Zoey Black is a transgender woman of colour living in Cape Town. She is trans rights activist, actress, freelance writer and digital content creator. She is employed with Gender Dynamix, a non-profit organisation with a focus on championing human rights for trans and gender diverse persons and communities in Southern Africa. Zoey is the organisation’s Legal and Education Advocacy Officer and leads the legal, policy and educational reform initiatives and projects. In her personal capacity, Zoey publicly advocates for trans rights and visibility, and broadens the scope of trans representation and narratives through her social media and online platforms, including her recently launched Youtube channel. Her channel acts as a resource in providing accessible information on trans specific issues, including accessing hormone replacement therapy, and changing one’s name and gender marker at the Department of Home Affairs. Working in tandem with her YouTube channel, Zoey runs a blog, which focuses on sharing her personal experiences and narrative as a transgender woman, including issues around discrimination and violence, mental health and wellness, and acceptance and tolerance. In addition, Zoey is studying toward a Bachelor of Laws, with intensions to enhance her capacity to further assist vulnerable persons and communities in accessing their rights, as well as contributing to the development of policy and legislation which will enhance, promote and protect the rights of marginalised members of society.
Tankiso Mamabolo is an award-winning actor, theatre-maker and singer. Since our conversation with Tankiso in 2017, she has gone on to be nominated for a Fleur du Cap Theatre Award for her performance in Aunty Merle the musical and released her debut album Freedom Hurts Sometimes. Her one-woman show, Tankiso Live, The Audacity to Be, which enjoyed two successful runs at the Baxter Theatre in 2019, is the debut production to launch on the recently created South African Theatre on Demand, a new online platform which brings original filmed theatre productions to your screen.
Click here to read our conversation with Tankiso from 2017
Sue Diepeveen is an actor, theatre practitioner and the owner of The Drama Factory in Somerset West. Her new show, So You Want To Be A Trophy Wife? is available to stream as part of this year’s virtual National Arts Festival. As the owner of The Drama Factory, Sue is heavily involved in mentoring programmes for young actors and is committed to ensuring a safe and affordable space for new work to see the light of day. In the midst of the national lockdown, Sue has spent the last few months creating her show while also dealing with the unfortunate impact of the global pandemic on her theatre.
In December 2017, we sat down with actress, singer and playwright Chantal Stanfield to chat about her one-woman show, From Koe’siestes To Kneidlach, which was about to debut at the Baxter Theatre in Cape Town following a successful run at Theatre On The Square in Johannesburg. Fast forward to 2020 and a global pandemic that has left theatres around the world dark. In response to this, Chantal has released a pre-recorded version of the show that audience members can stream to their homes, in the hopes of raising funds for the two theatres that From Koe’siestes To Kneidlach called home.
Click here to read our conversation with Chantal from 2017.
Prue Leith has made a name for herself internationally as a chef, restaurateur, author and entrepreneur. She founded the Prue Leith Chefs Academy in Centurion, which has trained many of South Africa’s top chefs. Internationally, she is well known for her role as a judge on The Great British Bake Off. She has published 14 cookbooks, a memoir, Relish and eight novels. Prue Leith’s career has included her own restaurants, catering and cookery school businesses. Prue has had a deep involvement with education and the arts: she chaired the first of the companies charged with turning around failing state schools and was Chair of the School Food Trust, responsible for the improvement of school food and food education. She started and led the campaign for contemporary sculpture to be exhibited on the Fourth Plinth in Trafalgar Square. She has been active in many charities and is the Chancellor of Queen Margaret University. She is an advisor for the Government’s Hospital Food Review. Among her awards she has a CBE, 12 honorary degrees or fellowships from UK universities, the Veuve Clicquot Businesswoman of the year, and her restaurant, Leith’s, won a Michelin star. Prue’s latest cookbook The Vegetarian Kitchen, which she wrote with her niece Peta Leith, will be released in March 2020.
Claudine Ullman is an actress, improviser, stand-up comedian, public speaker, facilitator, and the founder and managing director of the Jittery Citizens. Having completed her Bachelor’s of Arts at Wits University, Claudine travelled widely, refining her craft at some of the top international performance schools. In 2012, she formed The Jittery Citizens Improvised Comedy Troupe, performing alongside South Africa’s top theatre/comedic talent. The Jittery Citizens are now considered to be Johannesburg’s premiere Improvisation troupe and have performed to packed houses in various venues across South Africa. Claudine is also an established theatre creator and performer, having toured with her one-woman show Curled Up in 2011, as well as having recently completed a successful run at the Grahamstown Arts Festival in Wretched. In 2019, she debuted her one-woman show Artificially Infeminated, which has since gone on to tour nationally and internationally. She also makes up one-third of The Thunderbirds comedy trio.
Nicola Hanekom has been a freelance actress, director and writer for the past twenty years. Her theatre work as writer/director includes a series of site-specific productions; Betésda, Lot, Babbel and Land van Skedels. As a writer and performer, Nicola created Trippie, and her self-penned one-woman show Hol/Running on Empty. These together with her latest play In glas have garnered twelve Kanna awards, eleven Fiësta awards, two ATKV writing awards and one Aartvark award. Nicola was also awarded the Eugène Marais Prize for her collection of plays Die pad byster. She has written and directed two short films, Trippie and Unspoken. Her short, Trippie won two Silwerskermfees awards. Cut-Out Girls is her first feature film and arrives in local cinemas on November 22nd.
Antoinette Louw is a multiple award-winning stage and screen actress and writer. She has appeared in leading roles on South Africa’s most popular TV series including 7de Laan and Binnelanders. Her theatre credits include Women of Troy, The Women who Cooked her Husband which she produced and directed, Rudely Stamped, Engele Soner Vlerke, Die Trommel, Die Vagina Monoloë, Afspraak, Dis ek, Anna and ‘night Mother which she also adapted into its Afrikaans translation Nag ma. In 2014 she won a SAFTA award for her role in Deon Meyer’s Die Laaste Tango as well as a nomination for Best Actress in the Afrikaans short film Totsiens, Pa. Antoinette also starred in the Afrikaans feature film ‘n Man Soos My Pa. Her recent film credits include the multi-award-winning films Axis Mundi, Sew the winter to my skin, An Act of Defiance and Nul is nie niks nie. She is currently appearing on screens as Sara in the film adaptation of the beloved Afrikaans folktale Die verhaal van Racheltjie de Beer. Continue reading
Primrose Mrwebi is a writer, poet and performer. She has written and edited for titles such as Cosmopolitan, Fairlady, Bona, Abafazi, Student Life and many others. She has directed and performed in a number of poetry productions and has facilitated writing workshops at several festivals. She is a frequent contributor to Book Week for Young Readers at Franschhoek Literary Festival as well as a facilitator at the Northern Cape Writers Festival. Primrose is a contributor to Black Tax, edited by Niq Mhlongo. She is the director of the PrimPoetry Foundation and a participating author in this year’s Open Book Festival. Continue reading
In 2018 during our interview with theatre-maker Dara Beth, we spoke about the return engagement of her play, Nasty Womxn. Now, 18 months later, Nasty Womxn is back for its third return engagement, this time featuring a new cast, a reworked script and coinciding with Dara’s latest theatrical offering, The Chronicles of Athena, Babes. Tasked with staging two independently produced works which almost run concurrently, we ask Dara to share her thoughts around this creative process. Continue reading