A Conversation with Eva du Preez

Eva du Preez is an award-winning TV and Film producer, script supervisor and editor. In 2013, she made her producing debut with the multi-award winning short film Toevlug directed by Christiaan Olwagen. Her other editing credits include Die Seemeeu, Ander Mens, Die Boland Moorde, Die Boekklub, Fynskrif, Toevlug and Die Leeftyd van ‘n Orgidee. Her highly anticipated debut feature film, Kanarie, will arrive in theatres on October 19th following a successful premiere at this year’s Silwerskermfees, which awarded Eva an award for her edit of the film.

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A Conversation with Mariëtte Opperman

Mariëtte Opperman began dancing at the age of seven. She trained under Paula Olivier and later did an intensive vocational study with Martin Schönberg. She started her professional career in 2008 at the South African Ballet Theatre. She joined Cape Town City Ballet in 2010, where she is currently a senior soloist. Mariëtte also performed professionally in Stockholm, Sweden for a year. Her most memorable roles to date include the Black Swan in Swan Lake, Diane in Diane and Acteon, Kitri in Don Quixote, Sugar Plum in The Nutcracker, Firebird in Firebird, Juliet in Romeo and Juliet and Giselle in Giselle. She is currently gearing up to take on the titular role in Veronica Paeper’s production of Cinderella for Cape Town City Ballet.

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A Conversation with Elsabé Daneel

Elsabé Daneel is an actress, director, producer, lecturer and TV presenter. With a career spanning across stage and screen, her select stage credits include Feeskatte, Ou Blare and Deon Opperman’s one-woman show, Bittersoet, which she toured extensively to all the major arts festivals in South Africa over the course of several years. Her TV career includes 18 SABC dramas. In 2001 she started Elsabé Daneel Productions which sees her taking on the role of producer, director and presenter of corporate videos and documentaries for private clients, kykNET and M-Net. She is currently starring as matriarch ‘Sandra Viljoen’ in Ferdinand van Zyl’s complex war drama, The Recce, which arrives in theatres on September 28th. We sat down with her to chat about her multifaceted career and why her role in The Recce is the “deepest” she’s ever gone.  Continue reading

A Conversation with Puleng Lange-Stewart

Puleng Lange-Stewart is a writer, playwright, filmmaker, director, designer and illustrator. In 2016, she was one of three shortlisted writers in the national PEN student writing competition. Her writing has appeared in the 2017 African Literature curriculum at UCT. Her first independent short film, written and directed with Jannous AukemaUntil the Silence Comes, was selected for the 2017 Cape Town International Film Festival and was nominated for an audience award at the Shnit International Short Film Festival. Her primary focus is in interdisciplinary performance and multimedia integration. As a queer, feminist, artist and mother of colour, she hopes to find ways to explore and question the practices and hierarchies that continue to erode human dignity and self-determinacy for so many within the context of South Africa and Africa as a whole. Her work is deeply embedded in a decolonial framework which hopes to elevate and recentre African bodies and voices as a response to its violent historical negation. During the 2018 Open Book Festival, Puleng will appear on a panel entitled Moving Pictures and Borders. Continue reading

A Conversation with Antoinette Kellermann

In a career spanning 40 years, Antoinette Kellermann has established herself as a doyenne of South African theatre, winning numerous awards for her work on radio, television and on stage. In 2008 she was honoured by the South African Academy for Science and Arts for her contribution to South African theatre. In 2010, she received several awards for her one-woman show As die Broek Pas, which she also performed in English as Man to Man. Select recent credits include Die Melktrein stop nie meer hier nee, Asem, Willem Anker’s Samsa-masjien and Hierdie Lewe by Karel Schoeman which awarded her a Kanna Award for Best Actress. She is currently starring as ‘Nell’ in the all-star cast of Samuel Beckett’s Endgame at the Baxter TheatreContinue reading

A Conversation with Regina Malan

Regina Malan is a performer, producer and director. After previously performing in operas such as Le Nozze di Figaro and Dido and Aeneas, last year she starred in her first three plays, namely Macbeth, Design for Living and Jane Eyre, as well as her first two musicals, The Full Monty and Shadows in Red Light. Her other credits include Public City, Because it’s okay, Not Just Musicals and Othello: A Women’s Story which she also co-directed. In 2017 she co-founded Mish Mash Media Productions, a multi-media production company giving voice to LGBTQ projects in Cape Town. Following a successful run earlier this year, Othello will be performed at the Baxter Theatre for a limited run in September. We sat down to chat about her career and Mish Mash Media’s next show, 5 Lesbians Eating A Quiche.   Continue reading

A Conversation with Kathleen Stephens

Kathleen Stephens is a theatre-maker and performer. In 2016 she debuted her acting career in People Beneath our Feet at the National Arts Festival. Other credits include Wessel Pretorius’ I Love You Sally Field, Dara Beth’s Nasty Womxn, and Jon Keevy’s Single Minded and The Underground Library. Most recently, Kathleen has been seen in Like Hamlet directed by Kanya Viljoen, Wessel Pretorius’ Fotostaatmasjien and in the first all-female South African production of The Taming of the Shrew directed by Tara Notcutt. She is currently gearing up to star in the Fugard Theatre’s return season of Shakespeare in Love. Continue reading

A Conversation with Dorothy Ann Gould

Dorothy Ann Gould is one of South Africa’s most celebrated and respected actresses. She has worked professionally for the past 50 years and has gone on to star in over 180 productions which have awarded her several of South Africa’s top accolades. She is also the founder of Johannesburg Awakening Minds, a theatre troupe comprised of 13 homeless gentlemen. Recently, Dorothy was honoured with a 2018 Naledi Award for Innovation in Theatre. She is currently starring in Joan Didion’s The Year Of Magical Thinking, based on her memoir, which has transferred to the Baxter Theatre following its successful run at the Market Theatre earlier this year.  Continue reading

A Conversation with Klara van Wyk

Klara van Wyk is a performer and theatre-maker. During the 2018 National Arts Festival, she’ll be pulling double duty by performing in two productions. First up, she stars alongside Buhle Ngaba in Penny Youngleson’s La Chair de ma Chair followed by her one-woman show, You Suck! (and other inescapable truths), which has been on back-to-back sell-out tours across the country and earned her a Fleur du Cap nomination. Her dedication to anti-bullying campaigns and clowning workshops with young South Africans has earned her a unique position in the local performance landscape where she occupies roles in social justice and entrepreneurship as well as artistic expression. After studying under Master Clown Philippe Gaulier in Paris, she is currently completing her PhD in Clowning at Stellenbosch University. 

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A Conversation with Lucy Tops

Lucy Tops is a singer, songwriter and actress. As a vocalist, she has released several songs and CD’s and performs in the singing duo The Romantix alongside her husband, Alexander Tops. Over the last few years, Lucy has dazzled audiences by starring in several hit productions including Funny Girl, The Rocky Horror Show, Bar None for which she received a Fleur du Cap nomination and Shakespeare in Love which returns to the Fugard Theatre later this year. However, it her latest role in the South African premiere of Joshua Harmon’s critically acclaimed Broadway play, Significant Other, that has audiences seeing her tackle a leading role and making it her own.
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