A Conversation with Thembela Madliki

Thembela Madliki is a theatre-maker and director. Her credits include Galela, My Boetie is ‘n Danser, Bayephi and NyangaShe has showcased work at The National Arts Festival, The Cape Town Fringe Festival and The KKNK. Earlier this year, she was named as one of the recipients of Theatre Arts Admin Collective’s Emerging Theatre Director’s Bursary. Her bursary piece, Where She Walked will debut at Theatre Arts Admin from October 28th until November 3rd.
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A Conversation with Mariëtte Opperman

Mariëtte Opperman began dancing at the age of seven. She trained under Paula Olivier and later did an intensive vocational study with Martin Schönberg. She started her professional career in 2008 at the South African Ballet Theatre. She joined Cape Town City Ballet in 2010, where she is currently a senior soloist. Mariëtte also performed professionally in Stockholm, Sweden for a year. Her most memorable roles to date include the Black Swan in Swan Lake, Diane in Diane and Acteon, Kitri in Don Quixote, Sugar Plum in The Nutcracker, Firebird in Firebird, Juliet in Romeo and Juliet and Giselle in Giselle. She is currently gearing up to take on the titular role in Veronica Paeper’s production of Cinderella for Cape Town City Ballet.

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Through The Lens: Sarafina Magazine 2 Years Later

Dear Reader,

And just like that we’ve reached another milestone! On September 1st 2018, Sarafina Magazine officially turned two.  Continue reading

A Conversation with Antoinette Kellermann

In a career spanning 40 years, Antoinette Kellermann has established herself as a doyenne of South African theatre, winning numerous awards for her work on radio, television and on stage. In 2008 she was honoured by the South African Academy for Science and Arts for her contribution to South African theatre. In 2010, she received several awards for her one-woman show As die Broek Pas, which she also performed in English as Man to Man. Select recent credits include Die Melktrein stop nie meer hier nee, Asem, Willem Anker’s Samsa-masjien and Hierdie Lewe by Karel Schoeman which awarded her a Kanna Award for Best Actress. She is currently starring as ‘Nell’ in the all-star cast of Samuel Beckett’s Endgame at the Baxter TheatreContinue reading

A Conversation with Kathleen Stephens

Kathleen Stephens is a theatre-maker and performer. In 2016 she debuted her acting career in People Beneath our Feet at the National Arts Festival. Other credits include Wessel Pretorius’ I Love You Sally Field, Dara Beth’s Nasty Womxn, and Jon Keevy’s Single Minded and The Underground Library. Most recently, Kathleen has been seen in Like Hamlet directed by Kanya Viljoen, Wessel Pretorius’ Fotostaatmasjien and in the first all-female South African production of The Taming of the Shrew directed by Tara Notcutt. She is currently gearing up to star in the Fugard Theatre’s return season of Shakespeare in Love. Continue reading

A Conversation with Dorothy Ann Gould

Dorothy Ann Gould is one of South Africa’s most celebrated and respected actresses. She has worked professionally for the past 50 years and has gone on to star in over 180 productions which have awarded her several of South Africa’s top accolades. She is also the founder of Johannesburg Awakening Minds, a theatre troupe comprised of 13 homeless gentlemen. Recently, Dorothy was honoured with a 2018 Naledi Award for Innovation in Theatre. She is currently starring in Joan Didion’s The Year Of Magical Thinking, based on her memoir, which has transferred to the Baxter Theatre following its successful run at the Market Theatre earlier this year.  Continue reading

A Conversation with Sara Matchett

Sara Matchett is a director, theatre-maker and lecturer. She holds a PhD in Theatre and Performance from the University of Cape Town where she currently resides as a senior lecturer in the Department of Drama. As co-founder and Artistic Director of The MotherTongue Project, a women’s arts collective, Sara has experience in the field of theatre in South Africa, Singapore, India, Kenya and Indonesia as a theatre-maker, performer, director and facilitator. Her latest directorial endeavor, Womb of Fire, which reunites her with her “soul collaborator” and fellow MotherTongue Project co-founder, Rehane Abrahams, is now playing at the Baxter TheatreContinue reading

A Conversation with Tarryn Lamb, Carmen Maarman and Zandile-Izandi Madliwa

Tarryn Lamb, Carmen Maarman and Zandile-Izandi Madliwa have joined forces to star in the Baxter Theatre’s smash-hit new musical, Aunty Merle, The Musical. Devised by and starring Marc Lottering, Aunty Merle features a score of 21 brand new songs, 12 of which were written by Tarryn. Zandile-Izandi returns to the Baxter after joining the cast of The Fall earlier this year, while Carmen returns to the stage after her recent turn in District Six: Kanala. We sat down with Tarryn, Carmen and Zandile-Izandi to chat all about this new production.  Continue reading

A Conversation with Mamela Nyamza

Mamela Nyamza is an internationally renowned choreographer, dance artist, activist and Standard Bank Young Artist winner. After a successful run in The Netherlands, her carefully curated double bill, Rock to the Core and De-Apart-Hate arrives at the Baxter Theatre for a limited engagement before jetting off to be performed in Germany.
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A Conversation with Diane Wilson, Michele Maxwell and Kate Normington: The Women of Funny Girl

Theatre legends Diane Wilson, Kate Normington and Michele Maxwell have joined forces to star in The Fugard Theatre’s production of Funny Girl. With over a century’s worth of experience between the three of them, they have graced South African stages playing all the iconic roles that theatre has to offer, all while collecting every top accolade along the way. What is interesting to note is the bond that has formed between these three women during the run of the show, leading us to believe that the “sisterhood of the poker ladies” will continue to live on far beyond this production.
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