Rushney Ferguson is a triple threat performer from Cape Town having completed her advanced I.S.T.D training in Modern, Tap, Ballet, Jazz and Musical Theatre, including Associate qualifications, at the Waterfront Theatre School. Her theatre career started with David Kramer’s District Six: Kanala, Amper Famous and Langarm for which she received a Fleur du Cap nomination. Rushney also Dance Captained and starred in the revival of King Kong: Legend of a Boxer at The Fugard Theatre. Choreographically, she works regularly behind the scenes with many local artists like Emo Adams: Brother Love 2, Emo Celebrates 30 Years in Music and the live finale of Maak My Famous. She recently appeared as Juanita in David Kramer’s new musical Danger in the Dark which returns to the Baxter Theatre in March 2020. She is currently starring as Abigail in Aunty Merle: It’s a Girl!, the highly anticipated sequel based on Marc Lottering’s beloved character, Aunty Merle. Continue reading
A Conversation with Didintle Khunou
Didintle Khunou is an award-winning screen actor, theatre performer, voice actor and session vocalist. Best known for her portrayal of one of the most coveted roles in musical theatre, Celie, in the Grammy, Tony and Naledi Award-winning musical, The Color Purple directed by award-winning director Janice Honeyman at the Joburg Theatre. Didintle was honoured with the Naledi Award as well as the Broadway World Online Award for her performance as Celie. She played Yerma in an adaptation of Yerma, directed by Rajesh Gopie and was also seen in Joburg Theatre’s production of Bertolt Brecht’s epic play, The Caucasian Chalk Circle. Didintle has had numerous television appearances including Mamello, Single Galz and The Throne. She is currently starring as Janet in the South African tour of The Rocky Horror Show.
A Conversation with Alexis Petersen
Alexis Petersen is a UCT Performance Diploma Graduate who majored in Western Classical Voice. She has performed on various stages both nationally and internationally. Alexis has performed in several musical theatre productions including Calling Us Home, The Little Mermaid and David Kramer’s Langarm. Her opera credits include FOUR:30, Le nozze di Figaro and La traviata. With a strong passion for dance, she has also competed as a ballroom dancer, dancing under the Federation of Dance Sport South Africa. She also features as a vocalist in a unique contemporary trio called Inside Voice. Alexis is currently starring at the Baxter Theatre as Pamela in Danger in the Dark, David Kramer’s re-imagining of the Kramer/Petersen ’90s hit, Poison. Continue reading
A Conversation with Amra-Faye Wright
Amra-Faye Wright is an award-winning actress best known for portraying Velma Kelly in Chicago the Musical, both on Broadway, London’s West End and in international tours. She trained extensively as a classical and jazz dancer and began her career performing in the Spectacular Musical Revues at Sun City. She spent the following years developing her skills in many musical genres and obtained a diploma in Contemporary Music at Allenby College in Johannesburg, which has resulted in a versatile and eclectic performance style. After starring in Viva Sun City at Sun City Theatre, Amra-Faye left for Monte Carlo where she performed as lead artist in the world famous Cabaret du Casino for two years. Her gift for story-telling led her to write, and perform her first one-woman revue, Rouge Pulp, which enjoyed a sellout season and prompted her to write Drinks on Me and It’s Not Where I Start. In 2005, she was awarded the Naledi Theatre Award and the Fleur du Cap Theatre Award for her performance in the South African production of Chicago. Continue reading
A Conversation with Shelley Lothian
Shelley Lothian is an award-winning choreographer, director, singer, actress and dancer. Her performance credits include The Sound of Music, My Fair Lady, Thoroughly Modern Millie, The Boys in the Photograph, Mamma Mia, We Will Rock You, Show Boat and Cabaret. She directed Chef, Rattle and Roll; The Purr Factory and Maybe Baby It’s You. She served as Resident Director on Janice Honeyman’s Show Boat, Matthew Wild’s Cabaret and West Side Story; David Kramer’s Orpheus in Africa and District Six- Kanala, and most recently King Kong with Jonathan Munby at the Fugard Theatre. She was also Associate Director on the international musical Tiger Bay. She has choreographed various productions including The King and I, A Funny Thing Happened On The Way To The Forum, District Six- Kanala and Sneeuwitjie. Shelley’s other choreographic credits include My Fair Lady; Chef, Rattle and Roll and Liefling – all of which received Naledi Theatre Award nominations, as well as Fiddler on the Roof and The Pirates of Penzance which both won the Naledi Theatre Award for Best Original Choreography. She is currently starring in the Fugard Theatre’s production of Kinky Boots where she also serves as Resident Director. Continue reading
A Conversation with Lungiswa Plaatjies
Lungiswa Plaatjies is a musician, singer and composer. Born and raised in Langa Township in Cape Town, she started singing at the age of eight years old before becoming the lead vocalist of Amampondo. She has toured extensively around the world and released her first solo album, Lungiswa, in 2000. After spending time digging deeper into the foundation stones of African music and Xhosa dance (Umxhentso), Lungiswa released her second solo album, Unonkala produced by Don Laka. In 2002, she was nominated for Best Newcomer and Best Female Vocalist at the SAMA awards and was also nominated for two Kora awards. Since 2015, she has been working with Bos Theatre Productions from The Netherlands on an annual musical show called South African Road Trip. Her select theatre credits include; Heart of Redness, The Tempest for the Royal Shakespeare Company and The Flower of Shembe. Lungiswa can currently be seen on stage as the featured musician in Kunene and the King at the Fugard Theatre.
