Kate Pinchuck is an actor, writer and stand-up comedian. Her credits include Athol Fugard’s My Children! My Africa! at Artscape, the critically acclaimed all-female Taming of the Shrew at Maynardville directed by Tara Notcutt and the Ovation Award winning Gaslight at the National Arts Festival Fringe directed by Laine Butler. Kate has been rising up in the comedy scene in Cape Town and Joburg. She was featured in the 2017 Next Generation Showcase at Grand West, was a semi-finalist in the 2017 Savanna Show Us Your Apples competition and performed in the televised 2018 Comics Choice Awards Newcomer Showcase at the Soweto Theatre. She has performed numerous times at the National Arts Festival Fringe in productions such as With/Hold, Jack & Jill which she wrote and Lexi Meier’s Standard Bank Ovation Award-winning immersive installation, Down to a sunless sea. Following its award-winning run at the National Arts Festival, her one-woman show, Medusa Incarnate will make its Cape Town debut at the Alexander Bar in September. Continue reading
Puleng Lange-Stewart is a writer, playwright, filmmaker, director, designer and illustrator. In 2016, she was one of three shortlisted writers in the national PEN student writing competition. Her writing has appeared in the 2017 African Literature curriculum at UCT. Her first independent short film, written and directed with Jannous Aukema, Until the Silence Comes, was selected for the 2017 Cape Town International Film Festival and was nominated for an audience award at the Shnit International Short Film Festival. Her primary focus is in interdisciplinary performance and multimedia integration. As a queer, feminist, artist and mother of colour, she hopes to find ways to explore and question the practices and hierarchies that continue to erode human dignity and self-determinacy for so many within the context of South Africa and Africa as a whole. Her work is deeply embedded in a decolonial framework which hopes to elevate and recentre African bodies and voices as a response to its violent historical negation. During the 2018 Open Book Festival, Puleng will appear on a panel entitled Moving Pictures and Borders. Continue reading
Genna Gardini is a writer and teacher. She is the author of Matric Rage, which was published in 2014 by uHlanga Press. In 2012, she was awarded the DALRO New Coin Poetry prize and was chosen as one of the Mail & Guardian’s Top 200 Young South Africans for 2013. She is also the co-founder of Horses’ Heads Productions and has had several of her plays produced at the National Arts Festival including WinterSweet and Scrape, both of which went on to win Standard Bank Ovation Awards. In addition, she also works as the poetry editor of Prufrock Magazine, a journal in which her own work has featured.
Chantal Stanfield is an actress and singer who has featured in a number of South Africa’s leading television and stage productions. In the last year, she has charmed South African audiences by featuring on local Television soap operas Sewende Laan and Getroud met Rugby. After completing a run in Rock of Ages at the Lyric Theatre, her one-woman self-written show From Koe’siestes to Kneidlach makes its Cape Town debut at the Baxter Theatre following a successful Joburg engagement. We sat down at the Baxter to chat about her career, being labeled a “Soap Star” and finding the courage to create her own work.
Leanetse Seekoe is a performer and theatre-maker. Upon graduating from UCT’s Drama department in 2014, Leanetse was nominated for a Fleur du Cap award in the Most Promising Student category. Recently, Leanetse wrote 4 cups 1 tbsp while she pursued her Masters of Arts in English and Comparative Literature. In 2017, she performed her debut one woman play, 4 cups 1 tbsp at The Market Theatre Laboratory and The Plat4orm in Johannesburg, and Theatre Arts Admin Collective in Cape Town. Continue reading
Rehane Abrahams is an award-winning performer and theatre-maker. She is currently performing in Amee Lekas’ debut production, Die Dans van die Watermeid, at the Baxter Theatre. As a performer, her work has successfully spanned a multitude of genres and mediums. She is also the co-founder of The MotherTongue Project which is a collective of women artists, activists, academics and practitioners committed to personal and social transformation through participatory theatre and integrated arts methodologies. Continue reading
Marí Borstlap is a theatre director, writer and designer. Following a successful run at the Vrystaat Arts Festival earlier this year, her most recent directorial endeavour, Winterboom, begins performances at Aardklop on October 3rd. We sat down to chat about the show and her perception on the current climate for female theatremakers.
Nadia Davids is a writer, theatre-maker and scholar. Her plays, At Her Feet and Cissie, have garnered various theatre awards and nominations and has been staged internationally. Her play What Remains will be performed during The National Arts Festival before returning to Cape Town for a limited run. Her debut novel An Imperfect Blessing was long-listed for the Sunday Times Fiction Award and shortlisted for the UJ Prize and the Pan-African Etisalat Prize for Literature. She holds a PhD from the University of Cape Town and, as an A.W. Mellon Fellow, has been a visiting scholar/artist at the University of California Berkley and at New York University. She lectured at Queen Mary University of London between 2009-2016 and is a recipient of a Philip Leverhulme Prize. Continue reading
Thando Mangcu is an actress, director and theatre-maker. She burst onto the theatre scene in 2016 co-creating, co-directing and performing in The Fall, which went on to win the Encore Award at this year’s Fleur du Cap Theatre Awards. She has also just been named as the newest recipient of the highly coveted Theatre Arts Admin Collective’s Emerging Director’s Bursary. The Fall is currently making it’s return to the Baxter before jetting off to the Edinburgh Fringe Festival.
Theatremaker Tara Notcutt is a director, writer and producer. Her debut production, …miskien took the theatre industry by storm and won her a Fleur du Cap Award for Best New Director, cementing her as a prolific theatremaker. Since then she has helmed multiple award-winning shows including The Three Little Pig, The Gruffalo, Mafeking Road, After Dark in the Groot Marico, just to name a few. We sat down at Alexander Bar to chat about her career, the success surrounding her debut production and finding ways to fall back in love with her career. Continue reading