Lesedi Job is an actress and director. Lesedi made her directorial debut in 2017 with Mike van Graan’s When Swallows Cry at the Market Theatre and went on to win the Sophie Mgcina Emerging Voice Award. The production, which has transferred to Cape Town, is currently running at the Baxter Theatre. An accomplished performer in her own right, Lesedi received a Naledi Theatre Award nomination for her role in Lara Foot’s Fishers of Hope. Continue reading
A historic production of Shakespeare’s popular comedy, The Taming of the Shrew, will be presented at the Maynardville Open-Air Theatre, directed by Tara Notcutt and featuring an all-female cast and creative team. Award-winning director Notcutt is making history with something never before seen on a South African stage: an all-female version of a Shakespeare play. She leads some of South Africa’s most celebrated actresses in a version of The Taming of the Shrew like it has never been seen before: a meeting of classic text with modern twists, including lip-synching, 90s fashion, and an all-female cast playing men and playing women, supported by an all-female creative team. This production also makes history as Notcutt becomes the 5th women in 61 years to direct a Shakespearian production at Maynardville. We were invited to attend the cast’s first day of rehearsals and get a sneak peak at this groundbreaking production.
Theatre-maker and performer Dara Beth describes herself as “first and foremost an angry, Jewish feminist”. She is one half of the cabaret duo Plumsong, which she has been performing as since 2011 with her mom and fellow performer, Sharyn Seidel. A recent UCT graduate, Dara has written and performed in Just a Song and a Dance with co-performer Sharyn at the Alexander Bar and the National Arts Festival. Dara has also worked as a stage manager on Wessel Pretorius’ Klara Maas se Hart is Gebreek and Die Ontelbare 48, Ameera Conrad’s Reparation and Jon Keevy’s The Underground Library. Dara also makes up one third of The Furies, a womxn-centric artistic co-op, who are responsible for presenting her latest original piece, Nasty Womxn, which makes its return to the Alexander Bar for a limited engagement following its triumphant success at the end of last year. Continue reading
Lara Bye is a prolific and versatile theatre director and educator whose work travels extensively locally and abroad. She directs across genres from opera to physical comedy, large-scale outdoor events and more intimate dramas in both English and Afrikaans. Her latest directorial project, the stage adaptation of Mark Behr’s best-selling novel Die reuk van appels is now playing at The Fugard Theatre. Continue reading
Nicole Fortuin is the true definition of an artist. As an accomplished actress, dancer, photographer and director, Nicole has managed to take the film, theatre and television industry by storm since graduating from UCT only three years ago. Impressive credits aside, Nicole has made it a priority to use her platform as a young creative to bring awareness to the causes that she believes in. We sat down to talk about her success, staying grounded and navigating the world of social media.
Marí Borstlap is a theatre director, writer and designer. Following a successful run at the Vrystaat Arts Festival earlier this year, her most recent directorial endeavour, Winterboom, begins performances at Aardklop on October 3rd. We sat down to chat about the show and her perception on the current climate for female theatremakers.
A lot of the magic of Sarafina Magazine is due to the photography. During this first year, six women joined the team and stepped behind the lens to carefully capture each woman that we were so tirelessly working towards representing correctly and respectfully. Each photographer stepped in, added their own take to each shoot and managed to elevate our original concept into something more exceptional than any of us could possibly have imagined. Most photos are taken candidly during our conversation which makes each image as special and as unique as catching lightning in a bottle. To commemorate our first year, each photographer was tasked to pick their top two or three favourite pictures and share with us why they selected the ones they did.
Magdalene Minnaar is one of those people who makes you question when she has time to sleep. She is the founder of Little Maestros and Biblioteek Productions, where she also serves as Artistic Director. She is an accomplished actress and singer, having performed the coveted role of Christine Daaé in the international touring production of The Phantom of The Opera as well as performing alongside Josh Groban during his tour to South Africa last year. Currently she is directing Calling Me Home, a highly anticipated new musical which is about to take South Africa by storm. We sat down to chat about the many hats that she has worn during her career. Continue reading
Theatremaker, actor and director Nwabisa Plaatjie was recently named as the recipient of Theatre Arts Admin Collective’s Emerging Theatre Director’s Bursary as well as the first recipient of Baxter Theatre’s PlayLab residency program where she will produce her new play Inceba Yobomi/The Grace of Life. In 2016, she debuted two new productions at Magnet Theatre; AHA! and 23 years, a month and 7 days, both of which travelled to Germany following a successful run in Cape Town. Continue reading
Nadia Davids is a writer, theatre-maker and scholar. Her plays, At Her Feet and Cissie, have garnered various theatre awards and nominations and has been staged internationally. Her play What Remains will be performed during The National Arts Festival before returning to Cape Town for a limited run. Her debut novel An Imperfect Blessing was long-listed for the Sunday Times Fiction Award and shortlisted for the UJ Prize and the Pan-African Etisalat Prize for Literature. She holds a PhD from the University of Cape Town and, as an A.W. Mellon Fellow, has been a visiting scholar/artist at the University of California Berkley and at New York University. She lectured at Queen Mary University of London between 2009-2016 and is a recipient of a Philip Leverhulme Prize. Continue reading