A Conversation with Marisa Steenkamp

Marisa Steenkamp is the Deputy Stage Production Manager at the Baxter Theatre, a position she has held since 2012. With her work ever-changing and evolving, she has worked as a stage manager, assistant stage manager, technician and costume designer. Her work has seen her tour with productions to various countries across the globe including Sweden, Germany, Columbia, France and England. She created the costume design for The Fall and facilitated and styled costumes for various productions including #JustMen, Fisher’s of Hope and Blue/OrangeMost recently, she has worked on productions such as Remembering the Lux, Blue/Orange, Marat/Sade, The Fall, Aunty Merle: The Musical and Endgame. Continue reading

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A Conversation with Nicolette Moses

Nicolette Moses is the Associate Producer and Planning Manager for the Baxter Theatre, a position she has held since 2010. She is a trained classical ballet and contemporary dancer who graduated from the UCT School of Dance. Following a sojourn abroad, Nicolette joined the Jazzart Dance Theatre, which she managed before joining CAPAB as head of the Audience Development department. In the transition from CAPAB to Artscape, Nicolette worked as Project Manager and then Artistic Manager until 2001. During her time at Artscape, she also worked extensively with the Nederlands Dance Theater. She was appointed as Project Manager at the Baxter Theatre Centre in 2003, and shortly thereafter started heading up the annual Baxter Dance Festival. Now in its 14th year, we sat down with Nicolette to chat about this year’s festival.

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A Conversation with Antoinette Kellermann

In a career spanning 40 years, Antoinette Kellermann has established herself as a doyenne of South African theatre, winning numerous awards for her work on radio, television and on stage. In 2008 she was honoured by the South African Academy for Science and Arts for her contribution to South African theatre. In 2010, she received several awards for her one-woman show As die Broek Pas, which she also performed in English as Man to Man. Select recent credits include Die Melktrein stop nie meer hier nee, Asem, Willem Anker’s Samsa-masjien and Hierdie Lewe by Karel Schoeman which awarded her a Kanna Award for Best Actress. She is currently starring as ‘Nell’ in the all-star cast of Samuel Beckett’s Endgame at the Baxter TheatreContinue reading

A Conversation with Sara Matchett

Sara Matchett is a director, theatre-maker and lecturer. She holds a PhD in Theatre and Performance from the University of Cape Town where she currently resides as a senior lecturer in the Department of Drama. As co-founder and Artistic Director of The MotherTongue Project, a women’s arts collective, Sara has experience in the field of theatre in South Africa, Singapore, India, Kenya and Indonesia as a theatre-maker, performer, director and facilitator. Her latest directorial endeavor, Womb of Fire, which reunites her with her “soul collaborator” and fellow MotherTongue Project co-founder, Rehane Abrahams, is now playing at the Baxter TheatreContinue reading

A Conversation with Tarryn Lamb, Carmen Maarman and Zandile-Izandi Madliwa

Tarryn Lamb, Carmen Maarman and Zandile-Izandi Madliwa have joined forces to star in the Baxter Theatre’s smash-hit new musical, Aunty Merle, The Musical. Devised by and starring Marc Lottering, Aunty Merle features a score of 21 brand new songs, 12 of which were written by Tarryn. Zandile-Izandi returns to the Baxter after joining the cast of The Fall earlier this year, while Carmen returns to the stage after her recent turn in District Six: Kanala. We sat down with Tarryn, Carmen and Zandile-Izandi to chat all about this new production.  Continue reading

A Conversation with Mamela Nyamza

Mamela Nyamza is an internationally renowned choreographer, dance artist, activist and Standard Bank Young Artist winner. After a successful run in The Netherlands, her carefully curated double bill, Rock to the Core and De-Apart-Hate arrives at the Baxter Theatre for a limited engagement before jetting off to be performed in Germany.
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A Conversation with Jaqueline Dommisse

The World Cup of children’s theatre is headed to South Africa. Internationally renowned children’s theatre organisation ASSITEJ proudly presents it’s 19th world congress and performing arts festival, The Cradle of Creativity, a 10 day event that celebrates the very best of children’s theatre from around the world. We spoke to Festival Director, Jaqueline Dommisse about the festival and her career as a theatremaker. Continue reading

A Conversation with Tankiso Mamabolo

Tankiso Mamabolo is a recent graduate of UCT who has burst onto the scene. Before graduating she performed in Black Dog/injemnyama which had a successful run at the Baxter Theatre. Tankiso also co-created and starred in the critically acclaimed production of The Fall which went on to win an Encore Award at this year’s Fleur du Cap Awards and will be returning to the Baxter later this year. Following that, Tankiso will reprise her role in Ameera Conrad’s Reparation at the National Arts Festival followed by starring in the highly anticipated new South African musical Calling Me Home. Continue reading

A Conversation with Sylvaine Strike

Sylvaine Strike is an award-winning actress, director and theatremaker as well as the artistic director and co-founder of Fortune Cookie Theatre Company. In 2012 she received critical acclaim for her direction of Molière’s The Miser. In the last month she has won a SAFTA award for best supporting actress for her role in Those Who Can’t, and received a Kanna nomination for her direction of DOP at the KKNK fees. Her latest production of Molière’s Tartuffe has just launched on it’s national tour.  Continue reading

A Conversation with Galina Juritz

Galina Juritz is an accomplished violinist and composer. Her latest composition, Madness: Songs of Hope and Despair, makes its return to The Baxter after an acclaimed one night only performance last year. Madness: Songs of Hope and Despair, brings mental illness and psychotic experiences into the spotlight using a combination of music, song and imagery in an attempt to portray the complexities and also the wonder of these strange and ultimately unknowable worlds. We sat down with Galina at The Baxter to chat about the show and her hopes for the future of her career.

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