Sue Diepeveen is an actor, theatre practitioner and the owner of The Drama Factory in Somerset West. Her new show, So You Want To Be A Trophy Wife? is available to stream as part of this year’s virtual National Arts Festival. As the owner of The Drama Factory, Sue is heavily involved in mentoring programmes for young actors and is committed to ensuring a safe and affordable space for new work to see the light of day. In the midst of the national lockdown, Sue has spent the last few months creating her show while also dealing with the unfortunate impact of the global pandemic on her theatre.
Nicola Hanekom has been a freelance actress, director and writer for the past twenty years. Her theatre work as writer/director includes a series of site-specific productions; Betésda, Lot, Babbel and Land van Skedels. As a writer and performer, Nicola created Trippie, and her self-penned one-woman show Hol/Running on Empty. These together with her latest play In glas have garnered twelve Kanna awards, eleven Fiësta awards, two ATKV writing awards and one Aartvark award. Nicola was also awarded the Eugène Marais Prize for her collection of plays Die pad byster. She has written and directed two short films, Trippie and Unspoken. Her short, Trippie won two Silwerskermfees awards. Cut-Out Girls is her first feature film and arrives in local cinemas on November 22nd.
Fiona Ramsay is one of South Africa’s leading actresses, working locally and overseas. A doyenne of the South African performing arts industry, over the course of 40 years her award-winning professional career has successfully spanned across film, television and theatre. She is also a lecturer at Wits University and is the founder of Speakeasy Vocal Academy where she specialises as a dialogue and dialect coach and runs vocal empowerment workshops. She is currently starring as Amanda Wingfield in The Glass Menagerie at the Artscape Arena. Continue reading
Liezl de Kock is an actor, director, theatre-maker and lecturer. She performed the lead role of Janet in the Ovation Award-winning and double Fleur du Cap Theatre Award winner Pictures of You, which was the highest-grossing theatre production on the fringe at the 2009 National Arts Festival. Liezl was also nominated for a Fleur du Cap Theatre Award for her role in Rob Murray’s Womb Tide. She performed with Andrew Buckland in Crazy in Love, which received an Ovation Award and the Amsterdam Fringe Fest award for Best International Production. Her performance in Crazy in Love received a Naledi Theatre Award nomination. Her final Master’s production, Piet se Optelgoed won a Silver Ovation Award at the National Arts Festival and was nominated for Best International Production at the Amsterdam Fringe Festival. Earlier this year, she was nominated for a Naledi Theatre Award for her role as Sussie in Reza de Wet’s African Gothic directed by Alby Michaels. She is currently reprising her role in Athol Fugard’s Statements After an Arrest Under The Immorality Act at The Fugard Theatre following its debut run earlier this year at the 2019 Klein Karoo Nasionale Kunstefees.
In 2018 during our interview with theatre-maker Dara Beth, we spoke about the return engagement of her play, Nasty Womxn. Now, 18 months later, Nasty Womxn is back for its third return engagement, this time featuring a new cast, a reworked script and coinciding with Dara’s latest theatrical offering, The Chronicles of Athena, Babes. Tasked with staging two independently produced works which almost run concurrently, we ask Dara to share her thoughts around this creative process. Continue reading
Siphokazi Jonas is a writer, performer, and poet. She has written, produced, and performed in four one-woman poetry shows. She wrote, produced and performed in a multi-genre theatre production, Around the Fire, which was staged at the 2016 Artscape Spiritual Festival and the 2018 Women’s Humanity Festival. Her stage work includes Natalia da Rocha’s Adam Small Festival and Mandla Mbothwe’s Oratorio of a Forgotten Youth. In 2018, she presented her directorial debut, The Widow, as part of Artscape’s New Voices programme. The production returns to the Artscape Arena at the beginning of August 2019. Jonas has been a featured act at numerous poetry sessions in Cape Town and Johannesburg. Her experience with spoken word has led to multiple invitations to judge poetry slam competitions in Cape Town and Johannesburg. She has also performed with renowned musicians including, Sipho “Hotstix” Mabuse, Freshlyground, Pops Mohamed, Dizu Plaatjies and Dave Reynolds. Jonas made history in 2016 as the first African poet to perform at Rhetoric in California. In February 2019 she was also a headline act on the first ever South African national poetry tour, the Fresh Poetry Tour. She was crowned as the first Cape Town Ultimate Slam Champion in 2015 and was the runner-up in the prestigious 2016 Sol Plaatje European Union Poetry Award, coming second out of 600 poems submitted nationally. Her work was longlisted again in 2017.
