Carin Bester is a performance artist, actress, set designer and art director who has been working in the film, television and theatre industry for the past 10 years. In 2015, Carin performed her first performance art piece Verlies. She was drawn to performance art because of its immediacy and honesty. She views it as a medium in which she can express herself freely as she interrogates issues of social importance effectively. In 2017, she did My Body My Life, a performance installation which took the statistics of gender-based violence in South Africa directly to the viewer. Since then she has done various other pieces about gender-based violence in South Africa. Currently, she is experimenting with documentation of performance elements to create print and video art. A piece called Dress of Remembrance, which was worn on August 1st 2018 as part of the #TheTotalshutdown March against gender-based violence to Parliament, has been included in an exhibition at the Iziko Slave Lodge Museum. Cape Town audiences recently saw Carin’s set design featured in Figure of 8 Dance Collective’s Wag/Waiting which debuted at the Baxter Theatre. She will be performing a new piece Till Death Do Us Part this August as part of the Vavasati International Women’s Festival at The State Theatre in Pretoria.
Janni Younge is a director and producer of multimedia, theatrical and visual performance works, with an emphasis on puppetry arts. Janni’s work has been performed widely internationally and she has gone on to be awarded the Standard Bank Young Artist Award for Theatre, several Fleur du Cap awards for puppet design and the Nagroda award for direction. A former director of Handspring Puppet Company for four years, she currently runs Janni Younge Productions and concurrently directs UNIMA SA. Janni’s works include the creation and direction of Ouroboros which toured extensively in South Africa, Europe and India, The Firebird which toured in the USA and Take Flight, currently touring Europe. With Handspring, Janni also directed revivals of William Kentridge’s Woyzeck on the Highveld and Ubu and the Truth Commission and worked with Handspring on War Horse and on the Bristol Old Vic’s Midsummer Night’s Dream. She also created and directed puppetry for the Royal Shakespeare Company’s Tempest.
Lucie de Moyencourt is an artist best known for her many exhibitions of suburbs in and around Cape Town. As a former architect, Lucie loves drawing the city, observing people going about their daily lives. Lucie has spent many years backstage, watching her mother perform as a dancer in various productions and is thrilled to be back in the wings to draw over 60 projections for the play Happy New Year (A Play With Songs) at The Fugard Theatre. The play coincides with a solo exhibition at the Voorkamer Gallery at Chandler House, of 300 Cape Town sketches painted over the summer of 2018/2019. Both the play and the exhibition celebrate Cape Town and the people who live and pass through it.