Nicolette Moses is the Associate Producer and Planning Manager for the Baxter Theatre, a position she has held since 2010. She is a trained classical ballet and contemporary dancer who graduated from the UCT School of Dance. Following a sojourn abroad, Nicolette joined the Jazzart Dance Theatre, which she managed before joining CAPAB as head of the Audience Development department. In the transition from CAPAB to Artscape, Nicolette worked as Project Manager and then Artistic Manager until 2001. During her time at Artscape, she also worked extensively with the Nederlands Dance Theater. She was appointed as Project Manager at the Baxter Theatre Centre in 2003, and shortly thereafter started heading up the annual Baxter Dance Festival. Now in its 14th year, we sat down with Nicolette to chat about this year’s festival.
Karen Meiring is the Director of M-Net kykNET channels, a position she’s held since 2013. She joined M-Net in 2009 as the head of Afrikaans channels and brought an extensive knowledge of the South African entertainment industry to her position. She has cemented kykNET as the leading producer of Afrikaans film and television content and ushered in successful projects under kykNET such as the Fiëstas, Ghoemas and the Silwerskerm Film Festival. She has also been honoured with numerous awards for her contribution to the arts and entertainment landscape in South Africa. Karen also founded the first ever Afrikaans Arts festival, the KKNK, and was later appointed as the CEO of the festival. She is also one of the founding memebers of Cutt Glas, an internationally renowned Afrikaans a cappella band. We sat down to chat with her during this year’s Silwerskerm Film Festival. Continue reading
And just like that we’ve reached another milestone! On September 1st 2018, Sarafina Magazine officially turned two. Continue reading
In a career spanning 40 years, Antoinette Kellermann has established herself as a doyenne of South African theatre, winning numerous awards for her work on radio, television and on stage. In 2008 she was honoured by the South African Academy for Science and Arts for her contribution to South African theatre. In 2010, she received several awards for her one-woman show As die Broek Pas, which she also performed in English as Man to Man. Select recent credits include Die Melktrein stop nie meer hier nee, Asem, Willem Anker’s Samsa-masjien and Hierdie Lewe by Karel Schoeman which awarded her a Kanna Award for Best Actress. She is currently starring as ‘Nell’ in the all-star cast of Samuel Beckett’s Endgame at the Baxter Theatre. Continue reading
Carmen Pretorius is a Naledi and Fleur du Cap nominated musical theatre and televison actress, qualified makeup artist and presenter. After getting her professional start by winning the televised High School Musical competition, she went on to star in notable productions including Mamma Mia, Footloose, Jersey Boys and most recently The Sound of Music, which sees her taking on the role of Maria. We sat down with Carmen, ahead of the final week of the production, to chat about her “metamorphic” journey with the show.
Sisters Lamees and Widaad Albertus have become a force to be reckoned within the theatre industry. Currently working at The Fugard Theatre, Lamees holds the position of Theatre Manager and Associate Producer while Widaad not only holds the title of Wardrobe Supervisor and Production Assistant, but is currently also juggling the task of working as lead Costume Designer on several of the Fugard Theatre’s most anticipated upcoming shows including The Demon Bride and Significant Other. While most of their work tends to happen behind the scenes and away from the spotlight, Lamees recently had her work recognised by being featured in the Mail & Guardian’s 2017 Book of South African Women: On the Shoulders of Giants.
Candice van Litsenborgh is someone that is easy to obsess over. A multi-hyphanate, she is primarily a performer but has also formed her own production company, Canned Rice, where she seamlessly seems to do it all, from writing to producing to designing and even headshot photography. In the last few years Candice has become a staple in the South African musical theatre scene and has started producing her own work, the most recent being Court, a straight play which had a sold-out run at The Alexander Bar. Currently she is performing in Annie at the Artscape and is about to start rehearsals for her next big musical, the South African premiere of Priscilla Queen of the Desert.