Olivia Fischer is an award-winning playwright, director and producer. After graduating with her degree in theatre and performance, specialising in theatre-making from the University of Cape Town, Olivia premiered Still at the Hollywood Fringe Festival in Los Angeles, CA. Still was awarded five Hollywood Fringe awards including Tvolution’s Best International Show and the Conversation Creation award. In 2018, Olivia opened a production company called LIV Studios, a company that aims to develop female-identifying playwrights and theatre-makers. Olivia is a published writer: her autobiographical monologue Coming For You was recently published in the Market Laboratory’s anthology Between the Pillar and the Post: an anthology of South African monologues and scenes. Her other theatre credits include writing and directing an adaptation of Sindiwe Magona’s The Cruel King Lives! called Thandiwe: The Loved One and directed Duncan MacMillan’s Lungs. Her main focus as she continues to grow as a theatre-maker is telling stories of womxn: their resilience, their strength but above all, their undeniable capacity to love.
Shelley Lothian is an award-winning choreographer, director, singer, actress and dancer. Her performance credits include The Sound of Music, My Fair Lady, Thoroughly Modern Millie, The Boys in the Photograph, Mamma Mia, We Will Rock You, Show Boat and Cabaret. She directed Chef, Rattle and Roll; The Purr Factory and Maybe Baby It’s You. She served as Resident Director on Janice Honeyman’s Show Boat, Matthew Wild’s Cabaret and West Side Story; David Kramer’s Orpheus in Africa and District Six- Kanala, and most recently King Kong with Jonathan Munby at the Fugard Theatre. She was also Associate Director on the international musical Tiger Bay. She has choreographed various productions including The King and I, A Funny Thing Happened On The Way To The Forum, District Six- Kanala and Sneeuwitjie. Shelley’s other choreographic credits include My Fair Lady; Chef, Rattle and Roll and Liefling – all of which received Naledi Theatre Award nominations, as well as Fiddler on the Roof and The Pirates of Penzance which both won the Naledi Theatre Award for Best Original Choreography. She is currently starring in the Fugard Theatre’s production of Kinky Boots where she also serves as Resident Director. Continue reading
In October 2018, Debbie Turner was appointed the Chief Executive Officer of Cape Town City Ballet. She founded the Cape Academy of Performing Arts in 1985 and went on to become the founding Artistic Director of the Cape Dance Company in 1995. Recently, she sat on the prestigious panel of judges for the inaugural 2018 season of M-Net’s Dancing With The Stars SA. She has won many awards for her choreography including the FNB Vita Award, and a Standard Bank Ovation Award at the National Arts Festival for Cape Dance Company’s Blue. In addition, the school received a Standard Bank Ovation Award at the National Arts Festival for Bittersweet in 2013, which resulted in the production of Between The Lines the following year on the Arena Programme and at the inaugural Cape Town Fringe Festival. Debbie is committed to restoring, revitalising and aligning South African dance with the 21st Century global trends of performance through sustainable, multi-pronged approach to performance excellence, diverse repertory relevant to current times, dance education, and professional development of dancers while preserving the traditions of classical ballet and academic dance in general.
Janni Younge is a director and producer of multimedia, theatrical and visual performance works, with an emphasis on puppetry arts. Janni’s work has been performed widely internationally and she has gone on to be awarded the Standard Bank Young Artist Award for Theatre, several Fleur du Cap awards for puppet design and the Nagroda award for direction. A former director of Handspring Puppet Company for four years, she currently runs Janni Younge Productions and concurrently directs UNIMA SA. Janni’s works include the creation and direction of Ouroboros which toured extensively in South Africa, Europe and India, The Firebird which toured in the USA and Take Flight, currently touring Europe. With Handspring, Janni also directed revivals of William Kentridge’s Woyzeck on the Highveld and Ubu and the Truth Commission and worked with Handspring on War Horse and on the Bristol Old Vic’s Midsummer Night’s Dream. She also created and directed puppetry for the Royal Shakespeare Company’s Tempest.