A Conversation with Elsabé Daneel

Elsabé Daneel is an actress, director, producer, lecturer and TV presenter. With a career spanning across stage and screen, her select stage credits include Feeskatte, Ou Blare and Deon Opperman’s one-woman show, Bittersoet, which she toured extensively to all the major arts festivals in South Africa over the course of several years. Her TV career includes 18 SABC dramas. In 2001 she started Elsabé Daneel Productions which sees her taking on the role of producer, director and presenter of corporate videos and documentaries for private clients, kykNET and M-Net. She is currently starring as matriarch ‘Sandra Viljoen’ in Ferdinand van Zyl’s complex war drama, The Recce, which arrives in theatres on September 28th. We sat down with her to chat about her multifaceted career and why her role in The Recce is the “deepest” she’s ever gone.  Continue reading

Advertisements

A Conversation with Kathleen Stephens

Kathleen Stephens is a theatre-maker and performer. In 2016 she debuted her acting career in People Beneath our Feet at the National Arts Festival. Other credits include Wessel Pretorius’ I Love You Sally Field, Dara Beth’s Nasty Womxn, and Jon Keevy’s Single Minded and The Underground Library. Most recently, Kathleen has been seen in Like Hamlet directed by Kanya Viljoen, Wessel Pretorius’ Fotostaatmasjien and in the first all-female South African production of The Taming of the Shrew directed by Tara Notcutt. She is currently gearing up to star in the Fugard Theatre’s return season of Shakespeare in Love. Continue reading

A Conversation with Chuma Sopotela

Chuma Sopotela is a multi-award-winning actor, director, choreographer and performance artist. She has recently been named as the 2018 Standard Bank Young Artist for Performance Art. Her stage credits include Karoo Moose for which she received the 2007 Fleur du Cap Theatre Award for Best Actress, Waiting for the BarbariansU nyamo alunampumlo and Mamela Nyamza’s Rock to the CoreWe sat down with her to discuss her career, being named the Standard Bank Young Artist for Performance Art and her upcoming production for the National Arts Festival, Indlulamthi.

Continue reading

A Conversation with Carmen Pretorius

Carmen Pretorius is a Naledi and Fleur du Cap nominated musical theatre and televison actress, qualified makeup artist and presenter. After getting her professional start by winning the televised High School Musical competition, she went on to star in notable productions including Mamma Mia, Footloose, Jersey Boys and most recently The Sound of Music, which sees her taking on the role of Maria. We sat down with Carmen, ahead of the final week of the production, to chat about her “metamorphic” journey with the show.

Continue reading

A Conversation with Sara Matchett

Sara Matchett is a director, theatre-maker and lecturer. She holds a PhD in Theatre and Performance from the University of Cape Town where she currently resides as a senior lecturer in the Department of Drama. As co-founder and Artistic Director of The MotherTongue Project, a women’s arts collective, Sara has experience in the field of theatre in South Africa, Singapore, India, Kenya and Indonesia as a theatre-maker, performer, director and facilitator. Her latest directorial endeavor, Womb of Fire, which reunites her with her “soul collaborator” and fellow MotherTongue Project co-founder, Rehane Abrahams, is now playing at the Baxter TheatreContinue reading

A Conversation with Birrie le Roux

Birrie le Roux is an award-winning costume and production designer. In 2016 she was awarded a Fleur du Cap award for her costumes for Orpheus in Africa. During the last year she has designed costumes for theatrical hits such as District Six- KanalaClybourne ParkWest Side Story and Funny Girl to name a few. One cannot argue that Birrie’s costumes take on the role of an additional character on stage, they serve the plot, give context and always somehow manage to take your breath away. We sat down to chat about her full-circle journey back to her first love, theatre.  Continue reading

A Conversation with Esther Nasser

Less than a year ago, Esther Nasser was named CEO of Joburg Ballet. As a choreographer, Nasser has created an extensive repertoire of new works to both commissioned and existing music and soundtracks, winning several awards for choreography. Nasser became involved in transformation in dance and theatre before South Africa achieved democracy in 1994 and remains actively involved in the process. She has established community and outreach projects, winning the Gauteng Achievement Community/Outreach Award in 1999. Nasser has also taught and lectured at leading SA universities and technikons, and has choreographed and directed extensively for television. Continue reading

A Conversation with Carlynn de Waal-Smit

Carlynn de Waal-Smit is essentially a superhero in the industry. She is an agent and founder of Contractors Artists. She is also an advocate for the rights of professional actors, serving as the National Secretary of SAGA, a guild which she helped form. She also serves on the executive board of the PMA. For the past few years, Carlynn has championed for fair and ethical treatment of performers in the industry. We sat down to discuss SAGA, the misconceptions surrounding being an agent and the future for actors in South Africa.  Continue reading

A Conversation with Hayleigh Evans

Hayleigh Evans is a theatremaker and co-founder of POPArt, an independent Johannesburg based theatre, production company and performing arts centre that is located in the heart of Maboneng. Now in its 6th year, POPArt has become a staple in the Johannesburg theatre industry and has helmed some of South Africa’s most exciting, edgy and celebrated work. Continue reading

A Conversation with Siphamandla Yakupa and Noluvuyiso Mpofu

We are thrilled to feature two of Cape Town Opera‘s leading ladies, Siphamandla Yakupa and Noluvuyiso Mpofu. We caught up with Siphamandla and Noluvuyiso in the upper foyer of Artscape to chat all about the world of opera, the roles that they are dying to play and why opera singers are likened to superheroes.  Continue reading