival of King Kong: Legend of a Boxer at The Fugard Theatre. Choreographically, she works regularly behind the scenes with many local artists like Emo Adams: Brother Love 2, Emo Celebrates 30 Years in Music and the live finale of Maak My Famous. She recently appeared as Juanita in David Kramer’s new musical Danger in the Dark which returns to the Baxter Theatre in March 2020. She is currently starring as Abigail in Aunty Merle: It’s a Girl!, the highly anticipated sequel based on Marc Lottering’s beloved character, Aunty Merle. Continue reading
A Conversation with Nicola Hanekom
Nicola Hanekom has been a freelance actress, director and writer for the past twenty years. Her theatre work as writer/director includes a series of site-specific productions; Betésda, Lot, Babbel and Land van Skedels. As a writer and performer, Nicola created Trippie, and her self-penned one-woman show Hol/Running on Empty. These together with her latest play In glas have garnered twelve Kanna awards, eleven Fiësta awards, two ATKV writing awards and one Aartvark award. Nicola was also awarded the Eugène Marais Prize for her collection of plays Die pad byster. She has written and directed two short films, Trippie and Unspoken. Her short, Trippie won two Silwerskermfees awards. Cut-Out Girls is her first feature film and arrives in local cinemas on November 22nd.
A Conversation with Fiona Ramsay
Fiona Ramsay is one of South Africa’s leading actresses, working locally and overseas. A doyenne of the South African performing arts industry, over the course of 40 years her award-winning professional career has successfully spanned across film, television and theatre. She is also a lecturer at Wits University and is the founder of Speakeasy Vocal Academy where she specialises as a dialogue and dialect coach and runs vocal empowerment workshops. She is currently starring as Amanda Wingfield in The Glass Menagerie at the Artscape Arena. Continue reading
A Conversation with Alexis Petersen
Alexis Petersen is a UCT Performance Diploma Graduate who majored in Western Classical Voice. She has performed on various stages both nationally and internationally. Alexis has performed in several musical theatre productions including Calling Us Home, The Little Mermaid and David Kramer’s Langarm. Her opera credits include FOUR:30, Le nozze di Figaro and La traviata. With a strong passion for dance, she has also competed as a ballroom dancer, dancing under the Federation of Dance Sport South Africa. She also features as a vocalist in a unique contemporary trio called Inside Voice. Alexis is currently starring at the Baxter Theatre as Pamela in Danger in the Dark, David Kramer’s re-imagining of the Kramer/Petersen ’90s hit, Poison. Continue reading
A Conversation with Liezl de Kock
Liezl de Kock is an actor, director, theatre-maker and lecturer. She performed the lead role of Janet in the Ovation Award-winning and double Fleur du Cap Theatre Award winner Pictures of You, which was the highest-grossing theatre production on the fringe at the 2009 National Arts Festival. Liezl was also nominated for a Fleur du Cap Theatre Award for her role in Rob Murray’s Womb Tide. She performed with Andrew Buckland in Crazy in Love, which received an Ovation Award and the Amsterdam Fringe Fest award for Best International Production. Her performance in Crazy in Love received a Naledi Theatre Award nomination. Her final Master’s production, Piet se Optelgoed won a Silver Ovation Award at the National Arts Festival and was nominated for Best International Production at the Amsterdam Fringe Festival. Earlier this year, she was nominated for a Naledi Theatre Award for her role as Sussie in Reza de Wet’s African Gothic directed by Alby Michaels. She is currently reprising her role in Athol Fugard’s Statements After an Arrest Under The Immorality Act at The Fugard Theatre following its debut run earlier this year at the 2019 Klein Karoo Nasionale Kunstefees.
Guest Post: The Chronicles of an Independent Theatre-Maker
In 2018 during our interview with theatre-maker Dara Beth, we spoke about the return engagement of her play, Nasty Womxn. Now, 18 months later, Nasty Womxn is back for its third return engagement, this time featuring a new cast, a reworked script and coinciding with Dara’s latest theatrical offering, The Chronicles of Athena, Babes. Tasked with staging two independently produced works which almost run concurrently, we ask Dara to share her thoughts around this creative process. Continue reading