Guest Post: The Chronicles of an Independent Theatre-Maker

In 2018 during our interview with theatre-maker Dara Beth, we spoke about the return engagement of her play, Nasty Womxn. Now, 18 months later, Nasty Womxn is back for its third return engagement, this time featuring a new cast, a reworked script and coinciding with Dara’s latest theatrical offering, The Chronicles of Athena, Babes. Tasked with staging two independently produced works which almost run concurrently, we ask Dara to share her thoughts around this creative process.   Continue reading

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A Conversation with Regina Malan

Regina Malan is a performer, producer and director. After previously performing in operas such as Le Nozze di Figaro and Dido and Aeneas, last year she starred in her first three plays, namely Macbeth, Design for Living and Jane Eyre, as well as her first two musicals, The Full Monty and Shadows in Red Light. Her other credits include Public City, Because it’s okay, Not Just Musicals and Othello: A Women’s Story which she also co-directed. In 2017 she co-founded Mish Mash Media Productions, a multi-media production company giving voice to LGBTQ projects in Cape Town. Following a successful run earlier this year, Othello will be performed at the Baxter Theatre for a limited run in September. We sat down to chat about her career and Mish Mash Media’s next show, 5 Lesbians Eating A Quiche.   Continue reading

A Conversation with Lynita Crofford

Lynita Crofford is an actress, theatre-maker and lecturer who has starred in more than 50 Film and TV projects. With an equally impressive theatre resume to boot, she received a 2013 Fleur du Cap nomination for her role as Emily Hobhouse in An Audience with Miss Hobhouse. Earlier this year Lynita charmed Cape Town audiences by starring in Tara Notcutt’s all-female production of The Taming of the Shrew. She is about to begin performances as Alice B. Toklas in Gertrude Stein and a Companion which will have a limited run at the Alexander Bar later this month.

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A Conversation with Margot Wood

Margot Wood is an actress, director, theatre-maker and producer. She is the founder of Anex Theatre Productions, a company which has been running for over a decade. Most recently, Cape Town audiences saw Margot star in Wynne Bredenkamp’s critically acclaimed production, At The Edge of the Light, which will run at the 2018 National Arts Festival. Following a run at the Drama Factory earlier this year, her latest directorial project, Dario Fo’s A Woman Alone and Other Female Parts comes to the Alexander Bar for a limited run.  Continue reading

A Conversation with Dara Beth

Theatre-maker and performer Dara Beth describes herself as “first and foremost an angry, Jewish feminist”. She is one half of the cabaret duo Plumsong, which she has been performing as since 2011 with her mom and fellow performer, Sharyn Seidel. A recent UCT graduate, Dara has written and performed in Just a Song and a Dance with co-performer Sharyn at the Alexander Bar and the National Arts Festival. Dara has also worked as a stage manager on Wessel Pretorius’ Klara Maas se Hart is Gebreek and Die Ontelbare 48, Ameera Conrad’s Reparation and Jon Keevy’s The Underground Library. Dara also makes up one third of The Furies, a womxn-centric artistic co-op, who are responsible for presenting her latest original piece, Nasty Womxn, which makes its return to the Alexander Bar for a limited engagement following its triumphant success at the end of last year.  Continue reading

A Conversation with Emma Kotze and Sarah Potter

Actors Emma Kotze and Sarah Potter are joining forces to star in Wynne Bredenkamp’s return engagement of The Edge of The Light, which will run during The Cape Town Fringe Festival. Both rising stars in their own regard, Emma and Sarah have forged a unique path for themselves as performers. Emma was last seen onstage in Louis Viljoen’s Oh Baby, I’m a Wild One while Sarah captivated audiences in Philip Rademeyer’s The Graveyard and reprises her role as “Girl” in The Edge of The Light.
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A Conversation with Denise Newman

Stage and screen actress Denise Newman has been a professional actor for over 30 years. Throughout the course of her career, Denise has managed to move seamlessly between the mediums of theatre, film and television, picking up multiple awards along the way. Currently, she has revived her acclaimed one-woman show Cold Case: Revisiting Dulcie Septemberfor a short run at Alexander Bar. By day, Denise is starring on Suidooster. We sat down to chat about the complex life and death of Dulcie September, the demands of performing in theatre and television simultaneously and the advice she’d give to her younger self.  Continue reading

A Conversation with Nicky Schrire

Nicky Schrire is a versatile vocalist and composer whose work has taken her all over the world. Her latest piece, Escape: The Ingrid Jonker Suite has required Nicky to revisit the work of acclaimed South African poet, Ingrid Jonker, and create a unique theatre experience setting the iconic poems to music. We sat down with Nicky at Alexander Bar to chat about the show and her perception on the current climate for female musicians.  Continue reading

A Conversation with Penelope Youngleson

Penelope Youngleson is a theatre-maker, designer, writer, composer, stylist and educator working in Cape Town. Her Award-winning play, Sillage which was just nominated for a Fleur du Cap Award for Best New South African script, will be presented by Rust Co-Operative as it returns to the Alexander Bar. We sat down with Penny at the Alexander Bar to chat about Sillage, her childhood experience of growing up in the theatre and the one question that she constantly gets asked.
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