Alexis Petersen is a UCT Performance Diploma Graduate who majored in Western Classical Voice. She has performed on various stages both nationally and internationally. Alexis has performed in several musical theatre productions including Calling Us Home, The Little Mermaid and David Kramer’s Langarm. Her opera credits include FOUR:30, Le nozze di Figaro and La traviata. With a strong passion for dance, she has also competed as a ballroom dancer, dancing under the Federation of Dance Sport South Africa. She also features as a vocalist in a unique contemporary trio called Inside Voice. Alexis is currently starring at the Baxter Theatre as Pamela in Danger in the Dark, David Kramer’s re-imagining of the Kramer/Petersen ’90s hit, Poison. Continue reading
Primrose Mrwebi is a writer, poet and performer. She has written and edited for titles such as Cosmopolitan, Fairlady, Bona, Abafazi, Student Life and many others. She has directed and performed in a number of poetry productions and has facilitated writing workshops at several festivals. She is a frequent contributor to Book Week for Young Readers at Franschhoek Literary Festival as well as a facilitator at the Northern Cape Writers Festival. Primrose is a contributor to Black Tax, edited by Niq Mhlongo. She is the director of the PrimPoetry Foundation and a participating author in this year’s Open Book Festival. Continue reading
In 2018 during our interview with theatre-maker Dara Beth, we spoke about the return engagement of her play, Nasty Womxn. Now, 18 months later, Nasty Womxn is back for its third return engagement, this time featuring a new cast, a reworked script and coinciding with Dara’s latest theatrical offering, The Chronicles of Athena, Babes. Tasked with staging two independently produced works which almost run concurrently, we ask Dara to share her thoughts around this creative process. Continue reading
Olivia Fischer is an award-winning playwright, director and producer. After graduating with her degree in theatre and performance, specialising in theatre-making from the University of Cape Town, Olivia premiered Still at the Hollywood Fringe Festival in Los Angeles, CA. Still was awarded five Hollywood Fringe awards including Tvolution’s Best International Show and the Conversation Creation award. In 2018, Olivia opened a production company called LIV Studios, a company that aims to develop female-identifying playwrights and theatre-makers. Olivia is a published writer: her autobiographical monologue Coming For You was recently published in the Market Laboratory’s anthology Between the Pillar and the Post: an anthology of South African monologues and scenes. Her other theatre credits include writing and directing an adaptation of Sindiwe Magona’s The Cruel King Lives! called Thandiwe: The Loved One and directed Duncan MacMillan’s Lungs. Her main focus as she continues to grow as a theatre-maker is telling stories of womxn: their resilience, their strength but above all, their undeniable capacity to love.
In October 2018, Debbie Turner was appointed the Chief Executive Officer of Cape Town City Ballet. She founded the Cape Academy of Performing Arts in 1985 and went on to become the founding Artistic Director of the Cape Dance Company in 1995. Recently, she sat on the prestigious panel of judges for the inaugural 2018 season of M-Net’s Dancing With The Stars SA. She has won many awards for her choreography including the FNB Vita Award, and a Standard Bank Ovation Award at the National Arts Festival for Cape Dance Company’s Blue. In addition, the school received a Standard Bank Ovation Award at the National Arts Festival for Bittersweet in 2013, which resulted in the production of Between The Lines the following year on the Arena Programme and at the inaugural Cape Town Fringe Festival. Debbie is committed to restoring, revitalising and aligning South African dance with the 21st Century global trends of performance through sustainable, multi-pronged approach to performance excellence, diverse repertory relevant to current times, dance education, and professional development of dancers while preserving the traditions of classical ballet and academic dance in general.
