Elsabé Daneel is an actress, director, producer, lecturer and TV presenter. With a career spanning across stage and screen, her select stage credits include Feeskatte, Ou Blare and Deon Opperman’s one-woman show, Bittersoet, which she toured extensively to all the major arts festivals in South Africa over the course of several years. Her TV career includes 18 SABC dramas. In 2001 she started Elsabé Daneel Productions which sees her taking on the role of producer, director and presenter of corporate videos and documentaries for private clients, kykNET and M-Net. She is currently starring as matriarch ‘Sandra Viljoen’ in Ferdinand van Zyl’s complex war drama, The Recce, which arrives in theatres on September 28th. We sat down with her to chat about her multifaceted career and why her role in The Recce is the “deepest” she’s ever gone. Continue reading
Karen Meiring is the Director of M-Net kykNET channels, a position she’s held since 2013. She joined M-Net in 2009 as the head of Afrikaans channels and brought an extensive knowledge of the South African entertainment industry to her position. She has cemented kykNET as the leading producer of Afrikaans film and television content and ushered in successful projects under kykNET such as the Fiëstas, Ghoemas and the Silwerskerm Film Festival. She has also been honoured with numerous awards for her contribution to the arts and entertainment landscape in South Africa. Karen also founded the first ever Afrikaans Arts festival, the KKNK, and was later appointed as the CEO of the festival. She is also one of the founding memebers of Cutt Glas, an internationally renowned Afrikaans a cappella band. We sat down to chat with her during this year’s Silwerskerm Film Festival. Continue reading
And just like that we’ve reached another milestone! On September 1st 2018, Sarafina Magazine officially turned two. Continue reading
In a career spanning 40 years, Antoinette Kellermann has established herself as a doyenne of South African theatre, winning numerous awards for her work on radio, television and on stage. In 2008 she was honoured by the South African Academy for Science and Arts for her contribution to South African theatre. In 2010, she received several awards for her one-woman show As die Broek Pas, which she also performed in English as Man to Man. Select recent credits include Die Melktrein stop nie meer hier nee, Asem, Willem Anker’s Samsa-masjien and Hierdie Lewe by Karel Schoeman which awarded her a Kanna Award for Best Actress. She is currently starring as ‘Nell’ in the all-star cast of Samuel Beckett’s Endgame at the Baxter Theatre. Continue reading
Dorothy Ann Gould is one of South Africa’s most celebrated and respected actresses. She has worked professionally for the past 50 years and has gone on to star in over 180 productions which have awarded her several of South Africa’s top accolades. She is also the founder of Johannesburg Awakening Minds, a theatre troupe comprised of 13 homeless gentlemen. Recently, Dorothy was honoured with a 2018 Naledi Award for Innovation in Theatre. She is currently starring in Joan Didion’s The Year Of Magical Thinking, based on her memoir, which has transferred to the Baxter Theatre following its successful run at the Market Theatre earlier this year. Continue reading
Carmen Pretorius is a Naledi and Fleur du Cap nominated musical theatre and television actress, qualified makeup artist and presenter. After getting her professional start by winning the televised High School Musical competition, she went on to star in notable productions including Mamma Mia, Footloose, Jersey Boys and most recently The Sound of Music, which sees her taking on the role of Maria. We sat down with Carmen, ahead of the final week of the production, to chat about her “metamorphic” journey with the show.
Sisters Lamees and Widaad Albertus have become a force to be reckoned within the theatre industry. Currently working at The Fugard Theatre, Lamees holds the position of Theatre Manager and Associate Producer while Widaad not only holds the title of Wardrobe Supervisor and Production Assistant, but is currently also juggling the task of working as lead Costume Designer on several of the Fugard Theatre’s most anticipated upcoming shows including The Demon Bride and Significant Other. While most of their work tends to happen behind the scenes and away from the spotlight, Lamees recently had her work recognised by being featured in the Mail & Guardian’s 2017 Book of South African Women: On the Shoulders of Giants.
Sara Matchett is a director, theatre-maker and lecturer. She holds a PhD in Theatre and Performance from the University of Cape Town where she currently resides as a senior lecturer in the Department of Drama. As co-founder and Artistic Director of The MotherTongue Project, a women’s arts collective, Sara has experience in the field of theatre in South Africa, Singapore, India, Kenya and Indonesia as a theatre-maker, performer, director and facilitator. Her latest directorial endeavor, Womb of Fire, which reunites her with her “soul collaborator” and fellow MotherTongue Project co-founder, Rehane Abrahams, is now playing at the Baxter Theatre. Continue reading
Triple threat, Sihle Ndaba is well-known to South African audiences for her award-winning role as ‘Smangele Maphumulo’ in SABC 1’s hit primetime soap Uzalo, for which she won the Simon Sabela Award for Best Supporting Actress in 2015. She is currently making a return to her musical theatre roots by starring as ‘Petal’ in The Fugard Theatre’s return season of King Kong. We sat down with her to chat about joining the illustrious company and navigating the fame that comes along with starring on South African television.
Lesedi Job is an actress and director. Lesedi made her directorial debut in 2017 with Mike van Graan’s When Swallows Cry at the Market Theatre and went on to win the Sophie Mgcina Emerging Voice Award. The production, which has transferred to Cape Town, is currently running at the Baxter Theatre. An accomplished performer in her own right, Lesedi received a Naledi Theatre Award nomination for her role in Lara Foot’s Fishers of Hope. Continue reading