Mariëtte Opperman began dancing at the age of seven. She trained under Paula Olivier and later did an intensive vocational study with Martin Schönberg. She started her professional career in 2008 at the South African Ballet Theatre. She joined Cape Town City Ballet in 2010, where she is currently a senior soloist. Mariëtte also performed professionally in Stockholm, Sweden for a year. Her most memorable roles to date include the Black Swan in Swan Lake, Diane in Diane and Acteon, Kitri in Don Quixote, Sugar Plum in The Nutcracker, Firebird in Firebird, Juliet in Romeo and Juliet and Giselle in Giselle. She is currently gearing up to take on the titular role in Veronica Paeper’s production of Cinderella for Cape Town City Ballet.
Ukhona Ntsali Mlandu is an Arts Manager, Curator and Facilitator. During the last few years she has worked alongside some of South Africa’s leading arts institutions and organisations including Artscape where she spent several years heading up their Resource Center, PANSA, FTH:K and Siyasanga Cape Town Theatre Company before going on to become an independent Arts Manager. She has launched her latest project makwande.republic, a residency program set in the heart of her hometown village in the Eastern Cape. We sat down with her to chat about moving back home, creating makwande.republic and having to coin a new phrase to encompasses her multi-faceted career.
Samantha de Romijn is the co-founder of The Imbewu Trust, a non-profit organisation which was established to promote the development of contemporary South African theatre and arts. She has also worked as a producer, agent, arts manager, performer, stage manager and director. Now in it’s seventh year, the SCrIBE Scriptwriting Competition, a flagship project of the Imbewu Trust, was recently awarded a Fleur du Cap Theatre Award for Innovation in Theatre. SCrIBE is an opportunity for South African playwrights to further develop their work. A staged reading is held for each of the finalist’s scripts, providing the chance for feedback from the industry and members of the public. An overall winner is announced at the end of the week, with one of the prizes being having the play professionally mounted for a run at a Cape Town theatre. Another writer has the chance to win The Scribblers Dream, a prize which enables a writer the opportunity to work alongside a mentor to develop their script and another writer has the chance to further workshop his or her play.
Prolific choreographer and ballet dancer, Veronica Paeper has created more than 40 ballets, among them sixteen full-length works. During her performing career Veronica rose to become a principal dancer with three South African companies; CAPAB Ballet, PACT Ballet and PACOFS Ballet. Her latest production, Carmen, is a restaging of her award-winning choreography and makes its way to Joburg Ballet for a limited engagement. Continue reading
A lot of the magic of Sarafina Magazine is due to the photography. During this first year, six women joined the team and stepped behind the lens to carefully capture each woman that we were so tirelessly working towards representing correctly and respectfully. Each photographer stepped in, added their own take to each shoot and managed to elevate our original concept into something more exceptional than any of us could possibly have imagined. Most photos are taken candidly during our conversation which makes each image as special and as unique as catching lightning in a bottle. To commemorate our first year, each photographer was tasked to pick their top two or three favourite pictures and share with us why they selected the ones they did.