A Conversation with Naledi Majola
Naledi Majola is an actor, performance-maker and sound designer. In 2018, she was seen on stage in Tara Notcutt’s historic all-female production of The Taming of the Shrew and in Stream, a multimedia performance work led by Jennifer Steyn at the Baxter Theatre. She makes her feature film debut later this year in The Banana Splits. Her performance work, Where is the black samurai? debuted at Arcade, a durational live art platform curated by Gavin Krastin, and was most recently performed at the 2018 ICA Live Art Festival. Naledi also designs sound for performance, having recently done so for her own work, as well as AMES, written and directed by Andi Colombo in 2018 and the upcoming production of Tales from the Garden written by Ameera Conrad, which will run at the Baxter Theatre’s Masambe Theatre followed by a run at the Edinburgh Fringe Festival later this year.
A Conversation with Lindy Abromowitz Sachs
Lindy Abromowitz Sachs is a performer and doctor. Having started her tertiary studies at UCT’s Opera School, she then changed tack completely and entered the medical world, graduating as a doctor six short years later. Whilst pursuing her medical career, she still managed to keep her love for theatre and performing alive by appearing in several films, commercials, as well as numerous musicals including Grease, The Sound of Music, Cats, Annie, District Six and the runaway hit Offbeat Broadway, which returns to Theatre on the Bay for its much anticipated fifth incarnation.
A Conversation with Ilse Klink
Ilse Klink is an award-winning actor, singer and television personality. She is best known for the role of Vanessa Booysens on the daily soap, Isidingo. Her stage credits include Mamma Mia!, Rent, Chicago, Show Boat, Menopause -The Musical, Kristalvlakte, Scorched and Caeser, to name a few. She has graced South African television screens by appearing in Roer Jou Voete, iNkaba, 7de Laan and Broken Vows. Her movie credits include Ellen: The Ellen Pakkies Story, Cold Harbour, Dis ek, Anna and Stroomop for which she was recently awarded a 2019 SAFTA Golden Horn for Best Supporting Actress. Ilse is currently treading the boards as Mama Morton in Chicago, a role she has returned to for the third time, a decade after she played it last. Continue reading
A Conversation with Lukhanyiso Skosana
Lukhanyiso Skosana is an actress, performance artist, vocalist and theatre-maker. Her performing credits include Love Like Blue directed by Puleng Lange-Stewart, Khanyisile Mbongwa’s performance art piece kuDanger, Ndawo directed and written by Thapelo Tharaga and Nguvu Ya Mbegu directed by Mandla Mbothwe. To continue her collaborations with womxn of colour, she was in the dance piece Bana Ba Mobu choreographed by Tshegofatso Mabutla. She is in the continuous process of touring and reworking Womb Of Fire, a production written and performed by Rehane Abrahams and directed by Dr Sara Matchett for which she was recently awarded a Fleur du Cap Theatre Award for Best Original Music Score. She continued her longtime collaboration with The MotherTongue Project by performing in their performance piece Walk in India at the ITFOK festival, at the National Arts Festival in 2018 and at Woordfees 2019. She recently choreographed her debut dance piece entitled Zinyile i’Queers and also participated in Body Politics in a durational Butoh piece titled UMGOWO. In 2018, Lukhanyiso made her directorial as well as playwriting debut with her graduation piece Inguquko.