A Conversation with Chantal Stanfield

Chantal Stanfield is an actress and singer who has featured in a number of South Africa’s leading television and stage productions. In the last year, she has charmed South African audiences by featuring on local Television soap operas Sewende Laan and Getroud met Rugby. After completing a run in Rock of Ages at the Lyric Theatre, her one-woman self-written show From Koe’siestes to Kneidlach makes its Cape Town debut at the Baxter Theatre following a successful Joburg engagement. We sat down at the Baxter to chat about her career, being labeled a “Soap Star” and finding the courage to create her own work.
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A Conversation with Leanetse Seekoe

Leanetse Seekoe is a performer and theatre-maker. Upon graduating from UCT’s Drama department in 2014, Leanetse was nominated for a Fleur du Cap award in the Most Promising Student category. Recently, Leanetse wrote 4 cups 1 tbsp while she pursued her Masters of Arts in English and Comparative Literature. In 2017, she performed her debut one woman play, 4 cups 1 tbsp at The Market Theatre Laboratory and The Plat4orm in Johannesburg, and Theatre Arts Admin Collective in Cape Town. Continue reading

A Conversation with Mari Borstlap

Marí Borstlap is a theatre director, writer and designer. Following a successful run at the Vrystaat Arts Festival earlier this year, her most recent directorial endeavour, Winterboom, begins performances at Aardklop on October 3rd. We sat down to chat about the show and her perception on the current climate for female theatremakers.

To read this conversation in Afrikaans please click here. Continue reading

Guest Post: Being a woman in the world of Viljoen

Actress and author, Emily Child is currently starring in The Eulogists at The Fugard Theatre, a play that reunites her once more with playwright Louis Viljoen. In 2015 Emily took home a Fleur du Cap award for her performance in Viljoen’s The Pervert Laura. Each Viljoen production that Emily tackles feels like a true collaboration between playwright/director and performer. While many can voice their opinions on Louis Viljoen’s writing, there is no one who understands it better than Emily Child.  Continue reading