Hayleigh Evans is a theatremaker and co-founder of POPArt, an independent Johannesburg based theatre, production company and performing arts centre that is located in the heart of Maboneng. Now in its 6th year, POPArt has become a staple in the Johannesburg theatre industry and has helmed some of South Africa’s most exciting, edgy and celebrated work. Continue reading
Following its run in Cape Town, The Stephan Fourie Theatre Company’s production of Rent is making its way to Johannesburg. We sat down with the three principal actresses in the show, Nadine Suliaman, Emily Adair and Namisa Mdlalose who play the roles of Mimi, Maureen and Joanne, respectively. You can read part one of our chat with the female ensemble of Rent by clicking here. Continue reading
The internationally renowned production of Priscilla, Queen of the Desert is finally making its South African debut. We had the opportunity to sit down with the three Divas of the show: Candida Mosoma, Londiwe Dhlomo-Dlamini and Thembeka Mnguini, to chat about the show, their fears of flying and their personal definition of what it means to be a diva. To see the Divas in action performing It’s Raining Men on the Expresso Show click here. Continue reading
Sandra Prinsloo is a true doyenne of the South African performing arts industry. It was estimated that she has performed in over 100 different productions and with no signs of slowing down anytime soon, that number could very easily double. Currently, she is starring in So Ry Miss Daisy which sees her reunited with John Kani, 30 years after working together for the first time in the ‘controversial’ production of Miss Julie.
For the Afrikaans translation of this conversation, please click here. Continue reading
Joburg Ballet’s prima ballerina Burnise Silvius has announced that she will be retiring from the stage at the end of the upcoming season of La Traviata – The Ballet at Joburg Theatre. Professionally, Burnise has been dancing for over twenty years and has performed all over the world playing some of ballet’s most iconic and challenging roles. We sat down with Burnise to chat about her retirement and reflect back on her incredible career.
On paper, Marlene le Roux is titled as the CEO of Artscape, however she personally prefers to be referred to as the facilitator. Marlene has made history by being the first women to hold her current position. We were extremely grateful to have the opportunity to sit down with her and get to know the woman behind the title.
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Bonnie Rodini is a casting director, writer, director and producer working in the film and television industry. Best known for her feature film, The Story of an African Farm, Bonnie began her career as a ballet dancer before moving into the world of acting and eventually the world of filmmaking. Continue reading
Following a limited release last year, Tess, the award-winning film based on the novel Whiplash by Tracey Farren, releases across South Africa tomorrow. Director Meg Rickards has assembled an entirely South African crew and cast, lead by Christia Visser to tell the haunting story of Tess, a 20-year-old sex worker whose life is turned upside down when she discovers that she’s pregnant. We sat down with Meg and Christia to discuss their work on this groundbreaking film.
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We are thrilled to feature two of Cape Town Opera‘s leading ladies, Siphamandla Yakupa and Noluvuyiso Mpofu. We caught up with Siphamandla and Noluvuyiso in the upper foyer of Artscape to chat all about the world of opera, the roles that they are dying to play and why opera singers are likened to superheroes. Continue reading
Penelope Youngleson is a theatre-maker, designer, writer, composer, stylist and educator working in Cape Town. Her Award-winning play, Sillage which was just nominated for a Fleur du Cap Award for Best New South African script, will be presented by Rust Co-Operative as it returns to the Alexander Bar. We sat down with Penny at the Alexander Bar to chat about Sillage, her childhood experience of growing up in the theatre and the one question that she constantly gets asked.
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