Through the lens: The unsung heroes of Priscilla Queen of the Desert

We easily forget the many people who work tirelessly under the radar to bring a production to life. Actress and photographer, Candice van Litsenborgh took her camera backstage at Priscilla Queen of the Desert, a production which boasts a majority female crew, to give us a glimpse at some of the unsung heroes of the show.  Continue reading

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A Conversation with Diane Wilson, Michele Maxwell and Kate Normington: The Women of Funny Girl

Theatre legends Diane Wilson, Kate Normington and Michele Maxwell have joined forces to star in The Fugard Theatre’s production of Funny Girl. With over a century’s worth of experience between the three of them, they have graced South African stages playing all the iconic roles that theatre has to offer, all while collecting every top accolade along the way. What is interesting to note is the bond that has formed between these three women during the run of the show, leading us to believe that the “sisterhood of the poker ladies” will continue to live on far beyond this production.
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A Conversation with Nicole Franco

Nicole Franco is a stage and screen actress currently starring in the Broadway and West End smash-hit, The Play That Goes Wrong which is currently playing at Theatre on the Bay following a sold out run in Johannesburg. A returned season of the production has just been announced for Joburg later this year. In addition to acting, Nicole also works as a second language teacher. We sat down to discuss this hilarious new play and her diverse career.  Continue reading

A Conversation with Tara Notcutt

Theatremaker Tara Notcutt is a director, writer and producer. Her debut production, …miskien took the theatre industry by storm and won her a Fleur du Cap Award for Best New Director, cementing her as a prolific theatremaker. Since then she has helmed multiple award-winning shows including The Three Little Pig, The Gruffalo, Mafeking Road, After Dark in the Groot Marico, just to name a few. We sat down at Alexander Bar to chat about her career, the success surrounding her debut production and finding ways to fall back in love with her career.  Continue reading

A Conversation with Jennie Reznek

Jennie Reznek is multihyphenate. She is a performer, theatremaker, director, choreographer, lecturer, co-founder, trustee and director of Magnet Theatre. She has also worked as an aerialist and clown in the circus. We sat down with her at the Magnet Theatre offices to discuss her career, the challenges of founding a theatre company and the moments that have inspired her.  Continue reading

A Conversation with Jaqueline Dommisse

The World Cup of children’s theatre is headed to South Africa. Internationally renowned children’s theatre organisation ASSITEJ proudly presents it’s 19th world congress and performing arts festival, The Cradle of Creativity, a 10 day event that celebrates the very best of children’s theatre from around the world. We spoke to Festival Director, Jaqueline Dommisse about the festival and her career as a theatremaker. Continue reading

A Conversation with Tankiso Mamabolo

Tankiso Mamabolo is a recent graduate of UCT who has burst onto the scene. Before graduating she performed in Black Dog/injemnyama which had a successful run at the Baxter Theatre. Tankiso also co-created and starred in the critically acclaimed production of The Fall which went on to win an Encore Award at this year’s Fleur du Cap Awards and will be returning to the Baxter later this year. Following that, Tankiso will reprise her role in Ameera Conrad’s Reparation at the National Arts Festival followed by starring in the highly anticipated new South African musical Calling Me Home. Continue reading

A Conversation with Ashleigh Harvey

When The Fugard Theatre announced their plans to stage a production of Funny Girl, the first question on everyone’s mind was, “Who will land the legendary role of Fanny Brice?” The answer to that question is Ashleigh Harvey. Far from being an unknown, Ashleigh has spent most of her career performing straight plays, most of them being classical works and even snagging a Naledi Award nomination along the way. However, once you hear her belt out the iconic show-stopping numbers in Funny Girl, it’s hard not to become an instant fan.  Continue reading