A Conversation with Yvette Hardie

Yvette Hardie is a theatre director, producer, educator and advocate, focusing on theatre for young audiences. She initiated the launch of ASSITEJ SA in 2007 and leads the organisation as Director. She is currently serving her third term as President of the international ASSITEJ, which networks across 100 countries. In 2017, she was responsible for hosting the 19th ASSITEJ World Congress & Performing Arts Festival, Cradle of Creativity, for the first time in Africa. She produced the award-winning Colonnades Theatre Lab production, Truth in Translation, seen by 55 000 people worldwide. For her own company, FreeVoice Productions, she produces national and international tours of Sindiwe Magona’s Mother to Mother. Her directing credits include Suzanne Lebeau’s The Ogreling and Mike van Graan’s Is it because I’m Jack? She is valued for her work in Arts Education, having written national curricula and textbooks for Dramatic/Creative Arts. Recently, she was awarded the Mickey Miner Award for Lifetime Achievement from IPAY for her contribution to theatre for young audiences locally and globally.

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A Conversation with Tiisetso Mashifane wa Noni

Tiisetso Mashifane wa Noni is a South African playwright, theatre director and performer. With a Bachelor of the Arts in Political Science, Philosophy and Dramatic Arts from Rhodes University and a Bachelor of the Arts (Hons) in Directing for Stage, Writing for Film and Avant-garde Film from the University of Cape Town, she attempts to make provocative work that deals with themes of violence, sexuality, race and history within a contemporary South African setting. As a playwright and director, her debut play, Sainthood has received a Standard Bank Ovation Award and a Fleur du Cap nomination and is the subject of her TEDxYouth Cape Town Talk, ‘Another Conversation for the Dinner Table?’. Following a successful run at the National Arts Festival and at Theatre Arts Admin Collective, Sainthood makes its way to the Baxter Theatre for a limited engagement. 

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A Conversation with Bethany Dickson

Bethany Dickson is a Naledi and Fleur du Cap Theatre Award nominated actress. For more than a decade, Bethany has been charming South African and international audiences by tackling some of musical theatres most iconic roles. After making her debut in High School Musical, she has since gone on to perform in Singin’ in the Rain, Sunset Boulevard, The Sound of Music and Grease. We sat down with her to chat about her latest role, portraying Miss Honey in the musical adaptation of Roald Dahl’s beloved classic, Matilda.
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A Conversation with Kim Louis

Kim Louis made her professional debut at 17 years old in David Kramer and Taliep Petersen’s musical Poison. She then went on to star in Klop–Klop at the Baxter Theatre which celebrated the 10-year partnership between the two writer/composers. Following that, Kim reunited with David Kramer and Taliep Peterson once more when she was cast as Lucy Dixon in their hit musical, Kat and the Kings at the Baxter Theatre. The production received international attention and later went on to be performed on the West End and Broadway. Following her time on Broadway, Kim returned home and focused her attention on starting a family. She continued to feed her theatrical soul by performing at the Milnerton Playhouse Amateur Dramatic Society. Not long after joining, she won best female lead in the musical tribute to Carole King. Today, she is also a council member on the board of the Nelson Mandela Museum in Mthatha and recently launched Centre Stage Vocal & Performance Coaching. After a 20 year hiatus, Kim is back on the professional stage starring as Dinah in David Kramer’s brand new musical, Langarm, which runs at the Fugard Theatre.

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A Conversation with Marisa Steenkamp

Marisa Steenkamp is the Deputy Stage Production Manager at the Baxter Theatre, a position she has held since 2012. With her work ever-changing and evolving, she has worked as a stage manager, assistant stage manager, technician and costume designer. Her work has seen her tour with productions to various countries across the globe including Sweden, Germany, Columbia, France and England. She created the costume design for The Fall and facilitated and styled costumes for various productions including #JustMen, Fisher’s of Hope and Blue/OrangeMost recently, she has worked on productions such as Remembering the Lux, Blue/Orange, Marat/Sade, The Fall, Aunty Merle: The Musical and Endgame. Continue reading

A Conversation with Thembela Madliki

Thembela Madliki is a theatre-maker and director. Her credits include Galela, My Boetie is ‘n Danser, Bayephi and NyangaShe has showcased work at The National Arts Festival, The Cape Town Fringe Festival and The KKNK. Earlier this year, she was named as one of the recipients of Theatre Arts Admin Collective’s Emerging Theatre Director’s Bursary. Her bursary piece, Where She Walked will debut at Theatre Arts Admin from October 28th until November 3rd.
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A Conversation with Leila Henriques

Leila Henriques is an actor, writer, director and teacher. As an actress, she has starred in more than 30 productions. Some of her select stage credits include: Hedda GablerThe Something Prince, YermaRed Shoes and The List. She has taught acting at various academic institutions across South Africa including Wits, AFDA and The Market Theatre Lab. Together with Irene Stephanou, she wrote the book The World in an Orange –exploring the work of Barney Simon published by Jacana, which was shortlisted for the Alan Paton award. Following a successful run at Woordfees earlier this year, she is currently starring in Sam Shepard’s Curse of the Starving Class directed by Sylvaine Strike at the Baxter TheatreContinue reading

A Conversation with Mariëtte Opperman

Mariëtte Opperman began dancing at the age of seven. She trained under Paula Olivier and later did an intensive vocational study with Martin Schönberg. She started her professional career in 2008 at the South African Ballet Theatre. She joined Cape Town City Ballet in 2010, where she is currently a senior soloist. Mariëtte also performed professionally in Stockholm, Sweden for a year. Her most memorable roles to date include the Black Swan in Swan Lake, Diane in Diane and Acteon, Kitri in Don Quixote, Sugar Plum in The Nutcracker, Firebird in Firebird, Juliet in Romeo and Juliet and Giselle in Giselle. She is currently gearing up to take on the titular role in Veronica Paeper’s production of Cinderella for Cape Town City Ballet.

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A Conversation with Nicolette Moses

Nicolette Moses is the Associate Producer and Planning Manager for the Baxter Theatre, a position she has held since 2010. She is a trained classical ballet and contemporary dancer who graduated from the UCT School of Dance. Following a sojourn abroad, Nicolette joined the Jazzart Dance Theatre, which she managed before joining CAPAB as head of the Audience Development department. In the transition from CAPAB to Artscape, Nicolette worked as Project Manager and then Artistic Manager until 2001. During her time at Artscape, she also worked extensively with the Nederlands Dance Theater. She was appointed as Project Manager at the Baxter Theatre Centre in 2003, and shortly thereafter started heading up the annual Baxter Dance Festival. Now in its 14th year, we sat down with Nicolette to chat about this year’s festival.

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A Conversation with Elsabé Daneel

Elsabé Daneel is an actress, director, producer, lecturer and TV presenter. With a career spanning across stage and screen, her select stage credits include Feeskatte, Ou Blare and Deon Opperman’s one-woman show, Bittersoet, which she toured extensively to all the major arts festivals in South Africa over the course of several years. Her TV career includes 18 SABC dramas. In 2001 she started Elsabé Daneel Productions which sees her taking on the role of producer, director and presenter of corporate videos and documentaries for private clients, kykNET and M-Net. She is currently starring as matriarch ‘Sandra Viljoen’ in Ferdinand van Zyl’s complex war drama, The Recce, which arrives in theatres on September 28th. We sat down with her to chat about her multifaceted career and why her role in The Recce is the “deepest” she’s ever gone.  Continue reading