Claire Taylor is an actor, singer, dancer and voice artist. Her select credits include West Side Story, Rock of Ages (Naledi nomination), Dirty Dancing, Sunset Boulevard and Cabaret, for which she was nominated for a Fleur du Cap Theatre Award. She has worked in theatres and countries all over the world including Australia, Italy, China and the USA. She has also featured on various local and international voice campaigns. Claire is the founder and director of a promotional and events staffing agency, and experiential entertainment company, Promotiv, which she launched in January 2018. She is currently starring as Mrs Wormwood in the South African premiere of Matilda. Continue reading
And just like that we’ve reached another milestone! On September 1st 2018, Sarafina Magazine officially turned two. Continue reading
Choreographer and dancer Louisa Talbot became a soloist in the Cape Dance Company at the age of 13, specialising in contemporary and classical dance. She became a member of Jazzart Dance Theatre and went on to freelance for Free Flight Dance Company and Bovim Ballet. In 2004, Louisa started her musical theatre career with the musical Show Boat. She began choreographing musicals for The Fugard Theatre in 2013 and went on to be nominated for a Best Choreography Naledi Theatre Award for The Rocky Horror Show. Other theatre choreography credits include Cabaret, Funny Girl and West Side Story which is currently running at Artscape in its return Cape Town season. Continue reading
Nicole Fortuin is the true definition of an artist. As an accomplished actress, dancer, photographer and director, Nicole has managed to take the film, theatre and television industry by storm since graduating from UCT only three years ago. Impressive credits aside, Nicole has made it a priority to use her platform as a young creative to bring awareness to the causes that she believes in. We sat down to talk about her success, staying grounded and navigating the world of social media.
A lot of the magic of Sarafina Magazine is due to the photography. During this first year, six women joined the team and stepped behind the lens to carefully capture each woman that we were so tirelessly working towards representing correctly and respectfully. Each photographer stepped in, added their own take to each shoot and managed to elevate our original concept into something more exceptional than any of us could possibly have imagined. Most photos are taken candidly during our conversation which makes each image as special and as unique as catching lightning in a bottle. To commemorate our first year, each photographer was tasked to pick their top two or three favourite pictures and share with us why they selected the ones they did.
We easily forget the many people who work tirelessly under the radar to bring a production to life. Actress and photographer, Candice van Litsenborgh took her camera backstage at Priscilla Queen of the Desert, a production which boasts a majority female crew, to give us a glimpse at some of the unsung heroes of the show. Continue reading
Candice van Litsenborgh is someone that is easy to obsess over. A multi-hyphanate, she is primarily a performer but has also formed her own production company, Canned Rice, where she seamlessly seems to do it all, from writing to producing to designing and even headshot photography. In the last few years Candice has become a staple in the South African musical theatre scene and has started producing her own work, the most recent being Court, a straight play which had a sold-out run at The Alexander Bar. Currently she is performing in Annie at the Artscape and is about to start rehearsals for her next big musical, the South African premiere of Priscilla Queen of the Desert.
Look out Cape Town because there is a new Kramer about to grab your attention. For years the Kramer family has contributed to the arts and cultural landscape of South African Theatre and now it’s Jesse’s turn. Jesse has fast become one of Cape Town’s go to photographers for theatre. Her extraordinary work attempts, and succeeds, to do the impossible and capture those magical theatrical moments that are the reason that we as humans flock to the theatre.