Barbara Mathers is an arts administrator, performing arts producer and events coordinator. Since 1998 she has managed Third World Bunfight, producing most of their productions and tours locally and internationally. She has produced events including the Performing Arts Network of South Africa competition of One Act Plays, the Festival of White Light on the Spier Estate from 2009 to 2011 and Talking Heads for Infecting the City Festival. She managed The Spier Arts Festivals for 2008 including the Poetry Exchange on the Spier Estate and the Performing Arts & Music Festivals presented in inner city venues of Cape Town. We sat down to chat about her involvement in Third World Bunfight as well as their latest production, Samson, which is heading to US Woordfees 2019.
Lucie de Moyencourt is an artist best known for her many exhibitions of suburbs in and around Cape Town. As a former architect, Lucie loves drawing the city, observing people going about their daily lives. Lucie has spent many years backstage, watching her mother perform as a dancer in various productions and is thrilled to be back in the wings to draw over 60 projections for the play Happy New Year (A Play With Songs) at The Fugard Theatre. The play coincides with a solo exhibition at the Voorkamer Gallery at Chandler House, of 300 Cape Town sketches painted over the summer of 2018/2019. Both the play and the exhibition celebrate Cape Town and the people who live and pass through it.
Kanya Viljoen is a theatre-maker, performer and designer. Recently, Kanya wrote and directed RAAK, which debuted at the Vrystaat Kunstefees and was nominated as Best Production of the festival. Furthermore, it has been nominated for two Kyknet Fiësta Awards and is heading to US Woordfees 2019 for a limited run. Earlier this year, Kanya was awarded South African Theatre Magazine’s Best Emerging Director Award. In 2018, Kanya directed Like Hamlet, which was performed at the Theatre Arts Admin Collective as part of the Annex Theatre Bursary. Her script, mank, was selected for further development by Kunste Onbeperk’s Teksmark and she was awarded a writer’s bursary for this script. Currently, Kanya is an Andrew W Mellon scholar, completing her MA in theatre-making at the University of Cape Town.
Yvette Hardie is a theatre director, producer, educator and advocate, focusing on theatre for young audiences. She initiated the launch of ASSITEJ SA in 2007 and leads the organisation as Director. She is currently serving her third term as President of the international ASSITEJ, which networks across 100 countries. In 2017, she was responsible for hosting the 19th ASSITEJ World Congress & Performing Arts Festival, Cradle of Creativity, for the first time in Africa. She produced the award-winning Colonnades Theatre Lab production, Truth in Translation, seen by 55 000 people worldwide. For her own company, FreeVoice Productions, she produces national and international tours of Sindiwe Magona’s Mother to Mother. Her directing credits include Suzanne Lebeau’s The Ogreling and Mike van Graan’s Is it because I’m Jack? She is valued for her work in Arts Education, having written national curricula and textbooks for Dramatic/Creative Arts. Recently, she was awarded the Mickey Miner Award for Lifetime Achievement from IPAY for her contribution to theatre for young audiences locally and globally.
Tiisetso Mashifane wa Noni is a South African playwright, theatre director and performer. With a Bachelor of the Arts in Political Science, Philosophy and Dramatic Arts from Rhodes University and a Bachelor of the Arts (Hons) in Directing for Stage, Writing for Film and Avant-garde Film from the University of Cape Town, she attempts to make provocative work that deals with themes of violence, sexuality, race and history within a contemporary South African setting. As a playwright and director, her debut play, Sainthood has received a Standard Bank Ovation Award and a Fleur du Cap nomination and is the subject of her TEDxYouth Cape Town Talk, ‘Another Conversation for the Dinner Table?’. Following a successful run at the National Arts Festival and at Theatre Arts Admin Collective, Sainthood makes its way to the Baxter Theatre for a limited engagement.
Just over two years ago, Lindy Johnson entered the stand-up comedy arena and has rocketed to success. In 2017, she won the Savanna ‘Show us Your Apples’ open mic showdown, representing as the only woman to make the finals and then, of course, beating the stiff competition and more experienced comedians to win the title. After a comparatively short amount of time, Lindy has already started making her mark and carving out a niche in the South African comedy scene, performing on esteemed stages such as the Cape Town Comedy Club, Rocking the Daisies, the Jive Cape Town Festival and opening up for Nik Rabinowitz’ Dry White at the Baxter Theatre. Last year, Lindy was hand-picked as one of 13 local comedians selected to star in Trevor Noah’s Nationwild.
Lee-Ann van Rooi is an actor, educator, producer and director. This year marks Lee-Ann’s silver jubilee in the South African professional entertainment industry. With numerous awards, nominations and credits stretching over the various mediums of Film, TV, Stage and Radio, both locally and internationally, this UCT graduate’s interests and skills are wide-ranging, innovative and resourceful. A keen storyteller, puppeteer, teacher, mentor, writer, producer and director, she is particularly interested in growing and creatively educating audiences and the entertainment industry in a responsible and fair way. Lee-Ann has recently been nominated for two awards at this year’s upcoming Fiëstas Awards. She is nominated as Best Actress for her work in Ingrid Winterbach’s Ons is almal Freaks Hier and for Best Supporting Actress for her work in Chase Rhys’ Kinnes. She is currently gearing up to star as The Duchess of York in Richard III which will begin performances at Maynardville open-air theatre in February.
Gina Shmukler has been in the entertainment industry since she was six years old. In her career, her theatre work as an actress, director and producer, has garnered ten theatre nominations and four awards across different genres ranging from Mamma Mia and Chess, to Master Class and Silk Ties. In 2013, after completing her Master’s Degree in Drama at the University of Witwatersrand, Gina was the proud recipient of the Dr Sibongile Khumalo Creative Research Award. Her select directorial credits include; The Line, Lost in the Stars, Songs for a New World, The Market Theatre’s Brer Rabbit, Beautiful Creatures, Love: A Musical Revue, The Last Five Years and The Whole Megillah. Having taken a performance hiatus, Gina returned to the stage in 2017 in Mike van Graan’s Helen of Troyeville. At the end of 2018, she returned to her musical theatre roots by stepping into Aunty Merle the Musical, which makes its way to Joburg Theatre following three sold-out engagements in Cape Town.
Bethany Dickson is a Naledi and Fleur du Cap Theatre Award nominated actress. For more than a decade, Bethany has been charming South African and international audiences by tackling some of musical theatres most iconic roles. After making her debut in High School Musical, she has since gone on to perform in Singin’ in the Rain, Sunset Boulevard, The Sound of Music and Grease. We sat down with her to chat about her latest role, portraying Miss Honey in the musical adaptation of Roald Dahl’s beloved classic, Matilda.
Kim Louis made her professional debut at 17 years old in David Kramer and Taliep Petersen’s musical Poison. She then went on to star in Klop–Klop at the Baxter Theatre which celebrated the 10-year partnership between the two writer/composers. Following that, Kim reunited with David Kramer and Taliep Peterson once more when she was cast as Lucy Dixon in their hit musical, Kat and the Kings at the Baxter Theatre. The production received international attention and later went on to be performed on the West End and Broadway. Following her time on Broadway, Kim returned home and focused her attention on starting a family. She continued to feed her theatrical soul by performing at the Milnerton Playhouse Amateur Dramatic Society. Not long after joining, she won best female lead in the musical tribute to Carole King. Today, she is also a council member on the board of the Nelson Mandela Museum in Mthatha and recently launched Centre Stage Vocal & Performance Coaching. After a 20 year hiatus, Kim is back on the professional stage starring as Dinah in David Kramer’s brand new musical, Langarm, which runs at the Fugard Theatre.