Yvette Hardie is a theatre director, producer, educator and advocate, focusing on theatre for young audiences. She initiated the launch of ASSITEJ SA in 2007 and leads the organisation as Director. She is currently serving her third term as President of the international ASSITEJ, which networks across 100 countries. In 2017, she was responsible for hosting the 19th ASSITEJ World Congress & Performing Arts Festival, Cradle of Creativity, for the first time in Africa. She produced the award-winning Colonnades Theatre Lab production, Truth in Translation, seen by 55 000 people worldwide. For her own company, FreeVoice Productions, she produces national and international tours of Sindiwe Magona’s Mother to Mother. Her directing credits include Suzanne Lebeau’s The Ogreling and Mike van Graan’s Is it because I’m Jack? She is valued for her work in Arts Education, having written national curricula and textbooks for Dramatic/Creative Arts. Recently, she was awarded the Mickey Miner Award for Lifetime Achievement from IPAY for her contribution to theatre for young audiences locally and globally.
Tiisetso Mashifane wa Noni is a South African playwright, theatre director and performer. With a Bachelor of the Arts in Political Science, Philosophy and Dramatic Arts from Rhodes University and a Bachelor of the Arts (Hons) in Directing for Stage, Writing for Film and Avant-garde Film from the University of Cape Town, she attempts to make provocative work that deals with themes of violence, sexuality, race and history within a contemporary South African setting. As a playwright and director, her debut play, Sainthood has received a Standard Bank Ovation Award and a Fleur du Cap nomination and is the subject of her TEDxYouth Cape Town Talk, ‘Another Conversation for the Dinner Table?’. Following a successful run at the National Arts Festival and at Theatre Arts Admin Collective, Sainthood makes its way to the Baxter Theatre for a limited engagement.
Lee-Ann van Rooi is an actor, educator, producer and director. This year marks Lee-Ann’s silver jubilee in the South African professional entertainment industry. With numerous awards, nominations and credits stretching over the various mediums of Film, TV, Stage and Radio, both locally and internationally, this UCT graduate’s interests and skills are wide-ranging, innovative and resourceful. A keen storyteller, puppeteer, teacher, mentor, writer, producer and director, she is particularly interested in growing and creatively educating audiences and the entertainment industry in a responsible and fair way. Lee-Ann has recently been nominated for two awards at this year’s upcoming Fiëstas Awards. She is nominated as Best Actress for her work in Ingrid Winterbach’s Ons is almal Freaks Hier and for Best Supporting Actress for her work in Chase Rhys’ Kinnes. She is currently gearing up to star as The Duchess of York in Richard III which will begin performances at Maynardville open-air theatre in February.
Gina Shmukler has been in the entertainment industry since she was six years old. In her career, her theatre work as an actress, director and producer, has garnered ten theatre nominations and four awards across different genres ranging from Mamma Mia and Chess, to Master Class and Silk Ties. In 2013, after completing her Master’s Degree in Drama at the University of Witwatersrand, Gina was the proud recipient of the Dr Sibongile Khumalo Creative Research Award. Her select directorial credits include; The Line, Lost in the Stars, Songs for a New World, The Market Theatre’s Brer Rabbit, Beautiful Creatures, Love: A Musical Revue, The Last Five Years and The Whole Megillah. Having taken a performance hiatus, Gina returned to the stage in 2017 in Mike van Graan’s Helen of Troyeville. At the end of 2018, she returned to her musical theatre roots by stepping into Aunty Merle the Musical, which makes its way to Joburg Theatre following three sold-out engagements in Cape Town.
