Lungiswa Plaatjies is a musician, singer and composer. Born and raised in Langa Township in Cape Town, she started singing at the age of eight years old before becoming the lead vocalist of Amampondo. She has toured extensively around the world and released her first solo album, Lungiswa, in 2000. After spending time digging deeper into the foundation stones of African music and Xhosa dance (Umxhentso), Lungiswa released her second solo album, Unonkala produced by Don Laka. In 2002, she was nominated for Best Newcomer and Best Female Vocalist at the SAMA awards and was also nominated for two Kora awards. Since 2015, she has been working with Bos Theatre Productions from The Netherlands on an annual musical show called South African Road Trip. Her select theatre credits include; Heart of Redness, The Tempest for the Royal Shakespeare Company and The Flower of Shembe. Lungiswa can currently be seen on stage as the featured musician in Kunene and the King at the Fugard Theatre.
Naledi Majola is an actor, performance-maker and sound designer. In 2018, she was seen on stage in Tara Notcutt’s historic all-female production of The Taming of the Shrew and in Stream, a multimedia performance work led by Jennifer Steyn at the Baxter Theatre. She makes her feature film debut later this year in The Banana Splits. Her performance work, Where is the black samurai? debuted at Arcade, a durational live art platform curated by Gavin Krastin, and was most recently performed at the 2018 ICA Live Art Festival. Naledi also designs sound for performance, having recently done so for her own work, as well as AMES, written and directed by Andi Colombo in 2018 and the upcoming production of Tales from the Garden written by Ameera Conrad, which will run at the Baxter Theatre’s Masambe Theatre followed by a run at the Edinburgh Fringe Festival later this year.
Tessa Denton is an actor, director, choreographer and designer. She was recently appointed to Gate69’s art department where she is tasked with creating the obscure, creative, daring and over the top wigs, headpieces, earrings and accessories. Over the years, she has created many looks for a variety of clients, whether it be with make-up, body paint, dress setting, sets, decor, props, wigs, accessories or even just conceptualising ideas events. As an actor, some of her TV credits include; Die Boekklub, Getroud met Rugby, Donkerland, Binnelanders, 7de Laan and Generations. Select theatre credits include; Mis, Altyd in my drome, The Rocky Horror Show, Grease, The Full Monty and Lady Macbeth in the adult pantomime Macbeth. Later this year she’ll be seen on stage in Mis in Johannesburg followed by two TV appearances in Fynskrif and Sara se Geheim. Currently, her wig designs can be seen on stage at Gate69 in their latest show, Non-Specific.
Lindy Abromowitz Sachs is a performer and doctor. Having started her tertiary studies at UCT’s Opera School, she then changed tack completely and entered the medical world, graduating as a doctor six short years later. Whilst pursuing her medical career, she still managed to keep her love for theatre and performing alive by appearing in several films, commercials, as well as numerous musicals including Grease, The Sound of Music, Cats, Annie, District Six and the runaway hit Offbeat Broadway, which returns to Theatre on the Bay for its much anticipated fifth incarnation.
Janni Younge is a director and producer of multimedia, theatrical and visual performance works, with an emphasis on puppetry arts. Janni’s work has been performed widely internationally and she has gone on to be awarded the Standard Bank Young Artist Award for Theatre, several Fleur du Cap awards for puppet design and the Nagroda award for direction. A former director of Handspring Puppet Company for four years, she currently runs Janni Younge Productions and concurrently directs UNIMA SA. Janni’s works include the creation and direction of Ouroboros which toured extensively in South Africa, Europe and India, The Firebird which toured in the USA and Take Flight, currently touring Europe. With Handspring, Janni also directed revivals of William Kentridge’s Woyzeck on the Highveld and Ubu and the Truth Commission and worked with Handspring on War Horse and on the Bristol Old Vic’s Midsummer Night’s Dream. She also created and directed puppetry for the Royal Shakespeare Company’s Tempest.
