Yvette Hardie is a theatre director, producer, educator and advocate, focusing on theatre for young audiences. She initiated the launch of ASSITEJ SA in 2007 and leads the organisation as Director. She is currently serving her third term as President of the international ASSITEJ, which networks across 100 countries. In 2017, she was responsible for hosting the 19th ASSITEJ World Congress & Performing Arts Festival, Cradle of Creativity, for the first time in Africa. She produced the award-winning Colonnades Theatre Lab production, Truth in Translation, seen by 55 000 people worldwide. For her own company, FreeVoice Productions, she produces national and international tours of Sindiwe Magona’s Mother to Mother. Her directing credits include Suzanne Lebeau’s The Ogreling and Mike van Graan’s Is it because I’m Jack? She is valued for her work in Arts Education, having written national curricula and textbooks for Dramatic/Creative Arts. Recently, she was awarded the Mickey Miner Award for Lifetime Achievement from IPAY for her contribution to theatre for young audiences locally and globally.
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A Conversation with Lee-Ann van Rooi
Lee-Ann van Rooi is an actor, educator, producer and director. This year marks Lee-Ann’s silver jubilee in the South African professional entertainment industry. With numerous awards, nominations and credits stretching over the various mediums of Film, TV, Stage and Radio, both locally and internationally, this UCT graduate’s interests and skills are wide-ranging, innovative and resourceful. A keen storyteller, puppeteer, teacher, mentor, writer, producer and director, she is particularly interested in growing and creatively educating audiences and the entertainment industry in a responsible and fair way. Lee-Ann has recently been nominated for two awards at this year’s upcoming Fiëstas Awards. She is nominated as Best Actress for her work in Ingrid Winterbach’s Ons is almal Freaks Hier and for Best Supporting Actress for her work in Chase Rhys’ Kinnes. She is currently gearing up to star as The Duchess of York in Richard III which will begin performances at Maynardville open-air theatre in February.
A Conversation with Gina Shmukler
Gina Shmukler has been in the entertainment industry since she was six years old. In her career, her theatre work as an actress, director and producer, has garnered ten theatre nominations and four awards across different genres ranging from Mamma Mia and Chess, to Master Class and Silk Ties. In 2013, after completing her Master’s Degree in Drama at the University of Witwatersrand, Gina was the proud recipient of the Dr Sibongile Khumalo Creative Research Award. Her select directorial credits include; The Line, Lost in the Stars, Songs for a New World, The Market Theatre’s Brer Rabbit, Beautiful Creatures, Love: A Musical Revue, The Last Five Years and The Whole Megillah. Having taken a performance hiatus, Gina returned to the stage in 2017 in Mike van Graan’s Helen of Troyeville. At the end of 2018, she returned to her musical theatre roots by stepping into Aunty Merle the Musical, which makes its way to Joburg Theatre following three sold-out engagements in Cape Town.
A Conversation with Kim Louis
Kim Louis made her professional debut at 17 years old in David Kramer and Taliep Petersen’s musical Poison. She then went on to star in Klop–Klop at the Baxter Theatre which celebrated the 10-year partnership between the two writer/composers. Following that, Kim reunited with David Kramer and Taliep Peterson once more when she was cast as Lucy Dixon in their hit musical, Kat and the Kings at the Baxter Theatre. The production received international attention and later went on to be performed on the West End and Broadway. Following her time on Broadway, Kim returned home and focused her attention on starting a family. She continued to feed her theatrical soul by performing at the Milnerton Playhouse Amateur Dramatic Society. Not long after joining, she won best female lead in the musical tribute to Carole King. Today, she is also a council member on the board of the Nelson Mandela Museum in Mthatha and recently launched Centre Stage Vocal & Performance Coaching. After a 20 year hiatus, Kim is back on the professional stage starring as Dinah in David Kramer’s brand new musical, Langarm, which runs at the Fugard Theatre.
A Conversation with Marisa Steenkamp
Marisa Steenkamp is the Deputy Stage Production Manager at the Baxter Theatre, a position she has held since 2012. With her work ever-changing and evolving, she has worked as a stage manager, assistant stage manager, technician and costume designer. Her work has seen her tour with productions to various countries across the globe including Sweden, Germany, Columbia, France and England. She created the costume design for The Fall and facilitated and styled costumes for various productions including #JustMen, Fisher’s of Hope and Blue/Orange. Most recently, she has worked on productions such as Remembering the Lux, Blue/Orange, Marat/Sade, The Fall, Aunty Merle: The Musical and Endgame. Continue reading
A Conversation with Nicolette Moses
Nicolette Moses is the Associate Producer and Planning Manager for the Baxter Theatre, a position she has held since 2010. She is a trained classical ballet and contemporary dancer who graduated from the UCT School of Dance. Following a sojourn abroad, Nicolette joined the Jazzart Dance Theatre, which she managed before joining CAPAB as head of the Audience Development department. In the transition from CAPAB to Artscape, Nicolette worked as Project Manager and then Artistic Manager until 2001. During her time at Artscape, she also worked extensively with the Nederlands Dance Theater. She was appointed as Project Manager at the Baxter Theatre Centre in 2003, and shortly thereafter started heading up the annual Baxter Dance Festival. Now in its 14th year, we sat down with Nicolette to chat about this year’s festival.
A Conversation with Karen Meiring
Karen Meiring is the Director of M-Net kykNET channels, a position she’s held since 2013. She joined M-Net in 2009 as the head of Afrikaans channels and brought an extensive knowledge of the South African entertainment industry to her position. She has cemented kykNET as the leading producer of Afrikaans film and television content and ushered in successful projects under kykNET such as the Fiëstas, Ghoemas and the Silwerskerm Film Festival. She has also been honoured with numerous awards for her contribution to the arts and entertainment landscape in South Africa. Karen also founded the first ever Afrikaans Arts festival, the KKNK, and was later appointed as the CEO of the festival. She is also one of the founding memebers of Cutt Glas, an internationally renowned Afrikaans a cappella band. We sat down to chat with her during this year’s Silwerskerm Film Festival. Continue reading
Through The Lens: Sarafina Magazine 2 Years Later
And just like that we’ve reached another milestone! On September 1st 2018, Sarafina Magazine officially turned two. Continue reading
A Conversation with Antoinette Kellermann
In a career spanning 40 years, Antoinette Kellermann has established herself as a doyenne of South African theatre, winning numerous awards for her work on radio, television and on stage. In 2008 she was honoured by the South African Academy for Science and Arts for her contribution to South African theatre. In 2010, she received several awards for her one-woman show As die Broek Pas, which she also performed in English as Man to Man. Select recent credits include Die Melktrein stop nie meer hier nee, Asem, Willem Anker’s Samsa-masjien and Hierdie Lewe by Karel Schoeman which awarded her a Kanna Award for Best Actress. She is currently starring as ‘Nell’ in the all-star cast of Samuel Beckett’s Endgame at the Baxter Theatre. Continue reading
A Conversation with Carmen Pretorius
Carmen Pretorius is a Naledi and Fleur du Cap nominated musical theatre and television actress, qualified makeup artist and presenter. After getting her professional start by winning the televised High School Musical competition, she went on to star in notable productions including Mamma Mia, Footloose, Jersey Boys and most recently The Sound of Music, which sees her taking on the role of Maria. We sat down with Carmen, ahead of the final week of the production, to chat about her “metamorphic” journey with the show.