Cintaine Schutte is an actress and producer. She has performed in more than 30 professional theatre productions and has toured to all the national art’s festivals and major theatre’s in South Africa. In 2015 she received a Kanna Award for her performances in Moeder Moed and Die Seemeeu and in 2016, she was awarded a Fleur Du Cap Theatre Award for her performance as Masha in Die Seemeeu. In 2017, she was awarded the Woordtrofees Award for her performance in Reza de Wet’s Drif. She is well-known for her Television work, including Die Kasteel, PHIL 101 and Fynskrif. She has appeared in numerous local films such as Knysna, Sonskyn Beperk and most recently, the film adaptation of Christiaan Olwagen’s Die Seemeeu which will arrive in theatres in 2019. Cape Town audiences can catch Cintaine in Half Leeg, directed by Tara Notcutt which will run at the Alexander Bar in November. Continue reading
Thembela Madliki is a theatre-maker and director. Her credits include Galela, My Boetie is ‘n Danser, Bayephi and Nyanga. She has showcased work at The National Arts Festival, The Cape Town Fringe Festival and The KKNK. Earlier this year, she was named as one of the recipients of Theatre Arts Admin Collective’s Emerging Theatre Director’s Bursary. Her bursary piece, Where She Walked will debut at Theatre Arts Admin from October 28th until November 3rd.
Leila Henriques is an actor, writer, director and teacher. As an actress, she has starred in more than 30 productions. Some of her select stage credits include: Hedda Gabler, The Something Prince, Yerma, Red Shoes and The List. She has taught acting at various academic institutions across South Africa including Wits, AFDA and The Market Theatre Lab. Together with Irene Stephanou, she wrote the book The World in an Orange –exploring the work of Barney Simon published by Jacana, which was shortlisted for the Alan Paton award. Following a successful run at Woordfees earlier this year, she is currently starring in Sam Shepard’s Curse of the Starving Class directed by Sylvaine Strike at the Baxter Theatre. Continue reading
Nicolette Moses is the Associate Producer and Planning Manager for the Baxter Theatre, a position she has held since 2010. She is a trained classical ballet and contemporary dancer who graduated from the UCT School of Dance. Following a sojourn abroad, Nicolette joined the Jazzart Dance Theatre, which she managed before joining CAPAB as head of the Audience Development department. In the transition from CAPAB to Artscape, Nicolette worked as Project Manager and then Artistic Manager until 2001. During her time at Artscape, she also worked extensively with the Nederlands Dance Theater. She was appointed as Project Manager at the Baxter Theatre Centre in 2003, and shortly thereafter started heading up the annual Baxter Dance Festival. Now in its 14th year, we sat down with Nicolette to chat about this year’s festival.
Kate Pinchuck is an actor, writer and stand-up comedian. Her credits include Athol Fugard’s My Children! My Africa! at Artscape, the critically acclaimed all-female Taming of the Shrew at Maynardville directed by Tara Notcutt and the Ovation Award winning Gaslight at the National Arts Festival Fringe directed by Laine Butler. Kate has been rising up in the comedy scene in Cape Town and Joburg. She was featured in the 2017 Next Generation Showcase at Grand West, was a semi-finalist in the 2017 Savanna Show Us Your Apples competition and performed in the televised 2018 Comics Choice Awards Newcomer Showcase at the Soweto Theatre. She has performed numerous times at the National Arts Festival Fringe in productions such as With/Hold, Jack & Jill which she wrote and Lexi Meier’s Standard Bank Ovation Award-winning immersive installation, Down to a sunless sea. Following its award-winning run at the National Arts Festival, her one-woman show, Medusa Incarnate will make its Cape Town debut at the Alexander Bar in September. Continue reading
Puleng Lange-Stewart is a writer, playwright, filmmaker, director, designer and illustrator. In 2016, she was one of three shortlisted writers in the national PEN student writing competition. Her writing has appeared in the 2017 African Literature curriculum at UCT. Her first independent short film, written and directed with Jannous Aukema, Until the Silence Comes, was selected for the 2017 Cape Town International Film Festival and was nominated for an audience award at the Shnit International Short Film Festival. Her primary focus is in interdisciplinary performance and multimedia integration. As a queer, feminist, artist and mother of colour, she hopes to find ways to explore and question the practices and hierarchies that continue to erode human dignity and self-determinacy for so many within the context of South Africa and Africa as a whole. Her work is deeply embedded in a decolonial framework which hopes to elevate and recentre African bodies and voices as a response to its violent historical negation. During the 2018 Open Book Festival, Puleng will appear on a panel entitled Moving Pictures and Borders. Continue reading