Lungiswa Plaatjies is a musician, singer and composer. Born and raised in Langa Township in Cape Town, she started singing at the age of eight years old before becoming the lead vocalist of Amampondo. She has toured extensively around the world and released her first solo album, Lungiswa, in 2000. After spending time digging deeper into the foundation stones of African music and Xhosa dance (Umxhentso), Lungiswa released her second solo album, Unonkala produced by Don Laka. In 2002, she was nominated for Best Newcomer and Best Female Vocalist at the SAMA awards and was also nominated for two Kora awards. Since 2015, she has been working with Bos Theatre Productions from The Netherlands on an annual musical show called South African Road Trip. Her select theatre credits include; Heart of Redness, The Tempest for the Royal Shakespeare Company and The Flower of Shembe. Lungiswa can currently be seen on stage as the featured musician in Kunene and the King at the Fugard Theatre.
Naledi Majola is an actor, performance-maker and sound designer. In 2018, she was seen on stage in Tara Notcutt’s historic all-female production of The Taming of the Shrew and in Stream, a multimedia performance work led by Jennifer Steyn at the Baxter Theatre. She makes her feature film debut later this year in The Banana Splits. Her performance work, Where is the black samurai? debuted at Arcade, a durational live art platform curated by Gavin Krastin, and was most recently performed at the 2018 ICA Live Art Festival. Naledi also designs sound for performance, having recently done so for her own work, as well as AMES, written and directed by Andi Colombo in 2018 and the upcoming production of Tales from the Garden written by Ameera Conrad, which will run at the Baxter Theatre’s Masambe Theatre followed by a run at the Edinburgh Fringe Festival later this year.
Mariechen Vosloo is a costume designer and actor. She received her BA Drama degree from Stellenbosch University in 2011. Mariechen has assisted designer Birrie Le Roux on various productions, some of which are West Side Story, Marat/Sade and The Inconvenience of Wings. Mariechen has also worked in the South African and international advertising and film industry. She was the costume supervisor on Christiaan Olwagen’s film Johnny is nie dood nie, and subsequently designed the costumes for Die Seemeeu and Kanarie, also directed by Olwagen. She was also costume designer for TV series Dwaalster and Die Spreeus. We sat down with her to chat about Die Seemeeu which arrives in select theatres on April 5th 2019. Continue reading
Christelle Dreyer is a dancer, graphic designer and performer. At a young age, she discovered her love and passion for dance. Christelle uses her unique body movements within dance styles varying from Contemporary dance to Ballroom and Latin dancing. As a Ballroom and Latin Dancer, she won numerous competitions. In 2007 she won first place in both Ballroom and Latin at the Holland World Championships. In working for Remix Dance Company, Christelle taught children as part of the Remix Integrated Dance Project with Nicola Elliott and Malcolm Black. In 2014, she performed as part of the UNI Global Union Women’s Conference. Partaking in the Axis Dance Company Intensive, Christelle found herself dancing and performing among dancers from across the world. Most recently she was seen acting in Marat/Sade directed by Jaco Bouwer at the Baxter Theatre. In 2017, she received the Cultural Affairs Award from the Western Cape Government for Contribution By Person With Disability To The Arts.
Yvette Hardie is a theatre director, producer, educator and advocate, focusing on theatre for young audiences. She initiated the launch of ASSITEJ SA in 2007 and leads the organisation as Director. She is currently serving her third term as President of the international ASSITEJ, which networks across 100 countries. In 2017, she was responsible for hosting the 19th ASSITEJ World Congress & Performing Arts Festival, Cradle of Creativity, for the first time in Africa. She produced the award-winning Colonnades Theatre Lab production, Truth in Translation, seen by 55 000 people worldwide. For her own company, FreeVoice Productions, she produces national and international tours of Sindiwe Magona’s Mother to Mother. Her directing credits include Suzanne Lebeau’s The Ogreling and Mike van Graan’s Is it because I’m Jack? She is valued for her work in Arts Education, having written national curricula and textbooks for Dramatic/Creative Arts. Recently, she was awarded the Mickey Miner Award for Lifetime Achievement from IPAY for her contribution to theatre for young audiences locally and globally.