Margot Wood is an actress, director, theatre-maker and producer. She is the founder of Anex Theatre Productions, a company which has been running for over a decade. Most recently, Cape Town audiences saw Margot star in Wynne Bredenkamp’s critically acclaimed production, At The Edge of the Light, which will run at the 2018 National Arts Festival. Following a run at the Drama Factory earlier this year, her latest directorial project, Dario Fo’s A Woman Alone and Other Female Parts comes to the Alexander Bar for a limited run. Continue reading
Qondiswa James is an actress, director, theatre-maker and the latest recipient of Theatre Arts Admin Collective’s Emerging Theatre Directors Bursary. Her production, A Faint Patch of Light, which an interpretation of Athol Fugard’s Statements After An Arrest Under The Immorality Act, will be staged at Theatre Arts Admin from May 27th until June 2nd. As an actress she has starred in internationally acclaimed film productions including Into Us and Ours, High Fantasy and The Foxy Five.
Ukhona Ntsali Mlandu is an Arts Manager, Curator and Facilitator. During the last few years she has worked alongside some of South Africa’s leading arts institutions and organisations including Artscape where she spent several years heading up their Resource Center, PANSA, FTH:K and Siyasanga Cape Town Theatre Company before going on to become an independent Arts Manager. She has launched her latest project makwande.republic, a residency program set in the heart of her hometown village in the Eastern Cape. We sat down with her to chat about moving back home, creating makwande.republic and having to coin a new phrase to encompasses her multi-faceted career.
Sara Matchett is a director, theatre-maker and lecturer. She holds a PhD in Theatre and Performance from the University of Cape Town where she currently resides as a senior lecturer in the Department of Drama. As co-founder and Artistic Director of The MotherTongue Project, a women’s arts collective, Sara has experience in the field of theatre in South Africa, Singapore, India, Kenya and Indonesia as a theatre-maker, performer, director and facilitator. Her latest directorial endeavor, Womb of Fire, which reunites her with her “soul collaborator” and fellow MotherTongue Project co-founder, Rehane Abrahams, is now playing at the Baxter Theatre. Continue reading
Lesedi Job is an actress and director. Lesedi made her directorial debut in 2017 with Mike van Graan’s When Swallows Cry at the Market Theatre and went on to win the Sophie Mgcina Emerging Voice Award. The production, which has transferred to Cape Town, is currently running at the Baxter Theatre. An accomplished performer in her own right, Lesedi received a Naledi Theatre Award nomination for her role in Lara Foot’s Fishers of Hope. Continue reading
A historic production of Shakespeare’s popular comedy, The Taming of the Shrew, will be presented at the Maynardville Open-Air Theatre, directed by Tara Notcutt and featuring an all-female cast and creative team. Award-winning director Notcutt is making history with something never before seen on a South African stage: an all-female version of a Shakespeare play. She leads some of South Africa’s most celebrated actresses in a version of The Taming of the Shrew like it has never been seen before: a meeting of classic text with modern twists, including lip-synching, 90s fashion, and an all-female cast playing men and playing women, supported by an all-female creative team. This production also makes history as Notcutt becomes the 5th women in 61 years to direct a Shakespearian production at Maynardville. We were invited to attend the cast’s first day of rehearsals and get a sneak peak at this groundbreaking production.
Theatre-maker and performer Dara Beth describes herself as “first and foremost an angry, Jewish feminist”. She is one half of the cabaret duo Plumsong, which she has been performing as since 2011 with her mom and fellow performer, Sharyn Seidel. A recent UCT graduate, Dara has written and performed in Just a Song and a Dance with co-performer Sharyn at the Alexander Bar and the National Arts Festival. Dara has also worked as a stage manager on Wessel Pretorius’ Klara Maas se Hart is Gebreek and Die Ontelbare 48, Ameera Conrad’s Reparation and Jon Keevy’s The Underground Library. Dara also makes up one third of The Furies, a womxn-centric artistic co-op, who are responsible for presenting her latest original piece, Nasty Womxn, which makes its return to the Alexander Bar for a limited engagement following its triumphant success at the end of last year. Continue reading
Lara Bye is a prolific and versatile theatre director and educator whose work travels extensively locally and abroad. She directs across genres from opera to physical comedy, large-scale outdoor events and more intimate dramas in both English and Afrikaans. Her latest directorial project, the stage adaptation of Mark Behr’s best-selling novel Die reuk van appels is now playing at The Fugard Theatre. Continue reading
Nicole Fortuin is the true definition of an artist. As an accomplished actress, dancer, photographer and director, Nicole has managed to take the film, theatre and television industry by storm since graduating from UCT only three years ago. Impressive credits aside, Nicole has made it a priority to use her platform as a young creative to bring awareness to the causes that she believes in. We sat down to talk about her success, staying grounded and navigating the world of social media.
Marí Borstlap is a theatre director, writer and designer. Following a successful run at the Vrystaat Arts Festival earlier this year, her most recent directorial endeavour, Winterboom, begins performances at Aardklop on October 3rd. We sat down to chat about the show and her perception on the current climate for female theatremakers.