Guest Post: The Chronicles of an Independent Theatre-Maker

In 2018 during our interview with theatre-maker Dara Beth, we spoke about the return engagement of her play, Nasty Womxn. Now, 18 months later, Nasty Womxn is back for its third return engagement, this time featuring a new cast, a reworked script and coinciding with Dara’s latest theatrical offering, The Chronicles of Athena, Babes. Tasked with staging two independently produced works which almost run concurrently, we ask Dara to share her thoughts around this creative process.   Continue reading

Advertisement

Through The Lens: Sarafina Magazine 2 Years Later

Dear Reader,

And just like that we’ve reached another milestone! On September 1st 2018, Sarafina Magazine officially turned two.  Continue reading

A Conversation with Kate Pinchuck

Kate Pinchuck is an actor, writer and stand-up comedian. Her credits include Athol Fugard’s My Children! My Africa! at Artscape, the critically acclaimed all-female Taming of the Shrew at Maynardville directed by Tara Notcutt and the Ovation Award winning Gaslight at the National Arts Festival Fringe directed by Laine Butler. Kate has been rising up in the comedy scene in Cape Town and Joburg. She was featured in the 2017 Next Generation Showcase at Grand West, was a semi-finalist in the 2017 Savanna Show Us Your Apples competition and performed in the televised 2018 Comics Choice Awards Newcomer Showcase at the Soweto Theatre. She has performed numerous times at the National Arts Festival Fringe in productions such as With/HoldJack & Jill which she wrote and Lexi Meier’s Standard Bank Ovation Award-winning immersive installation, Down to a sunless sea. Following its award-winning run at the National Arts Festival, her one-woman show, Medusa Incarnate will make its Cape Town debut at the Alexander Bar in September.  Continue reading

Through The Lens: The Taming of The Shrew

A historic production of Shakespeare’s popular comedy, The Taming of the Shrew, will be presented at the Maynardville Open-Air Theatre, directed by Tara Notcutt and featuring an all-female cast and creative team. Award-winning director Notcutt is making history with something never before seen on a South African stage: an all-female version of a Shakespeare play. She leads some of South Africa’s most celebrated actresses in a version of The Taming of the Shrew like it has never been seen before: a meeting of classic text with modern twists, including lip-synching, 90s fashion, and an all-female cast playing men and playing women, supported by an all-female creative team. This production also makes history as Notcutt becomes the 5th women in 61 years to direct a Shakespearian production at Maynardville. We were invited to attend the cast’s first day of rehearsals and get a sneak peak at this groundbreaking production.

All photos by Jesse KramerContinue reading

A Conversation with Dara Beth

Theatre-maker and performer Dara Beth describes herself as “first and foremost an angry, Jewish feminist”. She is one half of the cabaret duo Plumsong, which she has been performing as since 2011 with her mom and fellow performer, Sharyn Seidel. A recent UCT graduate, Dara has written and performed in Just a Song and a Dance with co-performer Sharyn at the Alexander Bar and the National Arts Festival. Dara has also worked as a stage manager on Wessel Pretorius’ Klara Maas se Hart is Gebreek and Die Ontelbare 48, Ameera Conrad’s Reparation and Jon Keevy’s The Underground Library. Dara also makes up one third of The Furies, a womxn-centric artistic co-op, who are responsible for presenting her latest original piece, Nasty Womxn, which makes its return to the Alexander Bar for a limited engagement following its triumphant success at the end of last year.  Continue reading