During our conversation with storyteller Buhle Ngaba in 2017, she spoke about winning the Brett Goldin Bursary and creating her show, Swan Song during her time at the Royal Shakespeare Company. Now, almost three years later and after a successful developmental and award-winning run at the Klein Karoo National Festival in 2017, Swan Song has its eyes firmly focused on Vrystaat Kunstefees. Prior to its run, Buhle has launched Going For A Song, an art auction with a difference, making a difference to make art accessible. At the auction which will take place at the Book Lounge on July 1st, bidders will raise funds to get Swan Song on stage in front of a wider audience. On the night, it’ll be chosen at random and announced to guests which items will be up for auction – sold, to the highest bidder! – and which will be raffled. This split is symbolic of what Buhle hopes to do with Swan Song, and her wider body of work: to democratise art in a way that allows accessible participation and an easy buy-in to art that maintains its value. Those purchasing ‘tickets’ will do so at a fixed cost and post them into the “bidding box” beside each artwork to stand a chance to make it their own. In celebration of the upcoming auction, Buhle writes about the evolution of Swan Song. Continue reading
Klara van Wyk is a performer and theatre-maker. During the 2018 National Arts Festival, she’ll be pulling double duty by performing in two productions. First up, she stars alongside Buhle Ngaba in Penny Youngleson’s La Chair de ma Chair followed by her one-woman show, You Suck! (and other inescapable truths), which has been on back-to-back sell-out tours across the country and earned her a Fleur du Cap nomination. Her dedication to anti-bullying campaigns and clowning workshops with young South Africans has earned her a unique position in the local performance landscape where she occupies roles in social justice and entrepreneurship as well as artistic expression. After studying under Master Clown Philippe Gaulier in Paris, she is currently completing her PhD in Clowning at Stellenbosch University.
A historic production of Shakespeare’s popular comedy, The Taming of the Shrew, will be presented at the Maynardville Open-Air Theatre, directed by Tara Notcutt and featuring an all-female cast and creative team. Award-winning director Notcutt is making history with something never before seen on a South African stage: an all-female version of a Shakespeare play. She leads some of South Africa’s most celebrated actresses in a version of The Taming of the Shrew like it has never been seen before: a meeting of classic text with modern twists, including lip-synching, 90s fashion, and an all-female cast playing men and playing women, supported by an all-female creative team. This production also makes history as Notcutt becomes the 5th women in 61 years to direct a Shakespearian production at Maynardville. We were invited to attend the cast’s first day of rehearsals and get a sneak peak at this groundbreaking production.
A lot of the magic of Sarafina Magazine is due to the photography. During this first year, six women joined the team and stepped behind the lens to carefully capture each woman that we were so tirelessly working towards representing correctly and respectfully. Each photographer stepped in, added their own take to each shoot and managed to elevate our original concept into something more exceptional than any of us could possibly have imagined. Most photos are taken candidly during our conversation which makes each image as special and as unique as catching lightning in a bottle. To commemorate our first year, each photographer was tasked to pick their top two or three favourite pictures and share with us why they selected the ones they did.
Buhle Ngaba prefers to simply define herself as a storyteller. She is an award-winning actress, theatre-maker, author of The Girl Without a Sound and founder of KaMatla NPO and Maru Factory. Currently Buhle is starring in Nadia Davids’ What Remains which begins performances in Cape Town following a sold out run at the Grahamstown National Arts Festival. We sat down to chat about her career and the lessons she’s learned along the way. Continue reading