Kathleen Stephens is a theatre-maker and performer. In 2016 she debuted her acting career in People Beneath our Feet at the National Arts Festival. Other credits include Wessel Pretorius’ I Love You Sally Field, Dara Beth’s Nasty Womxn, and Jon Keevy’s Single Minded and The Underground Library. Most recently, Kathleen has been seen in Like Hamlet directed by Kanya Viljoen, Wessel Pretorius’ Fotostaatmasjien and in the first all-female South African production of The Taming of the Shrew directed by Tara Notcutt. She is currently gearing up to star in the Fugard Theatre’s return season of Shakespeare in Love. Continue reading
Ukhona Ntsali Mlandu is an Arts Manager, Curator and Facilitator. During the last few years she has worked alongside some of South Africa’s leading arts institutions and organisations including Artscape where she spent several years heading up their Resource Center, PANSA, FTH:K and Siyasanga Cape Town Theatre Company before going on to become an independent Arts Manager. She has launched her latest project makwande.republic, a residency program set in the heart of her hometown village in the Eastern Cape. We sat down with her to chat about moving back home, creating makwande.republic and having to coin a new phrase to encompasses her multi-faceted career.
Sara Matchett is a director, theatre-maker and lecturer. She holds a PhD in Theatre and Performance from the University of Cape Town where she currently resides as a senior lecturer in the Department of Drama. As co-founder and Artistic Director of The MotherTongue Project, a women’s arts collective, Sara has experience in the field of theatre in South Africa, Singapore, India, Kenya and Indonesia as a theatre-maker, performer, director and facilitator. Her latest directorial endeavor, Womb of Fire, which reunites her with her “soul collaborator” and fellow MotherTongue Project co-founder, Rehane Abrahams, is now playing at the Baxter Theatre. Continue reading
Quanita Adams is an award-winning stage and screeen actress, vocalist and director. A four-time Fleur du Cap Theatre Award winner, she has taken on notable theatre roles including Valley Song, Boesman and Lena, Nadia Davids’ Cissie and At Her Feet, also penned by Nadia Davids, which was met with critical acclaim and has gone on to tour extensively over the last 15 years. We sat down to chat about her career and her latest film, Susters, which is now playing in select cinemas. Continue reading
Genna Gardini is a writer and teacher. She is the author of Matric Rage, which was published in 2014 by uHlanga Press. In 2012, she was awarded the DALRO New Coin Poetry prize and was chosen as one of the Mail & Guardian’s Top 200 Young South Africans for 2013. She is also the co-founder of Horses’ Heads Productions and has had several of her plays produced at the National Arts Festival including WinterSweet and Scrape, both of which went on to win Standard Bank Ovation Awards. In addition, she also works as the poetry editor of Prufrock Magazine, a journal in which her own work has featured.
Julia Anastasopoulos is an artist, illustrator, designer and actress. In 2014, she launched her “bite-sized do-it-yourself” web series, Suzelle DIY, which instantly took South Africa by storm. During the course of her career, Julia’s work has spanned several artistic mediums including a successful career as a stage actress, theatrical set and costume designer and illustrator. Her work has been exhibited locally and abroad and has included a series of large illustrated print murals for the City of Cape Town Micity Bus stations. She is a twice-published author and is also the creative director of Sketchbook Studios, which she co-founded with her husband Ari Kruger. But it’s Julia’s latest project, Tali’s Wedding Diary, that has everyone buzzing. We sat down with her at Sketchbook Studios to chat all about creating these iconic characters.
Theatre-maker and performer Dara Beth describes herself as “first and foremost an angry, Jewish feminist”. She is one half of the cabaret duo Plumsong, which she has been performing as since 2011 with her mom and fellow performer, Sharyn Seidel. A recent UCT graduate, Dara has written and performed in Just a Song and a Dance with co-performer Sharyn at the Alexander Bar and the National Arts Festival. Dara has also worked as a stage manager on Wessel Pretorius’ Klara Maas se Hart is Gebreek and Die Ontelbare 48, Ameera Conrad’s Reparation and Jon Keevy’s The Underground Library. Dara also makes up one third of The Furies, a womxn-centric artistic co-op, who are responsible for presenting her latest original piece, Nasty Womxn, which makes its return to the Alexander Bar for a limited engagement following its triumphant success at the end of last year. Continue reading
Chantal Stanfield is an actress and singer who has featured in a number of South Africa’s leading television and stage productions. In the last year, she has charmed South African audiences by featuring on local Television soap operas Sewende Laan and Getroud met Rugby. After completing a run in Rock of Ages at the Lyric Theatre, her one-woman self-written show From Koe’siestes to Kneidlach makes its Cape Town debut at the Baxter Theatre following a successful Joburg engagement. We sat down at the Baxter to chat about her career, being labeled a “Soap Star” and finding the courage to create her own work.
Rehane Abrahams is an award-winning performer and theatre-maker. She is currently performing in Amee Lekas’ debut production, Die Dans van die Watermeid, at the Baxter Theatre. As a performer, her work has successfully spanned a multitude of genres and mediums. She is also the co-founder of The MotherTongue Project which is a collective of women artists, activists, academics and practitioners committed to personal and social transformation through participatory theatre and integrated arts methodologies. Continue reading
Marí Borstlap is a theatre director, writer and designer. Following a successful run at the Vrystaat Arts Festival earlier this year, her most recent directorial endeavour, Winterboom, begins performances at Aardklop on October 3rd. We sat down to chat about the show and her perception on the current climate for female theatremakers.