Ilse Klink is an award-winning actor, singer and television personality. She is best known for the role of Vanessa Booysens on the daily soap, Isidingo. Her stage credits include Mamma Mia!, Rent, Chicago, Show Boat, Menopause -The Musical, Kristalvlakte, Scorched and Caeser, to name a few. She has graced South African television screens by appearing in Roer Jou Voete, iNkaba, 7de Laan and Broken Vows. Her movie credits include Ellen: The Ellen Pakkies Story, Cold Harbour, Dis ek, Anna and Stroomop for which she was recently awarded a 2019 SAFTA Golden Horn for Best Supporting Actress. Ilse is currently treading the boards as Mama Morton in Chicago, a role she has returned to for the third time, a decade after she played it last. Continue reading
Mariechen Vosloo is a costume designer and actor. She received her BA Drama degree from Stellenbosch University in 2011. Mariechen has assisted designer Birrie Le Roux on various productions, some of which are West Side Story, Marat/Sade and The Inconvenience of Wings. Mariechen has also worked in the South African and international advertising and film industry. She was the costume supervisor on Christiaan Olwagen’s film Johnny is nie dood nie, and subsequently designed the costumes for Die Seemeeu and Kanarie, also directed by Olwagen. She was also costume designer for TV series Dwaalster and Die Spreeus. We sat down with her to chat about Die Seemeeu which arrives in select theatres on April 5th 2019. Continue reading
Adele Blank is a choreographer, dance instructor and Director of Free Flight Dance Company, which she formed in 1987. She has trained, performed, choreographed and taught extensively in classical ballet and contemporary dance both locally and abroad. Since the beginning of the millennium, Adele’s artistic reach has extended far beyond the realm of dance. She has been responsible for numerous local and international TV adverts, movies, operas, fundraisers and a host of industrial theatre productions. Whilst coaching and teaching, she has created for many companies and is very involved in community and outreach programmes. Adele is a recipient of the Arts & Culture Trust Lifetime Achievement Award for Dance. We sat down to chat with her about devoting her life to dance and directing her latest project, Blue Violin, which will be performed at Artscape for a limited run. Continue reading
Christelle Dreyer is a dancer, graphic designer and performer. At a young age, she discovered her love and passion for dance. Christelle uses her unique body movements within dance styles varying from Contemporary dance to Ballroom and Latin dancing. As a Ballroom and Latin Dancer, she won numerous competitions. In 2007 she won first place in both Ballroom and Latin at the Holland World Championships. In working for Remix Dance Company, Christelle taught children as part of the Remix Integrated Dance Project with Nicola Elliott and Malcolm Black. In 2014, she performed as part of the UNI Global Union Women’s Conference. Partaking in the Axis Dance Company Intensive, Christelle found herself dancing and performing among dancers from across the world. Most recently she was seen acting in Marat/Sade directed by Jaco Bouwer at the Baxter Theatre. In 2017, she received the Cultural Affairs Award from the Western Cape Government for Contribution By Person With Disability To The Arts.
Lukhanyiso Skosana is an actress, performance artist, vocalist and theatre-maker. Her performing credits include Love Like Blue directed by Puleng Lange-Stewart, Khanyisile Mbongwa’s performance art piece kuDanger, Ndawo directed and written by Thapelo Tharaga and Nguvu Ya Mbegu directed by Mandla Mbothwe. To continue her collaborations with womxn of colour, she was in the dance piece Bana Ba Mobu choreographed by Tshegofatso Mabutla. She is in the continuous process of touring and reworking Womb Of Fire, a production written and performed by Rehane Abrahams and directed by Dr Sara Matchett for which she was recently awarded a Fleur du Cap Theatre Award for Best Original Music Score. She continued her longtime collaboration with The MotherTongue Project by performing in their performance piece Walk in India at the ITFOK festival, at the National Arts Festival in 2018 and at Woordfees 2019. She recently choreographed her debut dance piece entitled Zinyile i’Queers and also participated in Body Politics in a durational Butoh piece titled UMGOWO. In 2018, Lukhanyiso made her directorial as well as playwriting debut with her graduation piece Inguquko.